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1998 · ★ 0.0 (0)
ZU HAUSE (At Home) ist the final sequence in TERZEN, playing with the filmmakers shadow and the Bolex camera while filming in her kitchen.
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2006 · ★ 0.0 (0)
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1978 · ★ 0.0 (0)
"A surrealistic film made with optical printed techniques about a young girl who acts as a guide on a journey aimed at recapturing childhood through the distortion of memory." - The Independent
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2015 · ★ 0.0 (0)
After the first Four Giants in Milan (Leonardo, Napoleone, Hemingway and Stendhal), Farinotti tells the story of other "giants" who lived in Milan and played important role in the city's history, from the 5th century b.c. to the second war of independence which let Milan freed from Austrians.
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2014 · ★ 0.0 (0)
Leonardo da Vinci, Napoleon, Stendhal and Hemingway, a Florentine, two Frenchmen and an American: all four of them Milanese. These "giants" intensely occupied Milan for a long time.
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2015 · ★ 0.0 (0)
A dialogue is born in a prison between Spoon, an African American poet imprisoned for life, and me. After eight years of conversation, Spoon’s words console me, while my ear is a channel for him to the outside world. The film takes as a starting point the desire to measure the power of language, both his poetry and his activist prose, and to share notions of time.
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2010 · ★ 0.0 (0)
Magic for Beginners examines the mythologies found in fan culture, from longing to obsession to psychic connections. The need for such connections (whether real or imaginary) as well as the need for an emotional release that only fantasy can deliver are explored.
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2017 · ★ 0.0 (0)
Geologist Ren Lallatin has moved into a small housing complex located between a rail yard and the interstate. Desert vistas are replaced with an arsenal of tactile pursuits, while the situation of the house becomes unstable. Free falling from a fixed point, the perimeter is ornamented for security. Desert winds animate aluminum mobiles and seismic vibrations serenade the home.
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2010 · ★ 0.0 (0)
An extraordinary portrait of a group of Southern teens hanging out in cars, rooms, and neighborhood yards in humid pool-party weather.
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2015 · ★ 0.0 (0)
Scenes from life on another planet, where a hedonistic civilisation of young women decorate themselves with artificial nails, white clothes and a fake tan before taking the limo to the city.
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1991 · ★ 3.7 (3)
A tiny witch tries to milk an immense cow. Things get out of her control.
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1977 · ★ 0.0 (0)
A subjective account of the act of making still photographs.
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2003 · ★ 0.0 (0)
Closeup Gallery completes the trilogy of short films that began with In the Palace (2000) and Birds (2001). The small communities of those earlier films are replaced here by an intimate communion of two; the earlier elaborate mise en scene are distilled into the microcosm of a card-covered table; the conceit of ‘hand made magic’ that travels through the trilogy is here literalized through the card players’ world of fakery, where simple materials transform.
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2000 · ★ 0.0 (0)
In the Palace began with a daydream to enter inside two inaccessible places, to penetrate the tinyness of Giacometti’s surrealist sculpture The Palace at 4am (1932) and to move beyond the flatness of various photographs of early Modern stage and dance productions. In this film, Giacometti’s sculpture (which in a sense already resembles a theatrical model) is streamlined and scaled up to become a stage set proper; the posed theatrical stills are restaged as tableaux vivants.
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1976 · ★ 0.0 (0)
In Ana Mendieta’s Anima, Silueta de Cohetes (Firework Piece), the artist’s silhouetted form is replicated as an effigy with blazing fireworks, the flickering embers gradually extinguishing until there is but a single spark left to stave off total darkness.
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2016 · ★ 0.0 (0)
An impressive flicker animation comprised of Time magazine photographs, Katherin McInnis’ Children of Lir combines an Irish tale of children set adrift as swans and the tragic poisoning of water in Flint and other American communities.
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2016 · ★ 0.0 (0)
Elide’s agonizing longing of her twin sister Elise gets challenged in different (re)constructed dimensions to feel her sister’s presence. A repeating false catharsis that makes Elide mirror her sister’s life and personality and imitate her faith.
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2014 · ★ 0.0 (0)
Rework of computer dance video Cambiantes (1976).
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2005 · ★ 0.0 (0)
Abstract videodance
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