— · ★ 0.0 (0)
Feminism is a dirty word - at least that is how some women see it. It has been weaponized in the media, radicalized, and apparently caused polarization between generations. However, these few loud opinions do not make up the whole. In this film, we take a closer look at the evolution of feminism through the generations, reveling a surprising similarity. Are we really different in our ideas of feminism, or is this just a perception? In addition, with Generation Z on track to being “most diverse, best-educated generation yet," as well as having access to smart phones since birth, there is no question that they will impact the movement. This film is a culmination of a year long research study to determine the future of feminism. Welcome to the fifth wave.
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2019 · ★ 0.0 (0)
“This piece was made at Rodrigo Courtneys 2019 Millennium Filmmaking Workshop, where he took us to the streets of Greenwich Village for three hours to shoot improvised footage on our cell phones or cameras. In those three hours, I began gravitating to things of a pink color palette with sensual textures, sounds and words. I edited these elements to have a unified tone, as if to say thank you to the experience of finding pink” (Holly Overton). (Screened 2/17/22 at MoMA as part of Millennium Film Workshop: “Nighttime” NYC event).
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2022 · ★ 0.0 (0)
Boy (winter) is a film study, shot on 35mm film, presenting viewers with a set of encounters, celluloid descriptions and imaginative analysis of contemporary boyhood. Shot on location in Glasgow in late 2021, this is the first in a two-part series of films exploring masculinity and stages of (identifying) male physical and psychological development in Britain. This work is in response to the expansive oeuvre of Stephen Dwoskin, in particular his early portrait films, but also follows a strand of research and enquiry which has been active in Salmon's own feminist film practice. That is, gendered dynamics experienced within the everyday, expressed through the body and film culture.
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2021 · ★ 0.0 (0)
Video essay in the found footage technique. The film is built on a visual metaphor, it uses an ironic juxtaposition that tells about the strange force that makes humanity at all times, as if by itself, line up in even rows and arrange itself.
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2022 · ★ 0.0 (0)
"Gentle Women" refer to the carpet as a phenomenon of Soviet and post-Soviet household culture. What functions and symbols are now endowed with an object that previously testified to the prosperity and well-being of the owner? What is the carpet for? For beauty and warmth, or to hide flaws and hide flaws? Repeating seemingly simple everyday actions in the frame, the participants of the performances create new rituals that appeal to collective and personal memory.
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2022 · ★ 8.0 (2)
Violet Starr is a sexy babe, and her tight ass loves to open up for big cock! Ashley Lane can't wait for that hard cock in her ass! Alexis Tae is a super horny dream girl and she loves anal. Her body is tight and so are her holes! Beautiful Ember Snow starts off with a sexy tease, then goes all anal and a facial to finish!
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2021 · ★ 0.0 (0)
A late declaration of love. A visual essay on the Kaliningrad environs on the poem "The Great Elegy to John Donne" by Joseph Brodsky.
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1971 · ★ 0.0 (0)
A program on Israeli television about the tradition of matchmaking and wedding rituals and customs.
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1995 · ★ 10.0 (1)
Vice detectives Bobby Vitale and Mike Horner try to bust mobster Marc Wallice. Their key witness is Wallice's main girl, Tera Heart, who has overheard him whispering incriminating sweet nothings in his sleep.
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1995 · ★ 0.0 (0)
Walking through a dark cave. I met a man. He handed me a gun and said, "You can have this. You can shoot me and run away, but if you really want to escape you have to shoot yourself."
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