2020 · ★ 0.0 (0)
A 40-minutes stylized performance of some of Allie X's favorite songs from her second studio album, Cape God.
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— · ★ 0.0 (0)
This film interprets the life and work of American photographer Harry Callahan, guided by his thoughts about photography and reminiscences of Ansel Adams, Alfred Stieglitz, Edward Steichen, and Aaron Siskind. The film includes Callahan at work in 1973 and 1983, segments of his films, archival film of him teaching at the Rhode Island School of Design and recent interviews. A moving tribute to one of this century's most distinguished photographers.
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1979 · ★ 0.0 (0)
After the semantic body (Double Labyrinth) and the libidinal body (L'enfant qui a pissé des paillettes, Soma) we are dealing here with another theme: that of the painful body or, more precisely, the memory of the body in relation to pain lived.
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2007 · ★ 0.0 (0)
An intimate look at the life of a young lama as he aspires to live up to the reputation of his former incarnation. It also explores his moving relationship with the two people closest to him, his attendant and his spiritual master, both of whom were connected to him in his previous life.
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2013 · ★ 9.0 (1)
Short by Brenna Murphy
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2016 · ★ 0.0 (0)
Meet Matt Genser, The Barber of Augusta. Inspired by the cult classic “Kick Ass” Matt dresses up in a superhero costume to give out free haircuts to the homeless. And like all superheros he’s got a dark side, struggling with issues of inadequacy, rejection and loneliness. But in his costume he’s king of the road.
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2021 · ★ 0.0 (0)
Emma is a young woman who's yet to find herself. In the meantime, she has to deal with the high expectations that society has set for women.
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1979 · ★ 0.0 (0)
The film depcits the life of the orphans of Tall Azaatar Martyrs in “Bait El- Somoud”, the house which was set for them by the General Union of Palestinian Women (GUPW). It recounts the sufferings that Palestinian children endure in diaspora camps and under the Israeli occupation.
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2009 · ★ 0.0 (0)
The original work End Rolls is a performance for three 16mm projectors. A color negative film was exposed directly to different sources of light (candlelight, stove, fire) with the intention of creating fluctuations of color throughout the reel. Three copies were made, each printed at a different level of light. In the performance, sounds are extracted through the lens of each projector using light-sensor microphones. Since mechanical film projectors don’t run entirely in sync, the three films play together in a dance—echoes of movements and sounds—to which I make further changes in performance by working with the projector controls. End Rolls #2 is a digital adaptation, for two fixed screens, that was made for a program at Arnolfini, Bristol.
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1981 · ★ 0.0 (0)
In Retour d'un repère composé the same material is presented successively in three different versions : the first third is a straight single print which corresponds exactly to Retour d'un repère. The second third is a combined picture printed twice onto the same film strip (the second printing being in another tone and shifted back one frame) and the third section is a combined image printed in a similar way thrice. The length of Retour d'un repère composé is necessary : in the process of viewing the film the work gathers momentum thus giving access to a more intricate visual experience. "Composed recurrence" is a rough translation of Retour d'un repère composé as one loses the "point of reference" aspect concerning "repère".
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1997 · ★ 0.0 (0)
It's been a long time coming.
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2021 · ★ 0.0 (0)
An answer to a proverbial question. An exploration of the concept of double consciousness and an attempt to render it visually.
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2021 · ★ 0.0 (0)
A mother's lunar reverie channels anxieties of life on Earth into a grainy, cosmic awareness of organic perseverance amongst the stars.
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2017 · ★ 0.0 (0)
Creating new verses for a well-known Portuguese rhyme, the piece reaches out from one end of the Atlantic to the other, bridging Brazil and the African continent, both metaphorically and spiritually, as the artist’s own family pictures flow in and out of the water.
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1978 · ★ 0.0 (0)
Women, multiple images, ironic metamorphoses of sea, land and air - bodies that flow, crumble, evaporate...
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1977 · ★ 0.0 (0)
Picture, film or picture in English, a generalised term that is lacking in the French vocabulary, yet the association is encouraging: filmic space no longer exists, there is only what one makes of it, suggests and sees in it.
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1976 · ★ 0.0 (0)
An adjustment to the camera enables the film to run through it at half-frame when shooting, so in the end there are always three faces automatically superimposed: A+B+C= 1/24.
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2018 · ★ 0.0 (0)
Melanie returns to Hong Kong as filmmaker-in-residence at a university after living abroad for decades. She tries to redefine her cultural roots and affiliations. Niki is making a documentary film about their family’s migration from China to their Hakka village. Melanie and Niki Both realise they are living with an original “molecule” that can’t be erased even after generations of dilution, the so-called “Memory of Water.”
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1991 · ★ 0.0 (0)
A hypocritical emigrant is collecting dust his chamber with having only the amusements of chess and nightmares. Prickly cheater messes up the game.
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