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2014 · ★ 5.8 (4)
Timmy is a look-out in the military. As a diversion from her tiring frame work, she creates an imaginative, childish world, which sets her apart in a mundane routine. When she has to deal with the real military world for the first time, her own world is shattered and undermined.
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2015 · ★ 5.9 (7)
Although Tarra is a married woman, she has a totally wild sex life. Completely insatiable when it comes to sex, Tarra cannot be satisfied by only one man. She needs much more! From her colleagues at the office, to local mechanics and friends of her stepdaughter, Tarra is constantly using her sex appeal and incredible body to seduce every man that crosses her path. With her husband having failed to satisfy her this morning, Tarra now has her heart set on her colleague, the handsome Juan. This Spanish stallion will not resist her advances for long, and will soon be treating her to some wild anal sex in the photocopying room.
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— · ★ 0.0 (0)
Explores training techniques that dancers obsessively partake in when perfecting their bodies.
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2016 · ★ 0.0 (0)
By using outdated analog cameras and live capture overlay projections, Parking Lot Attendant is a formal exploration of glitches and image processing, shared between contemplation, insistence and irregularity. This video is based on the free interpretation of a poem about boredom and its environmental components, proposing a fixed and fragmented portrait of daily life.
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2000 · ★ 0.0 (0)
The heated rhythms of the original Munch have been frozen out. The only touch of colour is in the woman's blood-red bracelet. The only movement is an almost imperceptible caress on her shoulder, from a hand as bleached-out and furtive as a vampire's claw. Throbbing, slowed-down drum'n'bass plays in the background. Dolven has taken a still image that moves, turned it into a moving image that is utterly fixed, and created a work that is enduringly haunting.
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2009 · ★ 0.0 (0)
the day the sky became my ground is shot in one take on 16mm film. A young girl spins continually in a cold, white and icy landscape.
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2011 · ★ 0.0 (0)
A large horizontal shadow fills the frame from edge to edge. We never see who makes the shadow. We know that only something vertical can cast a horizontal shadow.
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1976 · ★ 0.0 (0)
Set against a background of her paintings and the Yarmouth, Nova Scotia, landscapes they depict, this short documentary is a portrait of the life and work of one of Canada's foremost primitive painters, Maud Lewis. Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.
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A crooked-security salesman plans to break into peoples houses to sell more security equipment.
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— · ★ 0.0 (0)
When a married couple wanders into an adult store they get a little more than they bargained for.
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2008 · ★ 1.0 (2)
Inspired by the poem by Reverend Martin Niemoller of the same name, First They Came for...is set in a not so distant future where a nondescript regime takes away innocent people while one man struggles between standing up for what is right and saving himself.
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1998 · ★ 5.6 (9)
A look into the private life of celebrity couple Pamela Anderson and husband Tommy Lee following their short-lived marriage in 1995.
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2011 · ★ 0.0 (0)
This film was originally screened as part of a solo show of the same name at Vitrine Gallery in London from July-September 2011. The work is created using a technique that expands film scenes beyond the conventional screen ratio. The finished result reveals beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.
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2014 · ★ 0.0 (0)
In the sunlit town named Rehovot a father and his daughter spend a day together. When night falls the girl encounters the violence and hate from her parent's past. The girl dives into a world of words and memories, only to reemerge into the morning light.
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2006 · ★ 8.0 (1)
Set in the days of 50's pin up stars, Jesse and Jana get down and dirty while they get you off in Hot Rod For Sinners. Featuring over 10 scenes, 2 Digital Playground contract stars plus 8 of the most beautiful girls to ever get naked in front of a camera is a total overdose of erotic and stylized hardcore porn scenes.
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2015 · ★ 0.0 (0)
Forms shift like a landscape of memory in this enchanting work featuring music by Tatsuki Tsushima. -JAPAN CUTS: Festival of New Japanese Film
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2015 · ★ 0.0 (0)
In the blink of an eye perception shifts, opening up opportunities to explore and fluidly move between waking and dreaming realities. Shot in the hills of Brown County, Indiana on Super 8 and edited digitally, Attention to Detail Guides the Dreamer explores a recursive, deepening process that eradicates reliance on form and structure, expands space, and invites viewers to heighten their awareness of the multi-layered nature of reality.
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2007 · ★ 6.0 (1)
A self-portrait of Pruska-Oldenhof's childhood and native home in three segments of image, song and text. Images of her birth country are shown as she silently mouths a Polish emigrants' song, followed by a recording of her singing the same song as a child, followed by a text translation of the song into English.
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2003 · ★ 10.0 (1)
“her carnal longings” is an audiovisual meditation on the human body and the film medium at a time when the futures of both are in question. Using the “emulsion lift” technique on 16mm film, sections of emulsion were lifted off, torn up or smudged, and then re-adhered. In combination with digital video technology, Pruska-Oldenhof creates an intricate analogue-digital weave that explores both the body’s and the film’s surface. The film emulsion wrinkles, rips and dissolves - reminding us that it, like human flesh, is fragile and perishable.
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1997 · ★ 6.0 (1)
my I's is a visual journey through time, space, and memories of the filmmaker from her childhood to the present. Not parting with her Super 8 camera for four years, she accumulated a variety of images from different parts of the world and from different times of the year. She then combined these images with home movie footage of herself and her mother.
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