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2004 · ★ 0.0 (0)
Kirby exposes celluloid to the plants of the Huntington Gardens, then improvising on the footage through digital manipulation.
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2004 · ★ 0.0 (0)
Celluloid exposed by light passing through the sacred space of a chapel then digitally manipulated afterwards.
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2004 · ★ 0.0 (0)
The filmic material was exposed, as the title suggests, at a martial arts expo in which Kirby’s young son James was undergoing his black belt examination. Here, saturated color frames reminiscent of the earlier exposure-works are disrupted by pure black-and-white scan lines and video feedback. It is a summary work, combining techniques from several different phases of Kirby's practice, and this allows Kirby’s improv strategy to achieve a new level of freedom, with certain expected formal gestures disrupted by whole new frames of reference. (Michael Sicinski)
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2017 · ★ 0.0 (0)
From the landlords who house migrant workers like sardines, to the white van men who exploit them, who's benefiting from the underground jobs market and what are the tragic costs?
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2010 · ★ 0.0 (0)
Valleys of Fear weaves together disparate histories, stories, pathologies, in order to find commonalities with current realities and to explore the pull between the rational and irrational: the human impulse to make “scientific and objective” judgments about the world around us, in opposition to our inability to prevent the personal from intervening—be that political, romantic, or physical.
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2016 · ★ 0.0 (0)
An orb-weaver spins its web, captures prey, and filters light. How does other light get filtered or created? Digitally and energetically, light and its origins drive our circadian rhythms, our internal clocks, and affect the retina. Blue light, in the realm of 400 to 500 nanometers, has become increasingly pervasive, just as our light sources have homogenized. How does this ownership of the eye, of light, of the world, unwind us?
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2015 · ★ 0.0 (0)
The physical length of our body turns into the temporal measurement on film.
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2016 · ★ 7.0 (1)
Angela Loves Gonzo does away with camera crews, professional lighting, and cliched porno scenarios to showcase Angela White in candid hotel sex romps. This movie gives the viewer a POV and voyeur's eye view of Angela as a woman who enjoys exploring the breadth of sexual expression; from the most tender and romantic to the rough and raw. Angela and Ramon Nomar's chemistry is so intense they barely get their clothes off before the fucking begins. They move from the car to the bathroom to the bed in an energetic and fervent encounter that leaves Angela with smeared makeup and a mouth full of cum. In the next liaison, Angela and Anikka Albrite devour each other in passionate lesbian sex before sharing Mick Blue's big hard cock. In this incredibly sensual and heartfelt threesome, the camera becomes part of the action as the trio take turns sho...
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2016 · ★ 0.0 (0)
A tongue-and-cheek story of heartbreak told entirely through images from an IKEA catalogue. -from http://www.filmlinc.org/
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1975 · ★ 0.0 (0)
"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K
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1983 · ★ 0.0 (0)
Artist Martha Rosler identifies the totalitarian implications of an argument for torture under certain circumstances, as it appears in the editorial pages of Newsweek magazine.
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1995 · ★ 0.0 (0)
There are four performers in the film - a drummer, a swimmer, an ice skater and a fourth woman. Although the protagonists never appear together they are inextricably bound up by their actions. Meaning is conveyed through movement and its associated sound and the accompaniment of the drummer. The film takes place both above and below water, on ice, and in a room visited by the fourth woman.
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1980 · ★ 0.0 (0)
Early film by Jayne Parker.
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1984 · ★ 6.7 (3)
Two horny teenage boys dress up as girls and sneak into a summer camp full of beautiful women.
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2016 · ★ 7.5 (3)
"My name is Tony. With my wife Rebecca, we are the owners of a luxurious guest house in the english countryside. Rebeca and I have been married for a long time and ou marriage couldn't be any happier. During the day, I have to go to my office to take care of business while Rebecca is in charge of our customers' well being. Knowing her, I know for a fact that she does everything to make them feel at home." When this cute french couple asks her to bring them sandwiches in their room, she can't refuse. She certainly wasn't expecting to find them in such an indecent posture or that they would ask her to join their little sex games.
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1980 · ★ 0.0 (0)
A small cinematic poem from subjective street scenes, mirrored faces, and the city passing by, as well as naked female bodies underwater, creating an essay made from observed images.
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2016 · ★ 0.0 (0)
Daphne Hérétakis proposes a protean reflection on cinétract, both activist, humorous and poetic. With her camera, she goes to meet the Athenians and collects their disillusions and their hopes. In view of the images, readers, scattered throughout the room, read excerpts from Greek poems.
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2002 · ★ 0.0 (0)
On Puerto Rican poet Julia de Burgos and her poem with the same name.
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