Women-directed Movie Browser

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Poster for Belén

2016 · ★ 5.0 (1)

Hands of earth, crystal eyes, ancestral bridge through time, gender and race. Immortal humble wise noble warrior. Queen of bamboo's sounds and silence. Felt around and not just as an echo. Resisting beating African Diaspora. Inspiration to continue each battle. Resonating spirit: Belen.

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No poster

2017 · ★ 0.0 (0)

Presented at the Dutch Pavilion at the 57th Venice Biennale.

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Poster for Windjarrameru, the Stealing C*nt$

2015 · ★ 4.0 (1)

As miners steal and pollute the ground underneath them, a group of young Indigenous men are chased by police for allegedly stealing two cartons of beer.

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Poster for Army of Love

2016 · ★ 0.0 (0)

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No poster

2017 · ★ 0.0 (0)

An improvised monologue performed by an invented character partly inspired by Syms' great aunt, her godmother and Maxine Powell, the director of Personal Development at Motown.

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Poster for Flow

2013 · ★ 0.0 (0)

Change is a process, is the starting point equal to the end point? What if everything is in a flow, what meaning of value of life can be derived from the intercomnectedness of all things?

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Poster for The Barber Of Seville

1995 · ★ 0.0 (0)

Part of the Operavox series.

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Poster for Skinny Teeth

2001 · ★ 0.0 (0)

"Appropriated audio from motivational tapes and raw hewn video footage of the exploits of two punk girls creating a disturbance in an Ohio Mall (circa 1988) challenge the great society of the American heartland. A savvy examination of hard-edge adolescent aggression and an attack on "proper" codes of behavior. The future is yours." -Karyn Riegel, Occularis film series.

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Poster for We Are Going Home

1998 · ★ 6.0 (1)

Solarized, tinted, and optically-printed, this is a surreal portrait of desire, ghosts and pursuit of the sensual. Rhythmic color shifts in the emulsion bring life to the rural landscape, which seems to embody the terrain of the subconscious. Three women seek pleasure and the beyond in parallel universes, which never quite intersect. When one finds another, she is either buried in the sand or asleep under a tree. Made at Phil Hoffman's Film Farm, 1997.

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Poster for Strawberries in the Summertime

2014 · ★ 5.0 (1)

A two-year-old boy revels in all things tiny and huge on and around a farm. His father nurtures his exuberant and insatiable curiosity of new experiences– from climbing a crumbling wall to discovering the natural world. As a father-son bond grows, the mother with camera observes, gets lost into a solitary landscape and returns. The fleeting and glowing visual field evokes the delicate tension between distance and intimacy. Richly toned black and white positive, negative and solarized images, combined with snippets of voice, suggest the texture of memory. Reeves shot, hand-processed, solarized and colored Strawberries in the Summertime in rural Ontario at the “Film Farm” Independent Imaging Retreat run by filmmaker Philip Hoffman.

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Poster for Small Poetry

2011 · ★ 0.0 (0)

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Poster for Crépuscule aux Aresquiers

2014 · ★ 0.0 (0)

Night is falling the landscape is disappearing leave the world and its memory the night, rags in its wake last page.

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Poster for À l'instant

2008 · ★ 0.0 (0)

Winter, fog, outside. The outline of eyes, sometimes we could ride those trails.

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Poster for Mer

2003 · ★ 8.2 (2)

"The sea is a language whose meaning we have lost" Jorge Luis Borges

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Poster for We At Her

1995 · ★ 0.0 (0)

A story about a woman descending into mental illness.

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Poster for Minot, North Dakota

2008 · ★ 1.0 (1)

The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.

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No poster

2017 · ★ 0.0 (0)

“I was Hamlet. I stood on the coast and spoke with the surf BLABLA. At my back, the ruins of Europe.” In free dive, in the manner of the Ophelia/Electra of Heiner Müller’s Hamletmachine (1977) which accompanies the story plot, we set out into the ruins of a Europe set adrift. Guided by Faustine du Couvent, a young Parisian woman with a dark and poetic energy, The Ruins of Europe is an eminently personal object that unfurls nervously, with the aid of archive television images, in order to draw the portrait of a society that is falling apart.

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No poster

2016 · ★ 0.0 (0)

Lumière Cinema Maastricht celebrates its 40th birthday and moves to a brand new and beautiful theatre.

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No poster

1990 · ★ 0.0 (0)

A meditation on the female body in culture.

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Poster for Kick Like a Girl

2008 · ★ 0.0 (0)

The story of what happens when "The Mighty Cheetahs," an undefeated all-girls soccer team, competes in the boys division. With humor and candor this documentary gets at the heart of the boy-girl issues and explores what "Kick Like A Girl" really means on and off the playing field. Kick Like A Girl reminds us all of the lessons learned in competitive athletics and how sports has been one of the most effective instruments of social change in our lifetime.

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