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2021 · ★ 0.0 (0)
Sohee, a piano teacher at a private academy, wants to perform on stage.
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1998 · ★ 0.0 (0)
A comedic view of Native television, everything the modern Native person needs, including an advice line. Call 1-800-CLAN-MOTHERS!
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1998 · ★ 0.0 (0)
Go Dyke! Go! is a humorous commentary on lesbian relationships in the context of children’s literature. Taking off from the popular children’s book Go Dog! Go! (by P.D. Eastman), this animation paints a sarcastic, pointed and comic picture of queer life in the 90s. Familiar pop imagery and everyday signifiers are a point of entry for a discussion of the patterns of serial monogamy and lesbian representation. Go Dyke! Go! plays with the genre of animation and poses a game of semiotics to deconstruct the tropes of children's books and heterosexism.
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An unusual meeting between two famous artists on Coney Island boardwalk and at the Freak Show Museum.
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2017 · ★ 0.0 (0)
A sweet granny is looking forward to her granddaughter’s visit. But when the little girl arrives, the feeling is not mutual. Before the visit is over, granny must try to create the warm bond with her grandchild she desires so deeply.
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Special thanks to Lia Alexopoulos, Alex Papadopoulos, and Daniel Taylor. “O Caritas” by Cat Stevens.
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2015 · ★ 0.0 (0)
Shot on Super 8 and combined with photograms, this abstract piece explores the film frame as a box for things that live within the margins of experience. Small moments, soon to be placed on a crowded shelf, impossible to find again. The sound is adapted from recordings from the University of California, Santa Barbara Cylinder Audio Archive
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2010 · ★ 0.0 (0)
"Changes in the autumn colors in my garden were filmed on a day of gentle breezes. I captured close-ups of the dramatic reds, oranges, and greens of the foliage with their shadows moving in this environment of light wind. The original piece is presented as a two-projector performance, one showing negative film and the other a positive print of the same film. The two images are superimposed. Working with filters and hands as masks, I perform a color play between the two worlds of positive and negative color." –L.L.
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2021 · ★ 0.0 (0)
On the beach or in the forest, when you close your eyes, you hear the sound of water, wind, rustling leaves, insects. You can still hear the motorboat, ringtone, highway, drone buzzing, plant. When you just listen, the sounds mix; gently comes the realization that all this nature is not the first or the second, it is the canvas, including you. But as soon as you open your eyes, you notice order everywhere.
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1998 · ★ 0.0 (0)
Poetic and surreal, Remotely In Touch explores what we perceive as an image; what is 'real'; what is constructed or science fiction; and what are our new codes of signification created by systems of information. Remotely in Touch uses images created by remote digital signals — sent via satellite or robotic camera — and juxtaposes these with analog video images encapsulating a 'visceral moment' or an 'embodied movement'.
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2008 · ★ 0.0 (0)
Back from her trip to the Spa, Keana gets right back to work. She sets up a shoot for jewelry and for this she books some brand new girls, to get them into licking action. Of course she keeps one of the lesbo virgins all to herself.
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2019 · ★ 0.0 (0)
He dined with The Beatles and shacked up with the Rolling Stones. He rubbed shoulders with soul diva Mama Cass, folk troubadour Leonard Cohen and a fledgling Pink Floyd. He was a figurehead for a new generation of playwrights. After he was stopped at Munich airport with a bag full of blank ‘world passports’, he lectured bewildered German border police about the virtues of 'world government'. Today, at 83, Jim Haynes just won’t slow down. This ‘godfather of social networking’ organises open dinners every Sunday night in the Parisian artist studio that has been his home for the past 50 years. Total strangers, unknown both to him and to each other, meet in his living room and Jim’s friends show up to cook cheerfully for crowds of 60 or more. It’s simple: you sign up, you come over, you meet Jim. Meeting Jim composes an impressionistic portrait of Jim Haynes the man and the cultural phenomenon, as seen by the many and diverse people whose lives have been touched by his.
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2020 · ★ 0.0 (0)
Mass for Shut-ins. A hand-painted 16mm film. Direct animation. 8 minutes. "A fever dream. An infinitely morphing kaleidscopic stained glass window; bells that remind me of the sounds of Amsterdam, my second home after New York. Frantic REM sleep kicks in around 5 minutes..." A pandemic film made under quarantine, Spring 2020. How do we survive this pandemic? We survive through art & music.
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