2013 · ★ 0.0 (0)
Short video inspired by "The Zone" from Tarkovsky's film "Stalker" and from the Strugatsky's Brothers book "Roadside Picnic". This video is part of the project "Special effects"commissioned by Cartune Xprez.
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2011 · ★ 0.0 (0)
An illuminated map of Paris became a landscape through various image tranformations.
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1974 · ★ 0.0 (0)
United States 1974, Super 8 film transferred to digital, colour, silent, 4 min
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1974 · ★ 0.0 (0)
United States / Mexico 1974, Super 8 transferred to digital, colour, silent, 3 min
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1974 · ★ 3.0 (2)
United States 1974, Super 8 transferred to digital, colour, silent, 1 min
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1972 · ★ 2.0 (1)
United States 1972, Super 8 transferred to digital, colour, silent, 7 min
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No poster
2016 · ★ 0.0 (0)
Adults prepare a meal, which children consume. The image is just like the mechanical feeding of livestock. The children dote on a goat, but behind the house goats are turned into hamburgers, which are placed on the dinner table. Why do humans continue to kill and eat animals? This profound theme is expressed through quiet music and pictures composed of acrylic drawings.
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2017 · ★ 5.0 (3)
An android assassin, hunting down an upgraded version of it, is forced to confront what she is.
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2016 · ★ 6.0 (1)
Mokhtar, a filmmaking professor, receives an unexpected gift on his 75th birthday from his daughter Kawthar, a filmmaker in her early twenties. With two plane tickets to Rome, they set out in search of his long lost love - Patrizia - the woman he promised to return to thirty-three years ago. Being filmed unknowingly throughout the trip, Mokhtar's raw emotions are captured by his daughter's hidden camera. As voyeurs to this quest for love, we are immersed in the lives of the father and daughter, and the triumphs and tribulations they experience during their trip.
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1985 · ★ 0.0 (0)
Delicate fleeting imagery catches, in two minutes, the flurry of the city’s changing moods.
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2003 · ★ 0.0 (0)
“MUZHCHINI”, when pronounced by emphasizing every letter, means “mature men” in Russian. It is a catchphrase of Yevgeniy Yufit, the father of the Russian necrorealist
movement and the hero of the film. This word well describes his attitude towards and interest in specific elements of Russian masculinity, which have been among the several themes of his own films. The second protagonist is Yuri Zverlin, an artist from St. Petersburg and star of Yufit’s feature “Killed by Lightning”; the third, an anonymous “Lenfilm” filmmaker.
We were on a trip to the sacred monastery of lake Seliger; it all started inside its ecological pyramid, built without single nail supposedly maintaining the equilibrium of the region.
It has no effect on us…
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2003 · ★ 0.0 (0)
"This video is dedicated to Peterhof, the suburb of St. Petersburg where I used to live"
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2014 · ★ 0.0 (0)
The film explores the utopian visions that inspired the Brutalist movement and the material and aesthetic connection between concrete and celluloid.
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2016 · ★ 0.0 (0)
For Lick In The Past, the artist follows a group of teenagers cruising through Los Angeles while nonchalantly discussing dreams and desires, as filtered through their environs. These trance-like confessions and conversations are inter-cut with images of squid and fish, which – together with glimpses of Prouvost’s body and the landscape of LA – form a poetic road movie about the vague promises and wistful possibilities of youth.
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1989 · ★ 6.0 (1)
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
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2018 · ★ 0.0 (0)
In the capital of Ghana, 10,000 girls from the ages of 6 work as real life shopping baskets - called Kayayo, carrying heavy loads on their head (from 130 to 220 pounds), earning very little and some end up in prostitution to make ends meet. This documentary is about Bamunu, an 8-year old girl who hasn’t seen her family since she was sent away from home two years ago to work as a Kayayo to support her family. We follow her incessant longing to get away from the harsh markets, her journey back home and what awaits there.
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2017 · ★ 0.0 (0)
"In a recurrent dream I keep on following your steps, always at your heels." A handicraft film, a travel journal where the lead character is the one behind the camera pulling the trigger regularly and composing the frame’s area and duration.
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1998 · ★ 8.0 (1)
The palms of Lana Turner's hands were full of scars; the technique she used in order to achieve melodrama was to tighten her fists, digging her fingernails into them until she began to cry. Day after day, soap opera actresses smear Vick's Vaporub into their eyes in order to cry. The effect of these false tears are the tears of the public. In Devil in the Flesh we see the camera's tricks, and even so the action seems dramatic. This piece once again exemplifies my fascination with the artificial: the fabricated emotions; the Christian looking for pain in order to live out Passion; the discomfort of the everyday melodrama; the emptiness that defeats everything
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