1990 · ★ 0.0 (0)
This film is about love - relations between men and women, conversations in the air. Men are heard in voice-over speaking a love-talk which is personal, though anonymous, or singular. Another voice-over reads parables, which present a context for the possibility of love or spirit in the world at large. The film ends optimistically: a smile slowly spreads on a man's face. Women addressing men in their own voices.
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2004 · ★ 0.0 (0)
Our busy comings and goings, on the move, working at life are pictured, but layers of images and scratched emulsion make viewing through the depths an effort. If we scratch the surface, however... Glimpses of other states suggest we can surface.
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1997 · ★ 0.0 (0)
In midst, Barbara Sternberg has made a lyrical film about attachment, integration, belonging. Many of the familiar elements of Sternberg's work are here: speed, pulsing rhythms, explosions of colour, light and shape, images of nature and the built environment. But the conflicted situations and turmoil of earlier major films like Through and Through and Beating are gone. Instead, midst focuses dramatically on an understanding of the world through art, specifically painting, especially abstraction, here translated into filmic terms. Abstraction becomes the vehicle for taking on complexity, putting it all together in heightened moments of intense vision characteristic of ‘seeing into’ or ‘being at one’ with nature.
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1987 · ★ 4.5 (2)
Plutonium Blonde is a beautifully textured collage of sound and images and a fractured narrative about woman’s self-definition and control. Taking the figure of Thelma, a woman working with the plutonium monitors at the core of a reactor, Lahire questions both the process at the core of the plutonium terminal and that one that constructs female identity. Plutonium Blonde is part of a trilogy of films on radiation (the other two are Uranium Hex and Serpent River) that Lahire made in the 1980s.
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2016 · ★ 5.0 (2)
MAGENTA is a portrayal of what constitutes a separation. What unifies two beings, what tears them appart and why sometimes it's better to choose loneliness.
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2017 · ★ 6.0 (1)
A visual exploration about the vulnerability of the human mind regarding external influencing factors.
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2000 · ★ 9.2 (2)
A documentary exploring social life in Yaffa before 1948 through a miniature portrait of a Palestinian couple, Wadee’a Aghabi and Naim Azar, constructed through the oral histories presented by their daughters and relatives.
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2011 · ★ 3.5 (2)
America, a famous Brazilian actress, transforms her existential crisis into a show watched closely by her biggest fan.
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1984 · ★ 0.0 (0)
Inspired by Len Lye. Contacts of torn film segments, representing the head of a man with cap.
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2011 · ★ 5.0 (1)
Fall Frum Grace, Miss Pipi’s Blue Tale is a shadow puppet narrative, which follows the travails of the heroine, Miss Pipi, intercut with shadow puppet “abstracts” of a surreal and violent nature. The subtext of the video is the mythology surrounding white Southern womanhood, historically cited time and time again as an entity to be protected from sexuality, in particular from the presumed hyper-sexuality of black men. Although fiction, this was the excuse for the murder of countless black men and boys in Jim Crow America. Miss Pipi’s Blue Tale is meant to be as deeply contradictory a visual tale as the Blues is in music. Delta Blues often merges broad comedy with despair, sensuality with loss and do-it-yourself urgency with structured improvisation.
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2009 · ★ 10.0 (1)
Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.
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2011 · ★ 0.0 (0)
This experimental short film is about a little girl who lost her home to urban renewal, and asks her wealthy neighbor, "why?" The film is a prequel to Andrade-Watkins' documentary trilogy about the Cape Verdean community in Fox Point. "Hi, Neighbor" had its world premiere at the 2011 Cape Verdean International Film Festival and was awarded Jury Selection (first prize), in the 2012 Black Maria Film Festival.
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2016 · ★ 0.0 (0)
“…while many architects through their time have sought a ‘true house’ or a ‘true architecture’, their truth was something of the past and not so true in the present […] here architecture is a child of the sea, arose from its substance…” — Gio Ponti At the age of 32, I finally ran away from home. Dramatically, I left with only my cat and copies of all the still and motion images taken by my father (these dating until the mid 1990s when he then passed his camera down to me). And while I unpacked the baggage of this surreal house coincidentally, back home, renovations were in order… Here, an architectural threnody is composed through a various "true stories" and the inherent struggle between the metaphysical and material. What time is it? No time to look back...
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2015 · ★ 4.0 (1)
Louisa is living a gloomy life. She takes rescue in literature, loosing herself in books and novels. One day she takes a book from the library, she did not choose: A guide to Lucid Dreaming. Soon she discovers the endless options of this new universe of opportunities: living a dream.
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1979 · ★ 0.0 (0)
Opus 40” is about repetition: repetition in working and living, repetition through multiplicity and series, repetition to form pattern and rhythm, repetition in order and in revealing.
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2017 · ★ 0.0 (0)
Based on a mathematical equation, the work CASE STUDY OF AN EQUATION is made to ridicule the process of coping with fear, to quantify emotion in space and in relation to others. It is the full length of a 50 feet reel of super 8 film with in-camera editing, and is the result of an immediate investigation and spontaneous measurement of the haunting ghost from a past incident.
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2016 · ★ 7.0 (1)
Chika the dog and the five-year old Mikasch live in a Jewish ghetto in an unnamed Polish city. The little dog helps Mikasch to develop as a child despite the persecution of the Jews by the Germans.
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2017 · ★ 6.0 (1)
This film explores how environmental issues like climate change drastically affect sea levels and to an extent, the locals who live in coastal villages. At the center of it all is a young boy who is orphaned due to a massive typhoon and loses his ability to speak.
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2008 · ★ 6.0 (2)
The unemployed businesswoman Elke in Golzow, the geriatric nurse Karin in Wuppertal, the first teacher of the class, Marlies Teike, and Gudrun, the former mayor of Genschmar, as well as their father, the long-time LPG chairman of Golzow. In the fourth part of the irrevocably last film about the children of Golzow: the agricultural machine fitters Bernhard and Eckhard and Dr. Manfred Großkopf, managing director of the Landwirtschafts-GmbH Golzow, which emerged from the LPG. His epilogue recalls once again a reunion of some of the former pupils at the kindergarten's Buddelkasten on the eve of the 1st anniversary of German reunification. Accompanied by a song from the Golzow school, which wants to call itself "School of the Children of Golzow" in the future, the camera leaves the village and reaches the Oder River with aerial shots, which flows through the wide plain of the fracture towards the sea.
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