2001 · ★ 0.0 (0)
Jill Godmilow's six-hour archive of The Mabou Mines ensemble's controversial 1990, gender-reversed production of William Shakespeare's King Lear documents the first two-week workshop on the play at the Theatrical Outfit in Atlanta. Director Lee Breuer and the cast are seen working on transposing the play to 1950's America in this intimate record of a master class in avant-garde performance work. Taken from over 100 hours of material, this condensed archive comes with a 32-page handbook with guides for tracking the production.
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2015 · ★ 0.0 (0)
Documentary about a painter.
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2013 · ★ 0.0 (0)
As big as a house, as strong as a tree, fearless and proud: that is the elephant. But at night, he can’t sleep and the smallest sound makes him go wild.
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1972 · ★ 0.0 (0)
A 1972 short full of autobiographical trivia.
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2013 · ★ 0.0 (0)
A profound human-animal and human-nature relationship is represented by a painted world filled with a camel’s emotion and tears
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2019 · ★ 0.0 (0)
The filmic support as plastic material is an investigation that in this performance proposes the formal study of perforation and that of the human face as representation, chromatic configuration and target of electronic detectors.
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2020 · ★ 0.0 (0)
"The astronaut has been released". Double Talk II is an audiovisual exercise originally designed to be shown with two super8m projectors.
Small fragments of family films, historical and institutional documentaries assembled to generate a reflection on the materiality of the support.
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2001 · ★ 0.0 (0)
Mixing old tech with new, these lyrical abstractions explore red-gold color fields created with photograms (direct exposure of film without cameras), then animated through 16mm rephotography and digital manipulation. Soothing and melancholy, Wills works in the aleatory-painterly tradition of Brakhage, but with sound: the tracks consist of classical music, spoken word, and altered bits of everyday noises. Floral images link her work to Victorian embroidery and other womanly parlor arts. (Ed Halte)
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2018 · ★ 0.0 (0)
Seeing warnings about past disasters as a way to bypass potential disasters of the future; and considering disaster as a series of linkages extending from the environmental, cultural, political, economic, and social, Bad Stars draws threads between these connections and wonders how they might be realigned in ways that will help to move beyond them. The project sees the framework of disaster as an active strategy that can aid in the shifts in perspective necessary to advance beyond the causes of disasters themselves.
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2013 · ★ 0.0 (0)
A short to reduce Japanese companion animal euthanasia rate.
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— · ★ 0.0 (0)
A documentary short that follows a NYC band as it takes to the streets.
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2015 · ★ 0.0 (0)
Brenna Murphy's centrl~lattice
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2016 · ★ 0.0 (0)
Brena Murphy's LatticeCreaser
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2016 · ★ 0.0 (0)
A jilted lumberjack finds a squirrel to sooth his aching heart.
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— · ★ 0.0 (0)
A collection of dreams and exchanges that I gathered in Toronto during the first 2 months of the covid-19 pandemic.
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2017 · ★ 8.5 (1)
One dark, dark night, the villagers could not understand the sounds coming from the latrine…
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2018 · ★ 0.0 (0)
Film of Ivan Maksimov's students. An endless journey in the rhythm of Tarantella — the usual everyday life of passengers of an unusual train.
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2018 · ★ 0.0 (0)
In 2013, I was diagnosed with bipolar disorder. I want to talk about my experience of living with this disease: everything good, bad, evil. The film was shot as part of a week-long school of pre-intensive care at the Rudnik festival.
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2002 · ★ 0.0 (0)
An ordinary day in the life of a community on the Santa Elena Peninsula, on the Ecuadorian coast. The many characters in this documentary –simple people, heir to an ancient culture– present the true protagonist: death.
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2018 · ★ 0.0 (0)
From the hot South to the cold snow-covered Siberia comes a circus on wheels. There is only one artist in it. Who is he?
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