2013 · ★ 5.0 (1)
Arturo's cousin calls him to let him now that his wife is having an affair, and she is planning to kill him.
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2015 · ★ 5.0 (1)
Newlyweds Mario and Diana discover they have no chemistry. She starts to fall in love with her boss and does not realize her husband also loves another person.
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2015 · ★ 5.0 (1)
Tadeo comes to the city to help his best friend organize her new home, but she decides to take a trip and leaves him alone in her apartment. Everything changes when he meets a beautiful girl, although it all turns out to be a nightmare...
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2014 · ★ 5.0 (1)
Ramiro has always been the black sheep of the family, and to make things worse, he seduces Mónica, his brother's girlfriend. Mónica and Ramiro plan to run away together, but his mother finds out about their plans and kicks him out of the house.
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2020 · ★ 0.0 (0)
While working on her recent film commission for Kettle’s Yard, Here is Elsewhere , Sarah Wood became curious about what the exhibition of art means at this time. In one part of Kettle’s Yard Alfred Wallis Rediscovered is installed and in another part of the gallery, Wood’s film. How do they relate to one another? How does art enable connection? The answer was Correspondence – a short essay film constructed from archive footage taken around the Cornish coastline. Correspondence speaks across time to fellow artist Alfred Wallis about the role the site of art plays in a time of social isolation. The scripted voiceover in the new film takes the form of a letter written by Wood to Wallis.
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2001 · ★ 0.0 (0)
"Asymptomatic schizophrenia" is a disease that many people who did not like the regime in the USSR suffered from. Fortunately, it could be treated using "methods developed by the most eminent Soviet psychiatrists."
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2021 · ★ 10.0 (1)
Starting with the memory of a song hummed in a rainy night, Chronicles of That Time investigates the shifting identity of the Mediterranean; from ‘the shared sea’, unifying the cultural diversity of Africa and Europe, to closed borders.
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— · ★ 0.0 (0)
Amongst the victims’ names, his own. The cassette tape that jams. The telephone that rings. The news of Lucinda coming. The dinner burns to ashes. The fans that roar and the oppressing heat. Lima’s condition is deteriorating, and time no longer exists: all days are one. One lonely day.
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2012 · ★ 0.0 (0)
The story is about the tragic fate of an eleven-year-old boy, whose childhood turns into an endless hell because of a drunken mother. A life of starvation, the bullying of classmates, the indifference and cruelty of adults-all this has no end in sight. Exhausted and without any hope or faith in the future.
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1997 · ★ 0.0 (0)
What I Remember is a melancholy recollection of two stories of first love. The narrator relates two anecdotes from her youth, seemingly unrelated, but linked by both their sweetness and tragedy. What does she remember about first love? Awkwardness, embarrassment, secrecy, and abandon. The moral of the story? Once you fall hard, you better duck.
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1995 · ★ 0.0 (0)
The heady pleasures of new lust and love allow the artist to escape her head momentarily - before trepidation creeps back in. With her usual sensual blend of grainy slow motion imagery and in-your-face sex-talk, Bradley continues her passionate exploration into the nuances and contradictions of lesbian desire.
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1994 · ★ 0.0 (0)
Bradley explores her own phobia of being identified as a butch in this diaristic examination of internalized lesbophobia.
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1992 · ★ 0.0 (0)
Three video-diary segments in which a transsexual prostitute recounts different circumstances that lead her to practice unsafe sex with clients.
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1996 · ★ 5.0 (1)
"bright and dark" uses poetry to create a personal narrative about the dynamics of love, light and bodies.
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1991 · ★ 0.0 (0)
Using Pixelvision video transferred to 16mm film, these works map the visual space of emotional investigation.
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