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Poster for Knowledge of Good and Evil

2005 · ★ 0.0 (0)

"An abstract exploration of the tension surrounding women and stereotypical representations of their knowledge. The film was created from footage shot at Phil Hoffman's independent imaging retreat in Ontario as well as from footage shot in Vancouver (where I had given myself the challenge of shooting 100 feet of film every month). All of the footage was hand-processed, and some of it was contact printed by hand and treated in baths of potassium ferricyanide. The final film was created through various optical printing techniques." — Amanda Dawn Christie

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Poster for Forsaken

2012 · ★ 0.0 (0)

Phillips abstracts images selected from found footage, this time exploring such techniques as contact printing and hand tinting and toning. Muscle men, machinery, and building climbers become foreboding figures in this darkly apocalyptic film.

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2019 · ★ 5.5 (1)

“Stroma's funeral” or “grandmother” is the name of the three-day rite, which is held every year in the village of Shutilovo, Nizhny Novgorod region. In its spirit, it is the folk carnival, about which Mikhail Bakhtin and Francois Rabelais wrote: a change of appearance, general merriment, plenty of food, drink, indecent words and deeds. During this game of death and burial, there is no place for genuine grief. But when things are going awry in the non-holiday life of a Russian village, it is very difficult not to cry.

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Poster for Shuma

2016 · ★ 0.0 (0)

Water is knee-high. If you are afraid of drowning, stand on a chair.

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Poster for Ambicion Sin Piedad

1991 · ★ 5.0 (2)

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Poster for Come As You Are

2019 · ★ 0.0 (0)

November 2018. In a post-election climate, Kit Redstone lands in the devastated Olympic City, Rio de Janeiro. Writer, director and theater performer based in London, Kit is a transgender man and comes to Brazil with the aim of producing a play with transsexual actors in the country that kills the most transvestites in the world. During the process, we meet these artists and their perspectives on what it's like to be LGBTQI + and artist in an apocalyptic setting for social minorities and culture producers in the country.

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— · ★ 2.0 (1)

A young boy discovers the interesting animal “creepers” and quickly becomes obsessed with their power. But all goes wrong once he comes face to face with one (or two) in real life.

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Poster for Heat Room

2019 · ★ 0.0 (0)

Cheung Sha Wan, an old district of Hong Kong, is now undergoing redevelopment. Aging buildings were replaced with modern ones that are not affordable for most of the people who lived in the area. Some of the old buildings house many more than they were designed for. An apartment may be subdivided into around 10 rooms with wooden boards. This film documents the daily life of the tenants of one of these buildings.

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Poster for Wilie and Brewsie

2018 · ★ 0.0 (0)

Shot in the northeast United States landscape, Willie and Brewsie reflects on the contemporary resonances of the last novella written by Gertrude Stein in 1946 entitled Brewsie and Willie.

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Poster for On the Mountain

1973 · ★ 0.0 (0)

"Made in Edinburghs Rose Street, On the Mountain incorporates the whole of a previous film (Rose Street, 1956), including the leader and the titles. The original was shot in black and white, and the negative was lost, and for this reason Tait had the idea of preserving the film by framing it complete in colour , in a contrasted look at the same street in 1974. On the Mountain records and preserves the change. The camera broods and recognises the dustcart . Changed is too gentle a word, the street has ben ripped apart by the developers. An ugly modern precinct has emerged with shabby boutiques and plastic food. The back lane where the children played hopscotch reveals a gap site, a decaying Princess Street, with thumping machines and concrete." – Tamara Krikorian

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Poster for Opalina

2019 · ★ 0.0 (0)

The short film tells the story of Natasha, a young woman of dual nationality who, after years living with her mother in Riazan (Russia), is looking for an opportunity to earn money in Portugal. Natasha becomes a waitress and, as time goes by, encounters Pub’s economic difficulties and poor pay for her work. Enticed by her colleagues, she ends up making decisions that will condition her future.

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Poster for Here, We Are

2018 · ★ 0.0 (0)

Laughter and joy ring out in a community besieged by drug wars. In Santiago Tuxtla, Veracruz, the vivacity of Rafael and Joel’s music brings people together and lifts them up.

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Poster for Tourist go home! Europas Sehnsuchtsorte in Gefahr

2017 · ★ 6.0 (1)

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2019 · ★ 0.0 (0)

A cinematic reflection on the collective memory.

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Poster for The Choice

2019 · ★ 8.0 (1)

A documentary film about a Chinese family discussing and arguing about what to do with a relative in severe condition in the hospital.

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Poster for Laughing Matters... The Men

2008 · ★ 0.0 (0)

It's no secret that stand-up comics are a tortured lot, and in this documentary filmmaker Andrea Meyerson pays special tribute to some of the most talented - and tormented - gay comedians around. While some gay comics seek to refute common stereotypes, others thrive on them. From comedy queen Bruce Vilanch - who has penned the jokes for sixteen Oscar telecasts - to Texas football fan Scott Kennedy - who watches the games for much more than the touchdowns - these are the talented folks who eschew contemporary taboos to take an honest look at everyday gay life.

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Poster for The Shifting Sands

2018 · ★ 0.0 (0)

Jacques Madvo's documentary, "Israel: Land of Destiny" (1977), is abstracted in "The Shifting Sands", a new film by Madi Piller. Piller's film asserts the intersection of history and identification with the Land through the personal struggles of the filmmaker's father as a young Jewish refugee, arriving in 1946 in Palestine. High contrast, repeated images of the war in 1948 immediately after the establishment of a Jewish state in Eretz Israel (to be known as the State of Israel) interact with Madvo's observations of Israeli society after its first thirty years of existence. The film juxtaposes images in a fractured timeline that reflects on the acceptance of the formation of a Jewish state. The work is framed within the philosophical thinking of Martin Buber and the recent history of Israel. Shifting sands can both erase and reveal human endeavour.

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Poster for Cette France qui n’attendait pas Macron

2019 · ★ 0.0 (0)

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Poster for Mon enfant, ma bataille

2019 · ★ 0.0 (0)

Mon enfant, ma bataille is a documentary film that tells the story of homosexuality in France through the APGL - Association of Parents and Future Parents of Gays and Lesbians - the first French association to fight for the rights of homoparental families. Based on numerous testimonials (children and families, researchers, doctors, institutional, lawyers, politicians and thinkers) and archival documents, Émilie Jouvet gives the floor to those who make or have made, through their personal choices, commitments and collective struggles, the history of homosexuality in France since 1986.

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Poster for Berlin unter den Alliierten 1945-1949

— · ★ 0.0 (0)

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