1996 · ★ 0.0 (0)
Camera movements on a pine (“Songshù” in Chinese) at dusk when the light is so soft. Film with nuanced hues and Chinese painting graphics.
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1974 · ★ 0.0 (0)
On the artist's face, which lies supine on the ground, white larvae swarm undisturbed on the cheek, pushing into the nasal cavities, the labial commissure and that of the eyelids, sometimes ajar, sometimes moistened by tears.
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2021 · ★ 0.0 (0)
A documentary dream of a girl who cannot wake up from a traumatic but alluring past, where she was close to her loved ones.
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2023 · ★ 0.0 (0)
A film about Sergei Alexandrovich.
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2009 · ★ 0.0 (0)
This animal can darken or lighten its body color, and is not easily visible to the human eye because of its adeptness at camouflaging its form. When the male reaches the mating season, it decorates the surrounding area with beautifully shining jewels and stones of various color to lure the female, whom is attracted to shining light, and makes secretive and hallucinatory the place in which the mating will take place.
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2023 · ★ 0.0 (0)
A poetic love letter between two women rebelling against the heteronormative gaze.
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2003 · ★ 0.0 (0)
Short film.
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1986 · ★ 0.0 (0)
Documentary which looks at the history of the welfare state in Britain, from the point of view of women. Using 1940's newsreels to examine the picture portrayed of women in the welfare state, the reality of the 1980s is discussed by women from Tyneside. The reality of their lives contrasts sharply with the hopes and aspirations of the 40s and 50s, shown through films and songs of the period when the welfare state was first established.
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2022 · ★ 0.0 (0)
Among everything obscure in an image, there is always the camera. This Isn’t What It Appears reconstructs and radicalizes the ways to see and interpret archival photographs of Korean women taken in the 1950s by American soldiers stationed in South Korea. This film attempts to reveal the camera within the frame, not as an omniscient eye but as a reciprocal medium that subverts the hierarchy in an image.
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2023 · ★ 0.0 (0)
In fabricating a fictional institute and its archive, the artists explore and imagine vernacular technological practices operating across the African continent.
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2023 · ★ 7.0 (1)
When Russian troops invaded Ukraine in February 2022, classrooms fell silent. Soon, schools were destroyed by the relentless shelling. Almost a year on, classes have started again, and schools are being rebuilt with EU humanitarian support. In When I Grow Up three tenacious young Ukrainians resume their education despite the fighting. By giving them a voice, ‘Education, no matter what’ campaign documents their ambitions and courage in a country devastated by war. Ukraine is not the only country where access to quality education is disrupted, as this is the case for millions of children caught in many humanitarian crises around the world.
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2023 · ★ 0.0 (0)
There is a pawnshop in the city. Greedy people leave things they once cherished and get paid by pawnshop owners. The old man is not interested in an old guitar because he only handles expensive gold pieces. A big black dog eats away the child's precious belongings, and the child's cry paralyzes the pawnshop's system.
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— · ★ 0.0 (0)
A portrait of a middle-class woman in North America, capturing the processes and routines of her work and lifestyle.
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2014 · ★ 0.0 (0)
In this "video poem," Vicuña responds to Gasland 2, a 2013 documentary by Josh Fox examining the devastating environmental impact of hydraulic fracturing in the United States. The audio recording of the poem Vicuña reads is from a July 18, 2013 performance at Poets House in New York City.
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2023 · ★ 0.0 (0)
Steven found a new hobby!
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