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1941 · ★ 0.0 (0)
Harriet Parsons introduces Charles Butterworth, inventor of aerial devices, and a number of stars who appear at the U.S. Naval base in San Diego, California.
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2005 · ★ 0.0 (0)
A Chinese family lives in Kuantan, Malaysia in the 1980s. Because of the centuries of turmoil, their attitude towards eating almost became a ritual.
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1975 · ★ 0.0 (0)
Striking workers in one Chicago unemployment compensation office talk about working conditions that led to a walkout in July, 1975. Workers and claimants suggest possible solutions to the problems of understaffing and compulsory overtime. This tape was used to organize other offices to support the strike.
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2007 · ★ 0.0 (0)
An appropriated film, portraying the arrival of Adam and Eve to an exotic Eden, is intercut with appropriated videos of virtual reality demonstrations, among them a human hand shadowed by a computer-generated rendering, medical robots conducting a virtual surgery, and people dressed in bulky headgear navigating virtual spaces. As the title suggests, cyberspace adds to the Genesis legend a third possibility, a virtual existence that challenges natural and social definitions of gender and morality.
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1996 · ★ 2.0 (1)
Activities at home with Mistress and her naughty pet.
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1980 · ★ 0.0 (0)
Secrets From the Street examines the intersection of cultures and classes as exemplified by the street life of San Francisco's Mission District. This videotape, produced for an exhibition held jointly at San Francisco's City Hall and its Museum of Modern Art, argues — against the show's theme and title, Public Disclosure: Secrets from the Street — that accounts of cultural life that omit the question of social power are mythical: The real "secret" is the obscured relation of economic and political domination exercised by one's own culture over the observed subculture. Or, as Rosler states in the tape's voiceover, "The secret is that to know the meaning of a culture you must know the limits of meaning of your own."
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1978 · ★ 0.0 (0)
In an inquiry into the relation between the corporation, the state and the family, Domination and the Everyday presents a fractured barrage of simultaneous sound tracks, film stills and a crawling text. Questioning the privatized existence of a woman and child, and the role of media information in daily life, this non-narrative tape is structured around the sounds of a woman feeding her small son and readying him for bed, while a radio interview with an art dealer plays in the background. Photographs of family life and corporate ads are juxtaposed with a written text that crawls across the screen, comparing life in Chile with life in the United States. Rosler refers to this layered juxtaposition of fragmented sound, images and text as an "artist-mother's This Is Your Life."
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1974 · ★ 5.0 (1)
A woman dances and mimes, her stark white image moves across a red floor, reflected in a fractured wall of mirrors. As she performs, her mirror image gradually assumes an autonomous identity so that what was a central relationship of self to self has become one self to other. Focii not only explores the construction of self, and the dynamics of self and other, but also the interaction between the viewer’s body and the body onscreen, raising questions on the nature of identification in cinema.
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1997 · ★ 8.0 (2)
The different life paths of former girlfriends from Catholic and Protestant homes respectively - one a draftswoman, the other a chemical laboratory technician - in two interrelated films, in which love, like the demands and attitudes to life in the change of its foundations in the process of the decline of the GDR and its accession to the Federal Republic of Germany, play a special role.
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1997 · ★ 8.0 (2)
The different life paths of former girlfriends from Catholic and Protestant homes respectively - one a draftswoman, the other a chemical laboratory technician - in two interrelated films, in which love, like the demands and attitudes to life in the change of its foundations in the process of the decline of the GDR and its accession to the Federal Republic of Germany, play a special role.
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Local
2017 · ★ 2.0 (1)
First-grader Tanechka lives in a Yakut village with her grandparents. Although her father has not written to her for a long time, the girl has no doubt that he invisibly helps her every time she needs him. Every morning in the village house begins with the anthem of the USSR on the radio, telling about Brezhnev's meeting with the oil workers. However, Tanechka is sure that “every new day reveals something unknown and secret” and wants to tell about those events of her childhood that still cause her, already an adult woman, either tears or great joy. Looking out the window at her peers, the wise heroine asks: “Why do children play all the time? When do they think? Probably never, that's why they are happy? "
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1972 · ★ 0.0 (0)
In Forbidden Joy (1972), director Imelda Sheen utilizes many avant garde techniques to tell the mysterious story of a woman picnicking in a cemetery with a toddler by her side. The films plays with mood as it changes styles of music from African, to funk, to soul, to classical, while black-and-white footage shows us a glimpse of the rough streets in the woman’s past. —Trisha Lendo
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2014 · ★ 0.0 (0)
When Shakespeare Must Die, a Thai film adaptation of Macbeth is banned by the Thai government as a threat to national security, the film's producer treks through the corridors of power to un-ban his Shakespearean horror movie--from the Cultural ministry to the Senate and the National Human Rights Commission, all the way to the Administrative Court where he is suing the government for abuse of power. Wherever he went, amidst political upheaval, his director followed with a camera. The resulting reality cinema is the living story of a struggle for justice and human dignity, for freedom of expression, which Thai filmmakers do not have. A dark cinematic record of democracy in action, in all its farcical, obscene and heartbreaking details.
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2005 · ★ 0.0 (0)
Waking nightmare, dreamless sleep.
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1984 · ★ 0.0 (0)
A cartoon about funny rustling creatures living among the fallen autumn leaves.
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1985 · ★ 0.0 (0)
About a cheerful autumn holiday in a Moldavian village.
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1988 · ★ 0.0 (0)
A cartoon for children about the hospitable Abzal, who is ready to please everyone who is a welcome guest.
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2012 · ★ 0.0 (0)
Acclaimed mixed-media artist Chong Gon Byun uses found and discarded objects to create intricate sculptures that explore the clash between post-industrial civilization and the present consumerist culture in his surrealist oeuvre.
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2017 · ★ 0.0 (0)
“I make landscapes out of what I feel. I make a holiday of sensation”, writes Fernando Pessoa in The Book of Disquiet. Filmmaker Lichun Tseng embraced this idea in The Captured Light of an Instant. She captured many moments on 35 mm film, turning them into a layered experience in which time and place coalesce. Restlessness becomes concentration.
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