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1981 · ★ 0.0 (0)
Film by Franca Donda.
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2025 · ★ 5.0 (1)
Four children from Tin Wah Estate roamed and explored together, weaving four unique childhoods from the same shared experiences.
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2025 · ★ 8.0 (1)
Rose (Summer Col) returns home from studying abroad, and is greeted by the family butler, Stuart (Tommy Pistol). We find out that Rose's parents died in an accident, and she inherited half the estate. The other half was bestowed to Stuart. Rose says they'll make the most out of this odd situation of owning the house together. Stuart admits that he's been lusting after Rose. She is upset and doesn't want to live with a creep, but also doesn't want to give up her share of the house. Linda (Casey Calvert) is suffering from postpartum depression, and one of the symptoms is that she currently has no interest in intimacy with her husband, Mark [Daniel Shar). One day, Linda is shocked and confused when Mark comes in with a stranger (Isiah Maxwell). Mark says he knows that he's the source of Linda's current intimacy problems, so he thought that maybe if she had sex with someone else, it would help her to "reset" and then their relationship could get back to normal.
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2025 · ★ 0.0 (0)
An elderly woman offers tourists advice on taking selfies at a tourist trap in Georgia.
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2025 · ★ 0.0 (0)
The filmmaker bids farewell to her grandparents. Feelings, memories, and final words — echoes of love and a long life shared — linger among old belongings.
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2025 · ★ 0.0 (0)
Everything burns with love. Hidden memories settle like a thin layer of ash. A love story about a fire, pieced together from audiotapes found at Udelny Market.
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2025 · ★ 8.0 (1)
Little Puck arrives at The Bottom Floor, an exclusive underground sex party where fetishes and fantasies of all kinds are proudly celebrated. Although she's nervous, she's also very excited, wanting nothing more than to get fucked hard. As she guides you through the pulsating club, you are surrounded by horny partygoers. Everyone's looking for a good time and they've come to the right place! No one's going to go home disappointed... especially Little Puck as she gets swept up in the hungry crowd.
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2025 · ★ 0.0 (0)
After 5 years of pure happiness together, Alfie and Yasmin are breaking up. They just wanted to meet new people and make new experiences. The question is, are they separated for good?
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2025 · ★ 0.0 (0)
With her parents’ car, Jenny and Marlek run away from their problems and end up between forest paths and big plans. In the morning, they wake up in a wooded area and must face the question: back home or on to Italy? Between car trunks and dreams of the future, it’s less about running away than about being there for each other and finding the courage to take the right path.
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2015 · ★ 0.0 (0)
A time-travelling voyage through one city, assembled from hundreds of movie clips and inspired by the wanderings of Walter Benjamin. A patchwork of over 300 features either filmed or set in London, Citation City combines multiple narratives to create the story of one city in a period of enormous change. This beguiling, labyrinthine work takes its cue from Benjamin’s Arcades Project, an ambitious attempt to map out Paris in fragments which was cut short by the author’s death in 1940.
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2013 · ★ 0.0 (0)
Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.
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2013 · ★ 0.0 (0)
The Golem, a monstrous being of inanimate matter from Jewish folklore, is accidentally summoned from a book wreaks havoc through a library.
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— · ★ 0.0 (0)
A story of two journeys to the promised land, the world where dreams can be made real and reality is like a dream. The relationship between narratives holds surprising coincidences and surreal tangents and departures as they both dance their (not so) merry dance to their shangri-la. The films sit side by side, staying loyal to the linear narrative, but editing the longer film to the length of the shorter. The film was structured so that the crossover point from monotone to colour in imagery occur at the same stage. This method of story telling is challenging, sometimes jarring, but one’s patience is paid off with delightful harmonies and synchronicities both in images and narrative occurring far more than either pure chance would dictate or the imagination construct. This film is inspired by the Chance Operations of John Cage, Cut-Up techniques of Gysin/Burroughs and Kurt Schwitters, and single shot/durational films (Andy Warhol, James Benning).
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2011 · ★ 0.0 (0)
A 30 minute edit of "The Magical Misery Tour", a 45 minute concert created between June and September 2011. It was premiered at "The Sound of Fear" at London's Southbank Centre on 3rd September 2011, under the working title of "Horror Collage". Now that the full length live set has been completed we have changed the name to something more fitting with the content. The source material is 95% from horror movies, with the content portraying not so much a scary nightmare but a journey through the underworld of everyday human experiences. It is not true to say you do not relate to this kind of horror movie. Truth is stranger than fiction. Having said this, People Like Us, as ever, see the positive and sometimes humorous side of the most ghastly scenerios, and by accompanying the edited found feature film footage with new sample collage pop songs, elevate you from the swamp.
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2011 · ★ 0.0 (0)
An outtake from The Magical Misery Tour, an audiovisual performance by People Like Us.
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2009 · ★ 0.0 (0)
In 2009, People Like Us and many others remixed The Inaugural Poem, because we felt that the first one needed improving.
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2008 · ★ 0.0 (0)
The 'garden' was a first attempt to sanitise and control nature. Once there was the wilderness, now there is the urban jungle.
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2025 · ★ 0.0 (0)
Travel diary about a vacation, without going anywhere. This travel diary is a reflection on past vacations and what one observes in their daily life when one goes out, even if it's to the same place as always: home.
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2023 · ★ 0.0 (0)
Excerpted quotes from Marija Gimbutas, The Goddesses and Gods of Old Europe 6500 - 3500 BC, London: Thames and Hudson, 1982 [1974], p.149 and p.145.
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