2022 · ★ 0.0 (0)
A portrait of Buenos Aires done for the Festival Extra at Centre Pompidou
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2000 · ★ 0.0 (0)
The inherent violence that is intimated at in this handprocessed film, can only offer a clue of past interventions.
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2021 · ★ 0.0 (0)
Film-collage made from a colletaneous of archival images that reveal occult mysteries.
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2022 · ★ 0.0 (0)
The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.
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2016 · ★ 0.0 (0)
A political superstar finds himself falling from grace and plummeting to the depths. After the Sunflower Movement, Chen Wei-ting, whose reputation now preceded him, returned to Miaoli County to run for the legislature, but he soon withdrew due to some sexual harassment scandals. From public sweet heart to someone scorned and deemed a “criminal”, what does Chen think of what he calls his “perfect crash”?
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1978 · ★ 0.0 (0)
“Won’t make it today, hope you don’t mind.” A casual call, the husband will be late again, not to be expected before eight. He is an officer in the National People’s Army, still young, but with a lot of postings under his belt, always accompanied by his wife. She has resigned herself to her fate, while he flourishes enviably in his profession. Róża Berger-Fiedler spends most of the time by his side, following him in brisk cuts from appointment to appointment. Talking is required and demanded constantly: to representatives of the Soviet armed forces, young recruits, subordinates. Words come easy to him, but not everything runs smoothly.
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2022 · ★ 0.0 (0)
Ship ahoy, the musifants are back! This time, Charlie and Grandpa Günter get mail from the small green cactus in New Zealand and set sail with Fox and Captain Krause. On the way, they fish the little wild sow Svenja from the sea and sing their special shanty. The waves rise when the retired circus elephant makes musical forays into 1920s and 1930s song collections.
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2022 · ★ 0.0 (0)
After years of touring together, the Berlin supergroup “Moderat” decided in 2017 to go on a (recently terminated) hiatus. “The Last Days” portrays the three protagonists of “Intelligent Dance Music” at their most human. Black and white images taken around their last concert tour serve as a projection surface for off-screen interviews in which Sascha, Szary and Gernot describe each other, allowing deep insights into their artistic dynamics.
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2014 · ★ 0.0 (0)
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)
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2022 · ★ 0.0 (0)
A filmic dialogue between exiled Syrian writer Samar Yazbek and the filmmaker that tries to ask vital questions about cinema and literature in the face of war, death and violence. Focusing on the relation between the spoken word, the literary text and the act of listening, the film explores the writer’s work with her own tools: words. As the war intensifies, the dilemma increases: to speak or not to speak becomes a central question in the film. But if the filmed conversations are interrupted, who will tell the story of the voiceless? A pertinent poetic and political testimony of our troubled times.
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2022 · ★ 0.0 (0)
The film follows the migration strewn with pitfalls of Chinese crabs, imported from China by accident at the beginning of the 20th century, which are born in the North Sea, go up the rivers of Flanders to grow there for a few years, and return to the sea to reproduce and die. The director uses a big range of forms and approaches, including slapstick, to build these crabs’ lives into an existential metaphor, which expands the method she already mastered in the previous film Dans le regard d’un bête. A modern poetic parable, between reality and fiction, open to the fragmentary diversity of reality.
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— · ★ 0.0 (0)
In imperial Russia, Pjotr goes to civil war at the age of 15 to defend the Tsar. While the bolsheviks gain ground he deserts on horseback, leaving behind his mother and brothers. After three years without news from her son, his mother thinks Pjotr is dead until she receives a letter from him. On exhile, Pjotr reads his mother’s letters while he tries to detach from former motherland. This family is revisited through the eyes of Pjotr’s granddaughter, Aya, intertwining facts and dreams, times and generations.
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— · ★ 0.0 (0)
A reflective film essay, a machine of though, presented in tableau-form, composed by digital postcards on video format. Inspired by Donna Haraway the film is about a future of response-ability to inhabit the n-dimensional niche space called Earth or Terrapolis. We look for “real stories that are also speculative fabulations and speculative realisms. (…) stories in which multispecies players, who are enmeshed in partial and flawed translations across difference, redo ways of living and dying attuned to still possible finite flourishing, still possible recuperation.”
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1980 · ★ 0.0 (0)
In this performance, filmed in March 1980, Sol y Dar y Dad (Solidarity: To Give and Give Sun), one of the word-splitting, deconstructive poems Vicuña calls palabrarmas, is danced by Sofía Torres, young actors, volunteers from Corporación Colombiana de Teatro, and children at the Parque Nacional de Bogotá.
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1978 · ★ 0.0 (0)
One of a series of Idemitsu’s works which deal with housewives buried in everyday life. Idemitsu overlapped a 16 mm work that had Yoneyama Mamako pantomiming in her “Tango of a Hosewife” for the Commemoration of the International Women’s year, 1975. Behind Mamako pantomiming as a housewife, there are clouds, sunsets and bonfires.
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2022 · ★ 0.0 (0)
A female filmmaker interviews American men in the nude.
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2005 · ★ 0.0 (0)
An opera diva (Mimi Minus) makes her grand solo appearance. The individual stages of her transformation in the dressing room are celebrated with glamorous gestures. A meditative ritual becomes a trigger for the appearance of a second, identical opera diva. This one, however, immediately transforms through the deployment of the most wonderful Mattuscha animation techniques into an aged, wrinkled version of the star with less than zero glamour appeal. A Freudian dream game begins.
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2022 · ★ 0.0 (0)
The film is the result of a charity workshop for children from Ukrainian families who came to Armenia. The film is based on their stories and memories to the music of the lullaby "Oh go sleep kolo vikon".
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