2016 · ★ 0.0 (0)
A stunning virtuoso turn from these two partners in life and art. A home movie where the library musings and theory shuffles are re-rooted in domestic space, in relationship. The tape insists that artmaking, and even the utopias it conjures, cannot be separated from the way we love, eat, or wash the dishes. It celebrates the hand-made, the make-shift, the provisional (no more monuments! unless they’re made of cardboard and felt and wool), and everywhere there is ingenious invention and a generous good humour, particularly when the artists don flesh suits and hoist a giant-sized sharpie to underline their fave utopia reading bits from the oversized texts that surround them.
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2019 · ★ 0.0 (0)
Short Film about a Disfigured girl.
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2021 · ★ 0.0 (0)
Two people are staring at the flashing lights outside their windows, thinking about walking the distance between themselves. The calm of the empty station and the passing views from the train deepen their loneliness.
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2021 · ★ 0.0 (0)
A man is doing his daily routine at home. He's tanning in his solarium, working out, continually checking his watch. What will happen at the stroke of midnight?
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2016 · ★ 0.0 (0)
Poetry is everywhere, even in the refugee camps where absolute misery reigns. In front of old plastic advertising posters on which are drawn in giant format the big icons of luxury and consumerism that make up their shelters, refugee children stand like kings. Symbols of life at the heart of war, fragility, and death, these children are shown by Jocelyne Saab as precious notes of hope in the heart of a dehumanized world. One Dollar a Day was filmed in the Syrian refugee camps of the Bekaa plain, Lebanon in 2015, with text by Etel Adnan.
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2019 · ★ 0.0 (0)
Twenty-one years old, my father died as soon as I entered the university again. 'My father is not at home. Not Today, Not Tomorrrow' I confess I'm not okay. And I want to live a life finding the precious thing that I have Forgotten and Lost So I Move. To never Forgotten and Lost.
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2017 · ★ 0.0 (0)
A 2017 portrait of a paramedic Tyra working on the frontline near Svitlodarsk. There was a well-known road there that was called the road of life: the wounded were taken to the hospital in Bakhmut. Part of the “Invisible Battalion“ almanac.
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2013 · ★ 0.0 (0)
Cell-phone video footage of exploding fireworks is processed and extended through a series of VHS feedback loops. What was once a momentary blast becomes drawn out in time, emphasizing the beauty of pyrotechnic light, while juxtaposing analog and digital video artifacts.
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2003 · ★ 0.0 (0)
This hybrid film/video uses a toy pixelvision camera to document a dual-projection of a found 16mm film and a liquid light array. The 16mm film was salvaged from a mutoscope, a turn-of-the-century device outfitted with an eyepiece in a (sometimes coin-operated) mechanical cabinet that enables a viewer to have a private film-watching experience. The footage, shot in the home, is of a late-1940's woman undressing slowly for the camera (and its operator). Between found film, the perpetual movement of abstract light, the degraded pixelvision image and the particularities of documented 1940's female sexuality, these juxtaposed projections move through a panoply of interpretations surrounding resurrection and decay.
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2009 · ★ 0.0 (0)
Using glue and 16mm splicing tape, I place over 1500 individual super 8 film frames from a decimated home movie one-by-one on to clear 16mm film. The resulting floating film-within-a-film becomes a jarring landscape that prioritizes the structure of the super 8 frame over its photographic contents.
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2021 · ★ 0.0 (0)
The experimental animated film, El Canto de las Moscas, translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945-2003) and the audiovisual dialogue between 9 Colombian women. In 24 places that are visited during the course of a day, a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analog materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
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