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2010 · ★ 0.0 (0)
The bags are packed, hats have been found and now they’re off on their journey. A grandma, her daughter and her grandchild are flying to Gran Canaria for the weekend. The granddaughter films her grandmother, whilst her mother takes her mother by the arm, and Gran makes comments about life in a foreign country.
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2012 · ★ 8.8 (4)
Three unusual paintings played by the director that literally tests her limits in this encounters with the landscape of São Miguel, in Azores. The power that emanates from the filmed landscape is as seductive as the risky shape of the encounter between image and sound. A limit-film for an inventive Portuguese artist.
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2020 · ★ 5.0 (1)
Night Passage is a digital film on friendship and death. Made in homage to Miyazawa Kenji's classic novel, Milky Way Railroad, the story evolves around the spiritual journey of a young woman, in the company of her best friend and a little boy, into a world of rich in-between realities. Their venture into and out of the land of "awakened dreams" occurs during a long ride on a night train. The filmmaker elegantly depicts each encounter in two-dimensional space with a unique artistic gesture and ingeniously frames the passage as a series of rhythmic image sequensces as seen through the window of a train.
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2021 · ★ 0.0 (0)
An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.
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2014 · ★ 6.0 (1)
Double Happiness takes the Chinese copy of Hallstatt, a small idyllic town in Austria, as a starting point to explore China's fast urbanization. Chinese cities are built where histories and memories can be easily forgotten and thus rewritten. The film intersects the real and the fake through visual imaginary and commentary, interviews and songs.
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2014 · ★ 0.0 (0)
A documentary by Wendelien van Oldenborgh.
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1977 · ★ 5.8 (10)
An old man who took in and nursed a wounded crane is visited by a young, beautifully dressed woman.
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2001 · ★ 0.0 (0)
A boy walks to his locker and takes something out.
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2011 · ★ 5.0 (1)
A professional sign language interpreter becomes very unprofessional as she suffers a sincere but hilarious emotional breakdown during a gathering for hearing impaired physics enthusiasts whose motto is “Let’s Get PhysicScal”.
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2014 · ★ 7.0 (1)
Anything but gray, a color explosion sparkles, bubbles, and fractures in this hand-crafted 16mm film. Reeves utilized an array of mediums and direct-on-film techniques to create this exuberant, psychedelic morsel of cinema as material. But it speaks of the end of one era or another, a time for letting go and celebration. Control triumphs over disorder. Reeves mixed samples from rusty, dusty old machines, records, and electric waves to create an aural passage through technological progress.
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2002 · ★ 9.0 (1)
"Looking for men and women aged over 65" was the small ad in a local newspaper in Wuppertal, through which the choreographer Pina Bausch sought senior performers for the remake of her dance spectacle "Kontakthof". 26 amateurs aged from 65 to 72 were selected. They rehearsed for over a year and the premiere took place in the early 2000s in Wuppertal. Lilo Mangelsdorff has accompanied this exceptional project with a camera. The result is a touching film, which focuses on the dancers' stand with their fears and inhibitions, their enthusiasm and passion.
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2015 · ★ 0.0 (0)
A single Irish Dad forgets the tree on Christmas Eve. Ned the older son's maturity is challenged as he risks everything to have his younger brother Marco experience a real Irish Christmas.
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2007 · ★ 0.0 (0)
A short inquisition of science by the paranormal. On-screen texts are lifted from Tarkovsky's film "Stalker" in which something more expansive and less explicable than logic or technology is offered as the conceptual pillar of the human spirit. The title is taken from a passage in Dostoyevsky's "The Possessed" about time after the Apocalpyse: "Kirillov: When the whole of man has achieved happiness, there won't be any time, because it won't be needed. It's perfectly true. Stavrogin: Where will they put it then? Kirillov: They won't put it anywhere. Time isn't a thing, it's an idea. It will die out in the mind."
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2008 · ★ 0.0 (0)
A lonely woman orders a friend in the mail.
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1922 · ★ 0.0 (0)
Considered the first film to be directed by a black woman in the United States.
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2014 · ★ 5.0 (1)
A Minute Ago, which debuted this fall at High Art gallery in Paris, revolves around rotoscoping, the animation technique Rose calls “collaging in time and space.” Her most impressionistic work to date, the work takes its point of departure from two pieces of footage: a YouTube video of a freak summer hailstorm on a Siberian beach, and a tour given by the architect Philip Johnson of his landmark Glass House in New Canaan, Connecticut, just a few years before his death at age 98. “I was thinking about the relationship between shocking, catastrophic weather conditions and collage, which has a similar uncanny, suturing quality,” Rose says. Accompanied partly by a down-pitched version of Pink Floyd’s 1971 concert played “to the dead” at Pompeii, the work has an unsettling, morose quality.
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2011 · ★ 0.0 (0)
The connection between these three short films is initially indicated by their sound and music: In all three films, Lee Anne Schmitt does without direct sound and dialogue, letting the music of Jeff Parker accompany the images. In the first miniature, Schmitt films graves from the American Indian Wars as silent witnesses of a past that have left their traces on the collective American consciousness. Subsequently, we see blackandwhite street scenes in Hollywood, which are followed by almost familiar images – a garden bench, a bouquet of flowers. Thus history, the public and the private form a new, abstract and yet tangible unity.
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2014 · ★ 0.0 (0)
A short film set in Barcelona about a woman who is unable to listen to herself.
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1927 · ★ 0.0 (0)
Thrive Leila in one oasis overlooking the ruins of Memphis, and meet Rauf Bey Layla tries to woo her, but her heart was hung with Ahmed, and made a speech Ahmed Leila but soon recognized by a Brazilian girl and imported into Egypt, and succeed Brazilian girl to win the heart of Ahmed, and abandon Laila which became pregnant from him.
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2006 · ★ 6.0 (2)
Gunvor Nelson plays freely and naturally in a garden confronting the camera with nature, and nature with the camera to reveal a new life force and cycle. The camera climbs up a dark red stem, across the spiny frost hat outlines the walls of a budding flower. It rummages and rustles among the garden floor. The penetrating lens is heavy on the delicate leaves and on the viewer retina.
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