1969 · ★ 7.0 (1)
David and Carolyn Brooks and friends. At Tibetan seminar, prison, Chandler Moore's house, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks
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1969 · ★ 6.0 (1)
David and Carolyn Brooks with friends. At Martha's Vineyard, on NYC bus, shooting at the beach, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks
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2007 · ★ 0.0 (0)
Watch Out! is a lighthearted poetic comment which addresses concepts of male voyeurism. Exploring clichés to the point of saturation, these combinations present different ways of learning to look and looking to learn.
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2018 · ★ 0.0 (0)
In an age of collective anxiety around issues of safety – be it global, national, or personal –we are interested in the ways in which different practices of resilience change environments, create subjects, unlink temporalities, and redefine relations of security and insecurity. As populist political rhetoric across Europe and North America expresses this in increasingly reactionary ways, often articulated in relation to threats created by other people, what is the relationship to earlier, more fundamental issues of safety that are managed more quietly and bureaucratically?
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2018 · ★ 0.0 (0)
Mixing fragmented stories of people with views of a landscape in perpetual transformation, we travel intimately in the footsteps of a contemporary Alice in what was once a leafy forest populated by birds and water sources and is today a modern day “concrete jungle” in the centre of the infamous northern district of Marseille. Nature seems to breath only in the hollow of a memory of those who lived through it as children in the 60’s and 70’s. The film paints a portrait of a contemporary neighbourhood battered by perpetual violent transformation that echoes in the vulnerable voices of its habitants. (DocLisboa)
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2013 · ★ 10.0 (1)
This is a road movie about one Russian girl, who left everything and moved to India. She has nothing except small bag and tragic story behind. She travels alone all around India in searching for the purpose of leaving. But her past always follows her. Who knows weather she will be able to become free of it? The main idea of the film can be defined in such words as eternal flow of life, where Kate's life is just a blink, but in this blink the whole eternity is reflected.
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2018 · ★ 0.0 (0)
A funny tale about how, thanks to a sheep in a state of panic, animals cold with cold: the wolf, the fox, the bear, the sheep, the squirrels and the frog, gathered under the same roof of a small Izba, warmed up and became friends.
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2018 · ★ 0.0 (0)
This is the story that explains how I was dropped
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1976 · ★ 0.0 (0)
Hannah Wilke Through the Large Glass documents one of Wilke's most effective and well-known performances, in which she performs a deadpan striptease behind Duchamp's The Bride Stripped Bare by Her Bachelors, Even (also known as The Large Glass) at the Philadelphia Museum of Art. Dressed in a fedora and a white suit, and evoking the style of 1970s' fashion icons such as Helmut Newton and Yves Saint-Laurent, Wilke strikes a series of poses and then strips. She is seen through the glass of the Duchamp sculpture. In her self-conscious affectation of the often absurdist posturing of a fashion model, Wilke willfully uses her own image and her sexuality to confront the erotic representation of women in art history and popular culture.
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2018 · ★ 0.0 (0)
In their childhood, our heroes became orphans, and it resulted in their mental and social deficiency. For years, they stay inmates of closed psychoneurologic nursing homes: Natasha – for women, Guera and Kolya – for men. Now they’ve got a chance to become self-dependent. On this path they’ve met together and even felt love in their life.
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2008 · ★ 0.0 (0)
"Brides of Nothingness: Female Terror." What connects Magda Goebbels with Ulrike Meinhof? - Both women represent a different side of modernity: continuity and fractures of a female mentality story in which the unconscious of history is sedimented. The fanaticism of both women was a publicly lived love story with politics.
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1999 · ★ 0.0 (0)
"Målle Lindberg - clown or prophet?" - About the evangelist and singer Målle Lindberg, a.k.a. the Gypsy Preacher. The film depicts parts of his life with archive footage from the 1950's and 1960's.
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2017 · ★ 6.0 (1)
In the 1970s, Iran seemingly had everything. U.S. President, Jimmy Carter called it "an island of stability" in a visit. Yet, only two years later, in the winter of 1979, a revolution occurred. The Shah of Iran was overthrown and the Islamic Republic was established. It was a major change, a complete switch of power. THE YELLOW CURTAIN interweaves the stories of three men around this sensitive time in history--persecuted Persian author, Gholamhossein Saedi, one of his fictional characters, Mansour, and the filmmaker's own grandfather, who worked directly under the Shah. Through a poetic blending of literature and cinema, the film examines many lives turned upside down; and in one rare case, a life turned right side up.
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2018 · ★ 0.0 (0)
This documentary screening explores the state of sound and silence without dogmas and preconceived theories. Through various points of view, All Sounds Considered witnesses the multiplicity of strategies, ideas and creations, and takes the viewer onto a journey to discover the world of contemporary sonic media.
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— · ★ 0.0 (0)
The Love Seeker is a portrait of a broken-hearted girl who is searching for the key to love, Spoken through a truly intimate dialogue with her 80-year-old neighbours.
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2019 · ★ 0.0 (0)
Is finding the perfect matt red lipstick something women should aspire to? Red Film reveals and critiques the persuasive capitalist machinations directed at women to conform and consume. A flurry of quotations from the world’s foremost thinkers address the color-coding of mass-produced consumer goods such as cosmetics, shoes and the red muscle car. All the while, Cwynar hangs upside down turning blue in the face from telling the story over and over again.
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2001 · ★ 0.0 (0)
An experimental documentary about a family's loss of a child and the struggle between remembrance and forgetting. The film explores the cultural differences between a North American mother and a Mexican father in the face of death.
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2018 · ★ 0.0 (0)
A few days of summer on the river. A family that was still that. There are memories volatile, that come and go. The feeling that the rain is nearby, a woman with a red hat, the trees at the side of the road. Perhaps the images are like small houses where safeguard the memory. And leave it inside something, so it seems certain.
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1997 · ★ 0.0 (0)
Torsten Ricardo Engelholz, 31 years old, was locked in a dark room by his parents for most of his childhood and then placed in a psychiatric ward. Torsten Ricardo loves riding the subway and spends every free minute doing so. In addition to this passion, he is a talented painter and actor in the professional theater group Thikwa in Berlin. He is very interested in German history. This film explores the universe of a very special person in a sensual way and deals with fundamental questions of life: Torsten Ricardo holds up a mirror to us. "The others are disabled, knowledge-disabled, because they don't recognize what abilities you have," says Torsten Ricardo Engelholz in his poetic, clear-sighted language. This includes the abysses of his own existence as well as his great desires.
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