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Poster for Make Every Moment Count

2022 · ★ 8.0 (1)

Patrick (Ryan McLane) leads Felicia (Lulu Chu) into a bedroom. Felicia looks stressed, though sighs with relief once they are in the room with the door closed behind her. Felicia's parent passed away. Patrick is a family friend watching out for her during this difficult time. She suddenly asks him to stay with her the night since it's her first night in the house alone. Patrick insists that he can't stay because it's inappropriate. Felicia reveals that she's had a crush on him for YEARS. With them being next-door neighbors, it was easy for her to WATCH him when he was working around the yard. It's only a matter of time before Patrick gives in to temptation, but can he handle the consequences of his actions?

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Poster for Thanks for Hosting us / We are Healing Our Broken Bodies

2019 · ★ 5.0 (1)

Human bodies appear incomplete, divided and fractured by water and fabrics as a way to address the cementing, impoundment, and fragmenting of local streams and rivers. The body parts search for each other in an attempt to reconstitute as a collective body. Towards the end of the film a complete human body is revealed, suggesting that if we dismantle infrastructure that divides and splinter bodies of water, riparian ecosystems might stand a chance to become whole again. Filmed on location in the San Gabriel River and the Wanaawna (Santa Ana) river mouth, this inaugural and site specific activation of the Water Portraits series is the first step towards building a healing relationship with the land and the waters of the unceded Tongva and Acjachemen territories, known by many as Orange County. We are grateful to our human and natural indigenous hosts who have sustained us, despite being submitted to violent processes of colonization and extraction.

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Poster for mise-en-scène (scene 1) is part of Standing Here Wondering Which Way to Go

2019 · ★ 0.0 (0)

Between the 1960s and the late 1980s, the Algerian film industry flourished in an anti-colonial environment, giving rise to a nation of politically aware film lovers. Since then, however, the film industry and archives in Algeria have suffered due to the political and economic situation. This short video work consists of several sequences of found footage from various militant films made in Algeria from the 1960s onwards. The archive material was edited for this show to create a new narrative. Some sequences are reminiscent of politically engaged action in this country that was one of the African nations where liberation movements flourished most freely. Other parts of the footage show traces of time as a result of the deterioration in the film’s chemical composition and emulsion, resulting in abstract images with granular textures.

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Poster for Guiding Light

2014 · ★ 0.0 (0)

The piece explores the cultural crossovers, the geo-political area as a continual interweaving of cultural roots and historical routes. The seascape journey portrays an intricate space of encounters, currents and continual transit. A site of ancient civilisation as well as contemporary tourism and migration. The desert and the sea are sites of historical, cultural and contemporary 'movement' as well as a barrier and a divider between the South and North, the East and West.

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Poster for Konni

2022 · ★ 0.0 (0)

An intimate 16mm portrait that documents a day in the life of Konni, the last child inhabitant on a remote island in the arctic circle that boasts a population of only 16 people.

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Poster for The Conversation With Dr. Mouse

2007 · ★ 0.0 (0)

To have conversation with Mr. Mouse, daily life has to be selected and excluded. To disclose dirty and nasty things in society that is full of germs through twisted amateurish imagination. To reveal humane symptoms like romantic evilness, contempt and fear as pessimistic weakness and thoughts on death. These aim at Mr. Mouse in the form of excluded body movements, deconstructed sentences, irony and witticism. As I attained a victory from them, I decided to be a guardian of toilet myself.

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Poster for Everything Looks Dirty

2023 · ★ 0.0 (0)

A girl tries to go out with her friends but the memories of past sexual trauma are preventing her from enjoying the night.

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Poster for Eu Vi o Mundo, Ele Começava no Recife

1994 · ★ 0.0 (0)

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— · ★ 0.0 (0)

Medusa is a group of eight young women in the Marolles district of Brussels, who decided to no longer allow themselves to be confronted with sexism and racism. Medusa is a story of sisterhood.

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Poster for Simple Machines, Interventions and Oscilations

2023 · ★ 0.0 (0)

Underground reconnaissance and collection movements in the INCE archives and the materialization of a technicized landscape.

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Poster for La Cassette de l'Ange

— · ★ 0.0 (0)

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Poster for Max Beckmann - Ein Reisender

2022 · ★ 0.0 (0)

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Poster for Exquisite Corpse 1

2022 · ★ 0.0 (0)

First chapter of Exquisite Corpse Trilogy project.

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Poster for Young Fantasies 9

2023 · ★ 7.0 (3)

Elle Lee is the romantic type: flowers, adventures, and sweet nothings unlock her heart and open her legs. Vanessa Alessia, Evelin Elle, and Liz Jordan are all inside learning how hardcore they like it.

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Poster for Adieu de bleu

2019 · ★ 10.0 (1)

Adieu de bleu a short film in 2019

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Poster for Santiago de las mujeres

2023 · ★ 0.0 (0)

A look at the prevailing myth of the apparition of St. James in the town of Loíza, Puerto Rico and a reminder of the character, vitality and role Loíza women have as pillars of the community.

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2023 · ★ 0.0 (0)

Steven and Martin are the best of friends. They used to live together, but Martin moved out. Will Steven get his best friend back?? Will his cries for Martin be answered????

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2023 · ★ 0.0 (0)

A picky eater decides to step outside of his comfort zone and switches to a fully vegan diet for two weeks.

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2023 · ★ 0.0 (0)

Whilst messaging online a woman contemplates being honest about how she’s really been doing.

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Poster for Le grand rêve

2022 · ★ 0.0 (0)

Bea, Enrico, Irene are crossing a forest that, step by step, turns into a tropical eco-system. In the course of this dreamlike exploration, the whole forest begins to play. At this point they understand that they are living a “grand rve Change the music, the three friends re - emerge-perhaps-from the dream, finally arrive at a beach. Will this be the place where liberation from all their anxieties will take place?

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