2004 · ★ 0.0 (0)
Several women within surreal pastel chambers collectively fabricate maraschino cherries from red fingernails.
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2021 · ★ 0.0 (0)
A bunch of colour pencils bully other pencil.
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2022 · ★ 6.5 (4)
Anna secretly sneaks out of school with her boyfriend to carry out her decision for an abortion. Bluntly factual and yet with tender sympathy, the camera accompanies Anna's path, approaches and contrasts with images of a nature in which some things seem simpler and some things unfathomable.
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2005 · ★ 0.0 (0)
Alicia arrives at a house occupied by a mysterious community that welcomes her warmly. As the days go by, however, her unease grows.
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— · ★ 0.0 (0)
A time-lapse documentation of Lee filter film gels installed into the windows of the Dusable Museum of African American History's Roundhouse designed by Burnham and Root in 1888.
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2008 · ★ 6.0 (1)
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1972 · ★ 0.0 (0)
Mary is a young librarian in a factory library. She lives alone with her mother. Encouraged by her mother, she tries to find the right man by advertising. The candidates are: an agronomist, a foreign trader, a police reporter, a teacher, a rural journalist. The classifieds are not successful, but strangely enough, Mary is strengthened in her belief that one cannot be alone in the world.
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2022 · ★ 6.0 (1)
Handmade and unique personal 16mm film in two parts.
“Darkness, darkness, burning bright
In the forests of the night
Vast flowered paths, fresh branches,
Groves full of perfumes, birds and whispers,
Site often seen again, and always contemplated
Wind that gurgles at the bottom of the chimneys that
months, hours and days.…”
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2010 · ★ 0.0 (0)
16 mm projection on a ball with glasses (filmatruc à verres n°2). The birds are flying all over the space.
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2001 · ★ 0.0 (0)
Originally projected in the interior of a customized Dodge at the 2001 Armory Show in New York, The Van features Bag as three young female artists riding in the back of a van, en route to the Armory Show. Their gallerist Leroy, dressed as a pimp, is the driver of the van; he promises them major recognition and designer handbags. Fox, Honey and Fiona compete for Leroy's favor by detailing the inane—but not utterly improbable—pieces they're showing at the art fair, and the sexy clothes they'll wear to the opening. The name-dropping and catty glances escalate as each woman contends that she, more than the others, needs to use the van for her installation near the gallery's booth. As Bag derides the wish lists of the art-star hopefuls (the Turner Prize, the cover of ArtForum, Rosalind Krauss' critical attention, "more product endorsement"), she implicates the contemporary art world—herself included—in a bacchanal of greed.
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1992 · ★ 0.0 (0)
A bold and eclectic cinematic style defines the work of filmmaker Michka Saäl and her friend, writer Nadine Ltaif as they journey from childhoods in the Middle East to their chosen home of Montréal. Saäl is Jewish, Ltaif is Arab. Together they overcome the divisive prejudices of their upbringing and embark on an engaging search for clarity, familiarity and historical significance among the immigrant communities of Montréal. Saäl uses super-8 home movies, old photographs, dramatizations and casual conversations to cross personal and political boundaries, giving voice to the varied ancestries of us all.
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2007 · ★ 0.0 (0)
"Documentation of landscape intervention from residency at Djerassi, all non-native plants removed except bull thistle, painted orange" -LK
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2020 · ★ 0.0 (0)
A tribute to a special place – Kunstquartier Bethanien
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2006 · ★ 0.0 (0)
Gone can be described as a farewell film. On the musical score by Juergen Groezinger I have created a visual piece about evanescence and beauty by animating the photograph of an arum. It is the visualisation of the moment in which something irrevocable comes to an end. The curtains are drawn...
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2020 · ★ 0.0 (0)
On the porch of a club restaurant, a girl meets a young man and starts a conversation about problems due to big money. But as soon as he finds out who he works for, he breaks off the acquaintance, despite the sympathy that has arisen. Ironically, young people have a lot in common.
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1985 · ★ 0.0 (0)
A documentary about Lisa Hsia, a Chinese-American woman who was raised in Illinois and returns to China search of her identity and to discover her roots. A film full of humor that mixes animation, home movies and sequences shot in Chicago and in the People’s Republic of China, where the film-maker found some of her family.
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2021 · ★ 0.0 (0)
It's a background that I haven't specifically mentioned in this film and that no one can know, but last year a family member who had cancer had part of her body surgically removed. I created this film based on my experience of indirectly feeling that pain as a stranger. I think it was a psychological pain I felt from the painful appearance after her surgery, but for me it was an inexplicable sadness.
Practically speaking, we cannot feel the pain of others, though if you physically connect the nerves in your brain to each other, you might be able to feel it. My simulated experience of this pain seemed to me as if some complex neural transmission was taking place which could not be interpreted.
While watching the white objects in the film spin and fall, I hoped that time and wounds would melt away, and that someone's physical or emotional pain would heal.
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2019 · ★ 0.0 (0)
I thought I would only sleep at night, but I can always go anywhere, far away from here to there. A study for the first entrance examination of the graduate school of Tokyo University of the Arts.
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2020 · ★ 0.0 (0)
A lyrical story about a girl who discovers a new unprecedented world for herself.
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