Women-directed Movie Browser

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2023 · ★ 0.0 (0)

The story of Paul Bianchi and the first fifty years of The Paideia School.

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2006 · ★ 0.0 (0)

Super 8 transferred to 16mm at 24fps, silent

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1986 · ★ 0.0 (0)

The Architect of Louxor is an intimate portrait of Olivier Sednaoui, a disciple of the Egyptian architect Hassan Fathi, as he explains the philosophy behind his decision to build a house using traditional techniques and local resources, linking the ancient to the modern and ‘the infinitely small to the infinitely grand’.

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Poster for Sexual Icons 3

2023 · ★ 8.0 (2)

These sexual icons really know how to get down and dirty! See for yourself...

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Poster for Chrysalis Red

2023 · ★ 0.0 (0)

A bloody transformation.

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Poster for A Very Short Film About Apathy

2020 · ★ 0.0 (0)

Feet are hovering in the air, and narration flows over the image.

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Poster for Naphtha Tears

2023 · ★ 0.0 (0)

Three avatars embark on a quest through simulated, oil-drenched landscapes in search of a girl whose body is scattered across the glittering surfaces of late capitalism. Different realities bleed into one another, creating a zone where ghostly paparazzi flashes, celebrity saints, magic plants, and subterranean histories of fossil fuels coagulate.

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Poster for One Voice, One Vote

2007 · ★ 0.0 (0)

Some people are interested in politics, others are not. We asked Martine and Arnaud to talk about their political involvement.

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Poster for Tide

2007 · ★ 0.0 (0)

A woman lying on the beach, her body subjected to the tide of the black and white film material and the lust of the material which grabs her, hides her and usurps her like some substitute object, a representation of the suppressed.

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Poster for The Crossing

2007 · ★ 0.0 (0)

Synchronic and diachronic figures and texts are mutually connected, at the same time, however conflict each other. The figures and texts reveal what are visual, objective, and real. Images on the film, which is the most basic material in cinematography, are like words and symbols in language in that they are also part of the material. Visual symbols and written language need to be intertwined to visualize images. Evoking vitality in cinematography, long-term effort and language play a dual role in movies.

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Poster for Stuck in the Friend Zone

2022 · ★ 9.0 (2)

Tyler Nixon's been getting regular massages every week from gorgeous masseuse Candice Dare. One day during a session, he decides to ask her out, but Candice turns him down. Annoyed by her client, Candice finally decides there's only one way to shut Tyler up: by having sex with him! Van Wylde just spent the evening with his crush, Kendra Spade, helping her with studying. They studied so late that Van decides to over, although he's not allowed to stay in the same room as Kendra. He shuffles away and meets Kendra's sister, Violet Myers. Because she feels a bit bad for him striking out with her sister, she'll give him a massage to help his bruised ego... Van is onboard. Kenzie Reeves and her step-brother, Zac Wild, step into their late mother's massage parlor. They inherited the place and as they further explore, Kenzie slowly becomes more intrigued and curious about taking on the business. Wanting to prove herself, Kenzie offers to massage Zac...

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Poster for MAR DE CORAL

2023 · ★ 0.0 (0)

A leftovers film. Croquette of own and other's super 8 collected over the years and ordered according to color tones and autobiographical adventures. The result of cutting and splicing pieces of film as a soothing action. -ED

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2018 · ★ 0.0 (0)

Lida Blinova is well-known in the scene of the first contemporary art wave, particularly amongst architects who were very much engaged in arts in 1970s Almaty. However, almost no legacy of her art practices is left for researchers, historians and following generations of today. Being in many senses a shadow-artist of a bigger star, her husband Rustam Khalfin, directors of the documentary are questioning the possibility of the freedom of choice among Kazakhstani women artists like Lida Blinova, embarking on a biographical journey through the genealogy of contemporary art and its formation in Kazakhstan. So, the fundamental question is whether Lida Blinova was a shadow artist or an alter ego?

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Poster for Face in the Mirror

2018 · ★ 0.0 (0)

Julie sent a notification to Yvette about her inheriting her great great aunt house, when strange things started happening. Yvette saw the face in the mirror and her name was Tabatha.

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Poster for The Wrong Parking Lot

2022 · ★ 0.0 (0)

Lux is looking for a Halloween party. She got lost in the wrong parking lot while hunted by a ghost.

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2008 · ★ 0.0 (0)

In this video, Tsang explores language as an instrument of power. She re-speaks a text from In My Language, a video posted to YouTube in 2007 by autism activist and blogger Amanda Baggs, in which, using a speech-generation device, Baggs describes her experience as an individual who communicates nonverbally in a predominantly verbal world. Tsang recites Baggs’s address verbatim, using a technique she calls “Full Body Quotation,” in which she conceives of her own body as a mimetic “playback device” that replicates the tone, inflection, and rhythm of the original monologue as it plays through an unseen earpiece.

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Poster for I Do, I Don't

2022 · ★ 0.0 (0)

With a weakening marriage, Shawn and Jess turn to a faith-based retreat to salvage their union. As they seek reconciliation, an unexpected encounter causes Shawn to question his faith, marriage, and belief in God.

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Poster for Sunprints 1, 2, 3

2023 · ★ 0.0 (0)

Based loosely on the tripartite plan of Dante's Divine Comedy (Inferno, Purgatorio, Paradiso), the film was made by applying cyanotype chemistry to blank film exposed to sun. The resultant blue and white footage was then combined with camera footage in three sections: Into the Valley, Middle Ground, Radiance.

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Poster for One Night in London

2023 · ★ 6.0 (2)

Joni thought she could finally leave London forever. Unexpected events will make her spend a last night she will never forget in One Night In London.

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Poster for L’Amour d’Allah

1986 · ★ 0.0 (0)

Humiliated by the 1967 defeat, the Egyptian people look for ways to rebuild their sense of identity. Religion seems to point the way for them: Jocelyne Saab portrays the success of the Muslim Brotherhood and the increasingly rigid cultural values taking over Cairo at the end of the 1980s.

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