2019 · ★ 10.0 (1)
This film is an ode to navigation, an adaptation to silences, deafening cries.
A personal navigation through four seasons of loss.
A series of memory frames shot on expired and donated 16mm film.
Shot during the years of 2012-2016 in Los Angeles, Gettysburg, and Baltimore.
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2017 · ★ 10.0 (1)
Polluted clouds of burning coal dominate the skies. Meditations on a shifting landscape of what once was former East Berlin.
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2015 · ★ 10.0 (1)
She moved to Vårdinge, then to Kalmar in 1908. She left on May 8, 1909 for North America to meet a man who never showed up to greet her. She came from a family of poor farmers and made a new life when she settled in Connecticut. Her house always smelled of clean, fresh laundry. She baked sweet goods for her relatives, donuts, cakes and Swedish tortes.
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2022 · ★ 0.0 (0)
Heron 1954 - 2002 is a visual eulogy that taps into the phenomena of makeshift memorials and small gestures of mourning. Honoring the life of a loved one who died due to an accidental opioid overdose, the film materializes the process of overdue bereavement by invoking a fragmented presence at the periphery of the mind.
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2005 · ★ 0.0 (0)
The film focuses on a group of people with various disabilities who are helped by the Hamburg-based association “Insel” to lead largely independent lives. We see them at home, at work, and at the “Insel” premises, where they meet every Thursday afternoon to drink coffee and talk.
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2006 · ★ 0.0 (0)
A traditional men's festival called "Hahnbeer," which has been celebrated every year since 1841 at the end of February.
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2015 · ★ 0.0 (0)
A documentary film about the rural Low German-speaking population.
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1995 · ★ 0.0 (0)
Through a unique combination of visual images the video plays with a certain vision of reality and illusion - histories and culture(s) and the ambiguities of a cultural or a national identity. The artist combines the work created - video and computer techno-applications to explore her aesthetics ... Each set of geographical, political and sociological circumstances prescribe different labels. We come to believe in labels and to limit ourselves within the parameter of that imposed identity. We have to struggle to mediate between what we know to be the self and the outward deluge of imposed descriptors.
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2022 · ★ 0.0 (0)
This video by Coco Fusco includes footage of the artist traveling by boat around Hart Island, the site of New York’s public cemetery that was operated by the city’s department of corrections until October 1, 2021. Since 1869, prison labor has been used to bury more than a million New Yorkers in mass graves on the island. Many individuals have been buried anonymously—especially during epidemics. Fusco’s video features a meditation she wrote on the conditions of the current pandemic and is performed by poet Pamela Sneed.
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2021 · ★ 0.0 (0)
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2020 · ★ 0.0 (0)
Part 1 of the Bethanien Tetralogy.
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2009 · ★ 0.0 (0)
Wedding is a meta-amateur film, a reflection and a condensation of its form: black and white, silent, 16mm, and only two minutes long. A married couple expose themselves to a camera´s objective gaze, while at the same time face it with their own, resolute gaze-and the riddle of a fragmentary plot. The staging thematizes the material it uses through minor errors in the image, like those that appear at the beginning and end of every 16mm film reel, and "bad" cuts, ghostly in between frames. What happens between the images? (Stefan Grissemann)
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2005 · ★ 0.0 (0)
Shattering taboos about the politically correct and debunking dominant social constructions Ideology takes a sudden turn into the dichotomy and the contradictions of love beyond ideological commitment.
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2006 · ★ 0.0 (0)
The futility and absurdity of the rhetoric and politics of extermination, is explored in this work, through the juxtaposition of text and image.
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2007 · ★ 0.0 (0)
Deconstructing the actor’s process in rehearsal… deconstructing the character as the film is deconstructed... a transition from the inside to the outside, unraveling, in a spiral, the circumstances that hold both actor and character in their separate places, while asking them to be one.
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2022 · ★ 0.0 (0)
Seeking out the edges of a landscape you've never been to, we keep finding ourselves at the center of something.
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2008 · ★ 0.0 (0)
"This work emerges from my research into the relationship between the actor and the character; what is the diving line? What are the elements that make them what they are? When does the self seep through the character? When does the self seep through the performer? When does the self seep through our daily life roles? This video documents what happens when Oriana sits in front of the mirror to look into her eyes. I have asked her to look at herself in the privacy of her home and let herself just be until the private begins to seep through her mask." - Juana Awad
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2011 · ★ 0.0 (0)
Single channel installation created to be exhibited in a loop before the Punctum & Back physical performance. Installed in the space it operates as the shadow of a gallery spectator entering the wall, in front of which the performance will occur.
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2022 · ★ 0.0 (0)
Bourn, a Black- Jewish street artist, confronts the fear and isolation of the moment through art, and creates a street mural project to celebrate kindness and connection in his community.
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