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2014 · ★ 0.0 (0)

Cecilia, an introvert preschooler, is selected to represent her school in a storytelling competition. But first, she has to present the story to her classmates. Excited by the opportunity, Cecilia is determined to shine despite the many obstacles in her way.

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Poster for Everything Flows - interval

2018 · ★ 0.0 (0)

Everything Flows – interval (2018) extracts a sequence of various objects swaying from Dziga Vertov’s documentary film Man with a Movie Camera (1929).

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— · ★ 0.0 (0)

a short video by midi onodera

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Poster for Good Little Girl

2016 · ★ 7.0 (1)

Bookworm is an honor student who lives alone with her step-father, a successful businessman who highhandedly raised the girl since her mother passed away at a young age. The two have an inseparable bond, brought together by love and devotion. But their world changes when bookworm meets Charity, a runaway who enchants the good girl... and then proceeds to tear her family apart.

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Poster for sun moon stars rain

2010 · ★ 0.0 (0)

An animated visual elegy, mourning the death of Mother Nature's children. Made for the One Take Super 8 event / WNDX Experimental Film and Video Art Festival.

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Poster for Three's a Crowd?

2020 · ★ 0.0 (0)

Ava is sleeping while husband Drew hangs out with his best friend Dan. Dan confesses that he is envious of Drew's relationship. Drew has confided in Dan that Ava gives the best blowjobs ever; she's a very kinky, albeit good, girl. Dan's wife hasn't had sex with him since she had their son, and she was never interested in giving blowjobs. Dan confesses to his good friend that his wife is allowing him to see a high-end escort overseas. Drew's shocked and disturbed by the idea. He wonders what he could do for his friend? What if he could convince his wife to give Dan an amazing blow job? Drew feels his dick twitch from the idea of his wife being taken my another man. He wouldn't dare allow his wife to be taken by just any man, but his best friend is like a brother to him. If only she would agree? Watch the story unfold..

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Poster for What Does The Water Taste Like?

2019 · ★ 0.0 (0)

"What Does the Water Taste Like?" questions the production of identity as it relates to the filmmaker’s personal affiliations as a British-Nigerian. Prompted by intimate conversations, the film conjoins footage and voices of the past with their counterparts in the present-tense.

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Poster for Part Three

2019 · ★ 0.0 (0)

Through a mixture of animation and video assemblage, Part Three explores a dreamscape world, parallel to our own. A human enters this world through a portal. In this stage of their journey, they navigate grief, memory and healing. This new media work includes poetic story-telling told through the narrator that speaks about gender, describing their own relationship to land, medicine and the beings which inhabit these spaces.

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Poster for New Pedestrians

2018 · ★ 0.0 (0)

“Background actors” silently inhabit the roles of pedestrians or passersby. Like an exercise in walking meditation, the pedestrians trace a path that is unstable, full of distractions, thoughts, and emotions, crises of identity, anxiety, and restlessness. —Julia Feyrer

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Poster for Dailies

2019 · ★ 0.0 (0)

The second film to feature a cast of assisted readymade clock sculptures (after Irregular Time Signatures). Starring “Sublimation Clock”, “Litmus Clock”, “Writer’s Block”, “Atomizer”, and “The Crypt.” Prior to shooting Dailies, the film and these clock sculptures were exhibited together in a 2011 exhibition in Malmö.

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Poster for The Composition Kids

2008 · ★ 0.0 (0)

An early student collaboration and shot on 16mm in Sicily, this cycle of kinetic assemblages is accompanied by a soundtrack composed of improvised sounds recorded on location and then in Vancouver.

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Poster for They Whisper But Sometimes Scream

2020 · ★ 10.0 (1)

In the north of Azerbaijan, at a lakeside sanctuary: three trees are adorned with fabrics woven by the women residing in the neighbouring village, who would come to ward off their sorrows by making nature their ally. With poignant gentleness, Lala Aliyeva’s camera brings back to life this mirror-like place where women, in the past, were released, at least spiritually from their harsh condition.

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Poster for Thursday Dream

— · ★ 0.0 (0)

'Thursday Dream' is a short by Diana Siegel based on William Carlos William's poem, "Thursday".

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Poster for Mysteries of the Pussies

2010 · ★ 0.0 (0)

For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory participant. Together Schneemann and Lammi physically respond to images of the artist's cats. Schneemann relates her own research into historic obscenities connecting the various implications of "pussy". Lammi translates Schneemann's shocking words into Finnish.

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Poster for The Popovich Brothers of South Chicago

1977 · ★ 0.0 (0)

In a small community of steel workers, truck drivers, and teachers on the South Side of Chicago, a musical group called the Popovich Brothers maintained the traditional music and rich culture of their Serbian homeland by performing in local venues. By the 1970s, when this documentary was made, the Popovich Brothers had been performing for almost 50 years, bringing this music to new generations.

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Poster for Left Side, Right Side

1972 · ★ 0.0 (0)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas' approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video.

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Poster for Just For You Girls

1998 · ★ 0.0 (0)

A period-style advertisement recontextualized from a feminist perspective.

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Poster for Pomp

2020 · ★ 0.0 (0)

‘Pomp’. Last chapter of the series. The colors blue and gold are dominating this film. ‘The Blue Hour’ – glittering stars at the night sky and on vaudeville stages. Finger dances in golden gloves of satin, full glasses of champagne in circle choreographies, collective ‘Golden Showers’. Performers in bluecatsuits. Everything moving in circles. Pure ‘Pomp’.

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Poster for Hot & Bothered

2020 · ★ 0.0 (0)

Gianna's roommate, Gia, had been bisexual for ages, but Gianna had always thought of herself as straight. Is it the dry spell talking...or is this attraction she's feeling to Gia the real deal? When Isiah's girlfriend cancels their couple's yoga session at the last minute, their teacher, Karla, decides she'll teach him anyway. Eliza was committed to locking in a daytime booty call that Saturday afternoon, but truth be told, she was struggling. Something she wasn't at all used to. When she gets an unexpected text from Seth, Eliza invites him over to "help her build some furniture," and slams her laptop shut. Why does getting what you want feel so god damn good? With Jay's job keeping him away traveling for weeks at a time, Jillian can't help but feel those first date butterflies upon his return. That feeling of excitement and longing...the pure anticipation. She hated when he left, but god damn did she love when he came back.

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Poster for Raising the Roof

2005 · ★ 1.0 (2)

On October 18, 1978, the San Francisco Examiner announced the birth of an innovative company, the Seven Sisters Construction Company, a group of women carpenters inspired to break down the barriers in a trade which has traditionally discriminated against them.

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