2026 · ★ 0.0 (0)
Short film accompanying Nancy's debut album, "The Dirt Knows."
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Documentary about Cookie Mueller
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2004 · ★ 0.0 (0)
There is not a single person in the world who has chosen their place of birth. Sometimes it only takes an outstretched arm to cross a border. But what is the purpose of a border? (Teresa Villaverde contribution to Visions of Europe, shown separately as part of retrospectives.)
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2023 · ★ 0.0 (0)
An open invitation to long-buried Anger, of whom we are no longer afraid. Fan-made supercuts of a perpetrator-turned-actor are repurposed and printed onto 16mm. Rage is shamelessly reclaimed and we find something to do about it. There is no need to yell.
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2025 · ★ 0.0 (0)
A thought-provoking documentary that can serve as an important reminder for those who are aware and a grain of wisdom for those who are lost. It doesn't matter who we are, where we come from, what color our skin is, what religion we practice, or whether our land has preserved all these traditions. Each of us has something to remember. The author returns the viewer to our roots and such values as family, honor, the experience of ancestors, respect for elders, humanity, kindness, friendship, and spiritual purity.
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2026 · ★ 0.0 (0)
A documentary following a group of trans people choosing to live for joy, despite modern narratives in the media.
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2026 · ★ 0.0 (0)
New movie by Marina Maria Ovchinnikova.
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2026 · ★ 0.0 (0)
A short film about my struggle with anxiety, especially with my 20th birthday coming up. It is my goodbye to the teenage years, that I always dreamed of, but never been able to experience.
And the hope of a better adulthood.
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Discarded shots with an invented name. Who decides what gets recorded, who takes the claim? Who decides that I must erase it, erase the flame? Shots screaming, killing just to be heard, twisting silence into something blurred. But voices are silenced, visions and recordings. Collected. Rolling only what’s polished, refined, feeding the frame with the perfectly lined. But I want to prove it, I want it shown. What a second frame can carry alone. A distorted drawing. A visual poem the mind has overthrown, canceled by Saturdays and forgotten places that hold their own. That do not forget. That keep remembering. Uncomfortable. It’s uncomfortable to hear what won’t be sought, to face the echo of an unwanted thought. That’s Basurería. Shots and memories forgotten with an invented name. Uncomfortable, strange. Give the frame a meaning, give shape to the frame. I’ve already explained it to you. And you, especially you, should know I haven’t forgotten.
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While rehearsing for a play written by one of their own, a troupe of young queer actors comes under a mysterious subterranean pathogen that degrades and martyrs them beyond words.
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2026 · ★ 0.0 (0)
Viktoria Schmid’s 16mm film installation I escaped from this into the cinema, ... (2018-2026) is based on James Clerk Maxwell’s method of additive colour mixing, which led to the first colour photograph in 1861. Footage of water features from different parts of the world, shot over a period of several years, merge into a new work using a trichromatic projection technique. At each location, three shots were taken on black-and-white film, each through a filter of a different colour (Red / Green / Blue). By projecting the images with three projectors through the corresponding filters, and by adding extra screens, they manifest themselves in varying degrees of overlap to form a final colour image. The projection ‘dispositive’ makes the relationship between colour and time tangible. Panta rhei — everything flows.
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2000 · ★ 9.0 (1)
Everyone will recognize themselves in this tender-hearted boy who spins fantasies and succumbs to every snare of seduction. Stumbling over the successive rejections of his beloved—at turns a siren and an ocean-woman—and drawn in by the lure of her mirages, with every defeat he rebuilds his castle in the air and, in vain, plucks the petals of the daisy.
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2025 · ★ 0.0 (0)
After the death of her famed musician aunt, Delilah Hammond (Isabella Zeman) sets out to find the mythical city of Lamplight Blue - and herself along the way.
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1997 · ★ 0.0 (0)
Documentary short about primary school students going to army for the school military training. Aired as the episode 39 of People's Home (百姓家园) program.
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An assemblage of text, photos, and videos that reflects on the departure of the filmmaker's close friends from
and to the mountains to take part in the struggle for societal liberation, and the subsequent guilt that the
filmmaker feels for her inability to make the same decisions.
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2013 · ★ 0.0 (0)
A slow, decisive handwriting, which becomes fast, furious, angry; thus - REBUS - receives and attacks the spectator, it accompanies him in an unknown world of images and sounds, played out between the known and the unknown, almost to amaze and frighten, to divide who knows from who does not know, who wants to know from who wants to escape. The predictable element is the unpredictability and its playing out everything, or almost, for the autonomy of the significants and for the defence of their free and potential transformation in the natural flow of time. Every given signification is destined to perish!
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2025 · ★ 0.0 (0)
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2015 · ★ 0.0 (0)
The film is a reflection on the medieval folk tradition of "benandanti" ("good walkers"), who believed they had special powers to fight witches, ogres and demons threatening harvests and children. Who are the "benandanti" of today and who are the witches and ogres of our times? Can these assigned roles be put into question? The film analyses three stories, trying to recover the sense of truth and the truth of the sense, starting from the relations between individuals and the respect that every statement of the human race deserves.
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A Short History Of Madness. A short film about dance and mental illness Through the lens of modern dance, the scenes in A Brief History of Madness guide us through the history of how mental illness has been treated in Quebec from the end of the 19th Century to the present. In evocative spaces, solitude takes on various guises, from the whiteness of mental institutions to the gaze of a woman mesmerized by a traffic light, or the depths of a teenager’s bedroom. Gestural language expresses a variety of perspectives on a reality that transcends time.
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Longtime friends divided by war, Raed is trapped in Gaza while George watches from afar, one locked in, one locked out.
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