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Poster for Babash

2014 · ★ 0.0 (0)

“Babash is a parrot. He lives in Los Angeles. Kept by an Iranian family, he speaks mostly Farsi. Sometimes Babash mixes English and Azeri into his conversations. Behrouz Rae has made friends with Babash over the years. The short film Babash is an associative portrait about a special relationship and the domestic surroundings in which it grew. Observing Babash and Behrouz, intervening upon them with color panels, inventing a common language, a focus emerges of a shared misplacement within this genuine friendship.” —Lisa Truttman & Behrouz Rae

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No poster

2006 · ★ 0.0 (0)

Camilla, an 8-year-old girl, sees a cardboard box fall from a "donkey without a tail" and tries to return it to its owner - a paper taster. The man gives her the old box. Upon arriving home, Camila finds a camera in the box - and then begins her adventure.

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Poster for Sexe et amour 3.0

2018 · ★ 0.0 (0)

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Poster for Call Me Salma

2010 · ★ 0.0 (0)

Call me Salma is a documentary film about love and loss. Set in the crowded back alleys of Dhaka, Bangladesh, the film follows Salma as she enters the mysterious and rich world of transsexuality. Salma, a 15-year old Hijra, left her village and family to enter the effervescent city life in search of a clear identity, love and above all, a sense of acceptance. Emotionally torn between her youth and her desire of being a woman, Salma will be faced with events that will force her, as well as the audience, to question any preconceived notions of gender, sexuality, family and love.

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Poster for A Drag King Extravaganza

2008 · ★ 0.0 (0)

What is a drag king? What is the Drag King Conference? Simply speaking, a drag king is a woman who dresses in a male persona for theatrical purposes. A Drag King Extravaganza, however, reveals that being a drag king is not so simple. During the last ten years this performance art has exploded into a complex and fascinating movement which centralizes around an annual drag king conference called the International Drag King Community Extravaganza (IDKE). Within this conference, gender, sexuality, race and ability are explored through in-depth discussions and provocative performances. This documentary provides a reflexive look at "what is a drag king" and a personal journey inside their conference. Interviewees include Christopher Noe, Kentucky Fried Woman, Mel Corn, Deb 'Dirk' Pearce, Flare, Julie 'Jake' Applegate, Toe B, Sile Luster / Lustivious Dela Virgion, Erin Tarr, Big Papa, Ken Vegas, Dante DiFranco and many more.

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Poster for Kosmos

2017 · ★ 0.0 (0)

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.

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No poster

2011 · ★ 0.0 (0)

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No poster

— · ★ 0.0 (0)

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Poster for Into the Light: The Film Resistance

2016 · ★ 0.0 (0)

Biomorphic shapes at play in this film reiterate and expose the persistence of vision, frame flickering and illusions. The random cycling images question who is the projector and who is the projectionist, while light forms the sound frequencies.

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Poster for Les basha posh afghanes, des filles au masculin

2013 · ★ 0.0 (0)

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Poster for Après la guerre, la France a faim

2015 · ★ 0.0 (0)

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Poster for Berlin unterm Hakenkreuz - Die 30er Jahre

— · ★ 0.0 (0)

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Poster for Pitch The Baby

2018 · ★ 0.0 (0)

An explosive film about a crazy woman, her ugly boyfriend and the heartbreak that tore a town apart!

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Poster for Female Pleasure Circle

2019 · ★ 0.0 (0)

"Female Pleasure Circle" portrays five self-determined women, breaking the taboo of female masturbation in an intimate masturbation class followed by an all-female orgy. Prioritising female sexual pleasure and shattering the belief that sex is all about fulfilling male desire, this film is fiercely tackling social issues - the Lust way.

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Poster for Up My Booty 3

2019 · ★ 7.0 (1)

Adventurous, young backdoor babes enjoy intense buttfucking with hung stud Mark Wood in LeWood's "Up my Booty 3." Hard anal reaming comes complete with lewd rimming, expansive bunghole gaping, tasty ass-to-mouth blowjobs, and a mess of semen for the thirsty girls to guzzle.

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Poster for Up My Booty 2

2016 · ★ 7.0 (1)

The anal aficionados of LeWood Productions (husband-and-wife pornographers Francesca Le and Mark Wood) dominate the sweet asses of aspiring starlets in "Up my Booty 2." Each scene starts with an arousing outdoor tease segment; next, each lady is thoroughly sodomized in a one-on-one encounter as a hung stud fucks her every hole and delivers a creamy cum facial.

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Poster for Open My Ass 3

2019 · ★ 8.0 (1)

Nasty-hot wenches spread their cheeks in LeWood's "Open my Ass 3." Co-director Francesca Le shoots camera as hung stud Mark Wood delivers hard buttfucking; slobbery, ass-to-mouth blowjobs; and heaps of steaming cum. All four scenes include expansive anal gaping!

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Poster for Cyan

2014 · ★ 0.0 (0)

Cyan is assembled from numerous 16mm film workshops. Some of the footage is found, most is made, much of it filmed by participants themselves. Accumulated between 2004 and 2014.

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Poster for The Gringo in Mananaland

1995 · ★ 0.0 (0)

Documentary about the strained relations that Latin America has with the United States. Halleck says at the beginning that the images of Latin America she saw in Hollywood films didn't match the reality she knew growing up in Cuba. She then uses footage of old Hollywood films, newsreels and corporate advertising films to show that, even in the early 20th century, these problematic relations between Latin America and the US were well known to Americans, even if they didn't want to recognize them.

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Poster for Fora da lei

2006 · ★ 0.5 (1)

Lesbian couple Teresa and Lena made national news in Portugal when they applied to get married. Leonor Areal's camera follows them, one amid scores of reporters' cameras, as they deal with the denial of their petition, and, more significantly, with the negative fallout the publicity generates. Though seeking equal rights, in the process of being recognizable public figures, the two women and their daughters instead find themselves facing even greater discrimination in housing, work, and school.

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