2019 · ★ 0.0 (0)
Obi is bored so plays a game he knows will provoke the adults around him
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2001 · ★ 0.0 (0)
Video installation that shows the historical disagreement between the indigenous world -the Mapuche ethnicity- and the Chilean hegemony. Differences that seem unavoidable. A cultural and political war that has lasted for more than five centuries.
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2002 · ★ 0.0 (0)
The last in Camille Billops' family trilogy in which she turns the camera to four generations of men in her family and considers why their fathers died so young.
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2009 · ★ 0.0 (0)
Refers to the women who fought in the Greek Civil War 1946-1949, were exiled or tortured.
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1984 · ★ 0.0 (0)
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1997 · ★ 0.0 (0)
Over a period of several months, director and writer Mariana Otero has been looking through the uncompromising lens of her camera at the realities of life behind the scenes at a commercial TV station: the Portuguese channel SIC.
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2020 · ★ 0.0 (0)
"Deep Touch" is a performative video using a Soft Computing sculpture. The piece is inspired by the oft-cited Matt Mahurin image made for a 1995 Time Magazine cover story on cyberporn, in which a man hugs a glowing computer. This simple gesture--embracing the device one spends so much time with--is cast in a sinister light, a deviation from normal desire. Twenty-five years hence, in a time when we touch and caress our devices all day long, heightened even further by quarantine, the desire to embrace our technologies seems normal and obvious.
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2020 · ★ 0.0 (0)
A compilation of 75 YouTube videos that have been uploaded to the website within the last 6 months and are related to Covid in some way, specifically in the title. It flickers between quarantine vlogs, “what I eat in a day in quarantine” videos, “quarantine glow-up” videos and story-time videos from people who have had Covid themselves. Soto has been collecting these videos since the beginning of quarantine as she thought it would be important to document what was going on over on YouTube, a platform that has so much cultural relevance but is not often paid attention to from an archival standpoint as these daily diaries and videos are often seen as frivolous. This archive may just look like familiar imagery to most right now but is important to keep as a time capsule for the future.
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2019 · ★ 0.0 (0)
Tsyrlina’s radical found footage film subjects frames and sequences taken from Soviet propaganda about women’s equality to a cinematic archaeology, unearthing a sensuous and discreetly subversive movement within the material’s interstices and ellipses.
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2020 · ★ 0.0 (0)
Rachel is a prostitute that lives at her work place. She's originally redhead, but can change the color of her hair according to the taste of each client. That's because Rachel it's not an ordinary prostitute. She's an hyperrealistic sex doll. And this, a portrait of Rachel, her coworkers and the only brothel of sex dolls in Spain.
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2020 · ★ 6.0 (1)
In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. Today, our tall trees are over, the whites surrounded us and our lands are tiny. But our yãmĩyxop are very strong and taught us the stories and chants from our ancients who walked around here.
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2008 · ★ 0.0 (0)
Almost thirty years after the revolution, and twenty since the end of the long Iran-Iraq war, A People in the Shadows takes us on a voyage into the heart of Tehran, a megalopolis of 14 million people. The city is still recovering from its past, as talk of sanctions and a possible American attack resonate. Using direct cinema methods, the film takes an intimate look at the way people live in this immense city today, caught up in the paradoxes and contradictions of their society, surrounded by images of past and future death, yet finding ways to juggle state propaganda and foreign threat on a daily basis.
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1983 · ★ 0.0 (0)
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1983 · ★ 0.0 (0)
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1982 · ★ 0.0 (0)
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1982 · ★ 0.0 (0)
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1982 · ★ 0.0 (0)
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1982 · ★ 0.0 (0)
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