1993 · ★ 0.0 (0)
Chien Wei-ssu documents her and her friends' perspective, studying abroad in Ohio State University, being there taiwanese students keen of structuralism, Claude Levi-Strauss and Jean Rouch. She delves into women's relation to men, to women, to their own body, to the menstrual cycle, historical national identity, gender identity and sexuality. In the process, she captures the silence and displacement of living overseas, as well as the intense intimacy between friends. Waiting for a menstrual period that never comes becomes a metaphor of suspension and the freedom of living in another country.
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2020 · ★ 1.0 (1)
A comedy about finding happiness in unlikely places.
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2013 · ★ 0.0 (0)
Cinema archetypes are reinterpreted by a gang of waggish monsters.
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1978 · ★ 0.0 (0)
Nineteen images in black, sepia, and white light.
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2018 · ★ 0.0 (0)
Weaving together a series of surrealist scenarios inspired by the monstrous women of Ancient Greek mythology.
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2018 · ★ 0.0 (0)
Though almost 80 years separated, Rosa and Molly’s love for ice cream connects them magically. Can one imagine that something that wonderful has once been completely unknown around here? At least Rosa can. She looks back on her first few summers of ice cream love.
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2018 · ★ 0.0 (0)
The computer revolution. In a world becoming ever more technologically advanced, and reliant upon computers, a team of scientists and musical theatre writers team up to devise a recipe for success in musical theatre and then task computers to use that knowledge and generate a hit.
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2017 · ★ 0.0 (0)
The film explores an intersection of species; insect flight patterns and modes of industrial travel merge as collective rituals in a fever dream.
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— · ★ 0.0 (0)
Sophie Bredier, born in South Korea and then adopted at four and a half years by a French family, is pregnant. This event upsets her with her intimate and social identity. How can you have a child yourself when you know nothing of its origins and you feel foreign to your own body? This inner journey leads her to reflect on physical difference and roots, on the links with those around her while returning her to her double childhood - French and Korean. And if finally she could find the words to transmit them to her child…
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2019 · ★ 0.0 (0)
A critical look at work/life balance through the eyes of one father’s guilt-induced nightmare.
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1999 · ★ 0.0 (0)
The film tells a life story of Wang Shulan, who was sold to Tulou by his mother at an early age. As a woman herself, director Dai Yi is deeply moved by the fates of the women she sees living at the lowest rungs of society, and cares deeply about telling their story.
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2008 · ★ 0.0 (0)
Rosa is not allowed into the party that is happening in the living room of her house. When her cat slips out of the bedroom, Rosa goes after it, ending up at a party with very peculiar guests.
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2019 · ★ 0.0 (0)
"All That You Can't Leave Behind" is an experimental appropriated video archive film that explores the relationship between Black women's collective experience with music, history and the act of reclamation.
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2020 · ★ 0.0 (0)
a non narrative camera and audio test.
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No poster
1969 · ★ 0.0 (0)
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2012 · ★ 0.0 (0)
9.70 tells the story of how the Colombian people, and specially a farming community, fought against a savage treaty that turns them into criminals for seeding the seeds they have been using for many generations.
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2019 · ★ 0.0 (0)
Through its protagonist Dicle, the film addresses how trapped women become in the triangle of patriarchal ideology, the beauty industry and media.
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2020 · ★ 8.3 (3)
Aubrey Kate trots through a lush field, her golden hair and light clothes flowing in the breeze. Bree Daniels emerges from nearby trees moments later, and the two lovers greet each other with a sensual kiss. Gabi Paltrova is unable to keep her eyes off the stunning beauty sunbathing nearby. Natalie Mars is impossible to ignore, her cherry-red bathing suit and plump lips drawing all of Gabi's attention. When Gia Paiges boyfriend pulls off the road and stops outside of a suspicious house, a mechanic is nearby working on a vehicle while a beautiful blonde woman, Aubrey Kate, curiously glances their way. She can't think straight as her body burns hot with Aubrey's proximity. Khloe Kay sits quietly in a makeup chair, dressed in a black robe over a white dress. Gold accents adorn her pretty face as Natalie Mars adds the finishing touches with her makeup brush. She undresses before them, showing off her lacy pink lingerie, but Adriana Chechik wants to see ALL of Khloe.
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