Private Property (Public Domain)

1991 · ★ 0.0 (0)

Fleming develops a personal visual language through repetition of particular allusions and imagery

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Left Handed Memories

1989 · ★ 0.0 (0)

“Like any worthwhile piece of art, Left-Handed Memories can be read several ways. Images of frames and framed materials recur. Pages of a dictionary flip by, and it is here that the viewer can see a reference to Will Hindle. Entry words echo his film titles - Billabong, Chinese Firedrill etc. A soft-focus female nude, reminiscent of an Edward Weston photograph, becomes increasingly scratched as the footage runs, a memento mori of the plastic material itself. Much, the film tells us, is beautiful, and much will be forgotten.” (Tom Whiteside)

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Blood Inside Outside

1975 · ★ 0.0 (0)

Blood Inside Outside, demonstrates the pioneering feminist artist’s exploration of the multiple layers of meaning ascribed to blood—from death to rebirth. This presentation of the film by the late artist (Cuban, 1948-1985) is accompanied by rare lifetime photographs from the artist’s Body Tracks series as well as her elegant drawings of abstracted outlines of palaeolithic goddesses, repeatedly inscribed on a variety of surfaces, from modern paper to an actual leaf to an ancient style of bark cloth.

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What's The Damage

2017 · ★ 0.0 (0)

WHAT’S THE DAMAGE is a proposition and a provocation; a call against dominant power structures answering back to ongoing crises under white patriarchy, relaying and augmenting feelings and gestures of chronic unease, protest and dissent. Spoken word and digital fluidities give Phillipson’s summons and riposte vital form through representations of livid, female bleeding, rising up against leadership circle-jerks, over-groomed toupees, environmental catastrophes, weeping vortexes, scorched orangutans, animal-fat banknotes and advancing super-moons, pizzas and drones.

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In Passing - The Party

1985 · ★ 0.0 (0)

The film has elements of documentary, narrative and avant-garde. In a big house a party is taking place. People arrive and greet each other-encounters, some dancing, flirtations, a moment of drama. The camera is looking while slowly approaching the lit windows as if someone wanting to take part.

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Meret Oppenheim - Eine Surrealistin auf eigenen Wegen

2013 · ★ 9.0 (2)

A Surrealist on her own Path" - Far more than the furry cup that made her famous is part of the oeuvre of Meret Oppenheim. The documentary presents the multi-faceted work and the brightly colorful life of the great artist and muse of the surrealists, who would have celebrated her 100th birthday on 6 October 2013.

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Hamletmachine

2000 · ★ 0.0 (0)

Based on the text of Heiner Müller's Hamletmachine, this video play manifests the rise of Hindu fundamentalism in India, which reached a nadir with the frenzied violence of fanatics who destroyed the 16th century Babri Masjid in December of 1992. The growing unrest that followed this destruction provided the extremists with an opportunity to attack and pillage the shanty- towns of the minority Muslim population in a clear case of land grab in Mumbai. Overnight slum colonies were burnt to cinders. The railway stations were filled with Muslims trying to catch any train that might take them away to the safety of their villages.

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Onanism

1969 · ★ 0.0 (0)

The 16mm black and white films Onanism and Still Life were the artist's open revolt against the orthodoxy of the traditional mores that restricted female sexuality in 1960s India. In Onanism, Malani used a crane shot while filming a friend prone to hysteria, lying on the ground suffering a series of physical contortions.

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The Job

1997 · ★ 0.0 (0)

The Job visualizes fragments from a woman's memory, made a year after the artist's Naukari (1996), a Hindi adaptation of Bertolt Brecht's story The Job.

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Heaven on Earth: The Rise and Fall of Socialism

2005 · ★ 0.0 (0)

Join host Ben Wattenberg for the chronicle of a movement that rivaled the great religions in sweep and power, but ultimately failed to deliver the "Heaven on Earth" promised by its most ambitious advocates.

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Like Me

2016 · ★ 0.0 (0)

To what lengths do you go to get more likes? Director Sterre Slikkerveer interviewed five friends about Instagram.

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Postales

2016 · ★ 0.0 (0)

Elena Duque, Spain, 2016, video without sound, 3 minutes and 40 seconds. A series of animated postcards from Galicia: the white galleries and buildings of A Coruña, the Coruña Marina and its boats, and the nineteenth-century theme park El Pasatiempo en Betanzos.

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Als Ik 's Ochtends Luister

2017 · ★ 0.0 (0)

"Documentary" about a man obsessed with birds who has the most important job ever.

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Don't Kill The Weatherman

2007 · ★ 0.0 (0)

Short film.

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There are No Limits to What I Can Do

2008 · ★ 0.0 (0)

A man talks about his life as a petti thief.

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Cat

2017 · ★ 5.8 (6)

A cat adopts a baby, building a relationship between two fragile souls.

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Illusions of Control

2019 · ★ 0.0 (0)

Follows stories of people who are creating new relationships with landscapes that have been disrupted by human activity in vastly different parts of the world

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The Right to Express Yourself

1998 · ★ 0.0 (0)

HBO produced animation for UNICEF international rights of the child.

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Biomes II

2017 · ★ 0.0 (0)

Biomes is a series of 4 paintings in motion inspired by the the surrealist landscapes of Tanguy and Kay Sage. Digital and analog video techniques are used to simulate painterly effects in an interplay between soft, harsh, mat and shiny surfaces, different shades of light and the illusion of depth or flatness. Biomes are portraits of post human environments where uncanny life forms materialize and slowly detach themselves from the horizon, to finally melt into their respective landscapes.

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Atlantic is a Sea of Bones

2017 · ★ 0.0 (0)

Atlantic is a Sea of Bones is a short film drawing from the Lucille Clifton poem of the same name that follows Egyptt LaBejia, an NYC based performer through the 80s, 90s, and 2000's in NYC. The haunting and otherwordly film set to an original score features small every day acts of refusal, resistance, and existence—such as performance and self expression—that have a tremendous impact on the world. The film reveals how the historical and systemic violence, like the killing and policing of black queer and trans life, continue to haunt our contemporary landscapes and is inextricably linked to the ongoing AIDS epidemic and the black queer/trans spaces shaped so intimately by HIV/AIDS, including the spaces where we come together and make life together: public spaces and nightlife spaces.

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