1970 · ★ 0.0 (0)
The film focuses on the role played by the parental home and vocational school alongside the training center in the life of an apprentice.
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2008 · ★ 0.0 (0)
People turn to each other in silent agreements, turn away, drift apart. An observation.
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1968 · ★ 0.0 (0)
The entire life of singer Beatričė Grincevičiūtė is filled with music. The director sensitively and carefully creates a multifaceted portrait of the performer. In the film, she is both her own most demanding critic and a playful teacher to young children, who affectionately call her "Auntie Music." Surrounded not only by a group of friends, but also by admirers of her talent, she remains modest and simple, wanting as many people as possible to experience the beauty of music and her favorite songs. Only the subtle final shot reminds us that Beatričė experiences the world not with her eyes.
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1978 · ★ 0.0 (0)
Julie visits family in Italy.
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1990 · ★ 0.0 (0)
A short dance film by Gitta Gsell.
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1991 · ★ 0.0 (0)
The film is about a woman chasing ideal beauty and deals with advertising manipulation, specifically dieting commercials. Striving to meet the ideal of ‘beauty’, she is lured by the appealing promises of advertising. While she tries one curious diet after the other, the viewer becomes aware of the unpleasant difference between illusion and reality.
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— · ★ 0.0 (0)
But for now all I can promise is that things will become weirder reflects on the ambiguous sense of numbness that arises from the constant stream and rhythm of contemporary reality. Information, images, sounds, and events accumulate and overlap, blurring boundaries and creating a paradox of excess and uncanniness. Within this shifting flow, hierarchies of meaning and value collapse and get rearranged continuously.
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— · ★ 0.0 (0)
Always a Body, Always a Thing considers transformation and the fluid boundaries between forms and states of being. The work takes plastic as its starting point—a material that originates in nature and eventually returns to it as non-biodegradable waste, carrying traces of life, time, and human intervention. Commissioned by PCAI - Polygreen Culture & Art Initiative for the exhibition Paratoxic Paradoxes, curated by Nadja Argyropoulou.
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1990 · ★ 0.0 (0)
A short film by Gitta Gsell.
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1973 · ★ 0.0 (0)
Based on the novella of the same name by Vasily Belov. The television play is centered on the story of the old collective farm carpenter Smolin, recounting his life and the life of his native village.
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2025 · ★ 0.0 (0)
"What kind of times are these, when talking about trees is almost a crime? Because it implies silence about so many misdeeds!" Bertolt Brecht from the poem "To Those Born After," written in exile in Denmark between 1934 and 1938. A poetry film.
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— · ★ 0.0 (0)
Between DIY and self-deprecation, Émilie Baillargeon humorously and sincerely documents the idleness that accompanies her new identity as a mother-artist. Each everyday object and gesture becomes play materials, driving imagination and inventiveness in this filmed diary and survival guide. Between performance and cinema, the filmmaker blurs the boundaries between documentary and fiction, putting herself on stage, driven by stubbornness and vulnerability. Filmed in a closed set, this intimate short reveals the cathartic and healing power of creation, offering a joyful and touching exploration of the fragility and resilience of body and mind.
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2025 · ★ 0.0 (0)
After attending the funeral of her Scandinavian fiance's mother, an American woman must decide whether to honor the mother's last wishes by partaking in a time-honored but horrifying family tradition.
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2021 · ★ 0.0 (0)
The nights spent at grandmother’s make up Marysia’s mum’s most vivid memories – the cousins’ chatter before bedtime and many generations coming together. Fairy tales were often told in the house where mum grew up; tonight’s will be about an old man and his wife.
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2021 · ★ 0.0 (0)
Having been orphaned as a child, Igor’s mum was raised by her grandparents. All Igor knows about his grandparents is what he’s seen in photo albums and heard from his mum’s stories. After learning more about his small family, Igor and his mum decide to make a family tree.
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2014 · ★ 0.0 (0)
I often have the same dream where I am catapulted into the forest. I feel a kind of intoxication from the depths that attracts and terrifies me. I then think of this kind phrase from Rilke: “Our demons may be princesses waiting for us to be strong and courageous.”
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1995 · ★ 0.0 (0)
A poetic and tender letter where humour and imagination unfold in the story of endearing, carefully drawn characters who are half-human, half-creature.
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1997 · ★ 0.0 (0)
A brief glimpse of life with friends from the ZI atelier.
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2014 · ★ 0.0 (0)
The mechanics of a love story that ends badly.
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