2014 · ★ 0.0 (0)
Liselotte Wajstedt creates a tender narrative about her grandmother. She examines a personal history and discovers connections to her own life. The work also reflects several profoundly universal questions and ideas about life. Liselotte Wajstedt sews a white kolt for her grandmother using the sewing machine she inherited from her. Along the hem she has printed a row of images from the grandmother’s life, which are then joined together, piece by piece.
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— · ★ 0.0 (0)
16mm short film
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2001 · ★ 0.0 (0)
Compared to analogue b/w-photography and my experimental work in the colorlab, I tried to find out, what digital photography and computer processing is able to do, what the other techniques can't. We asked ourselves how does abstract film begin, what's its progress, how does it create suspense and how does it end? My model was the division of acts in greek tragedy. The length, the division of the different parts and the different cuts. The first abstract film made from pictures of plants was a purely abstract exercise, without any symbolic meaning nor background. The name stems from a misspelling of my Turkish flowersalesman, which I copied by accident. It is an abstraction of an Ilex twig. Another difference to all the other “flower pieces“ is that the film was made with a graphic-programme, that means each picture was constructed seperately, 25 pictures per second. That makes 4500 pictures which I worked on. Technically it is an animation film.
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1970 · ★ 0.0 (0)
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
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2019 · ★ 0.0 (0)
The 2018/19 Margaret Tait Award commission by Alberta Whittle. Whittle’s film seeks to challenge conditions of racialised abjection and find new methods for refusal. A chief linkage is the sonic cosmologies found in Kamau Brathwaite’s research on ‘tidalectics’, and Christina Sharpe’s work on The Weather. Sharpe positions The Weather as a lens to understand the inescapable conditions within the afterlife of slavery, while Brathwaite’s theories of ‘tidalectics’ expose the performativity of sound, revealing memories of transoceanic life.
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— · ★ 0.0 (0)
In Jesi, a group of heterogeneous women of different ages follows Italian courses for foreigners taught by native teachers. In the classrooms where they meet for a few hours a week, uninterrupted accents resound, questions, laughter mixed with the cries of small children that the pupils cannot leave at home. At each meeting new words are learned and each new word is a place of confrontation between visions and experiences: for example, talking about "freedom" close to April 25 becomes an opportunity to know the dates in which in the country of origin of each the liberation is celebrated, those from the colonial occupation, who from the yoke of a dictatorial regime.
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2017 · ★ 0.0 (0)
Italian independent filmaker Chiara Caterina and Venice based sound artist Nicola Di Croce spent together a long time photographing, filming, writing and recording in a deep exploration of Basilicata region, Southern Italy, “in search of its pieces of bitterness and wonder”. Il mondo di sotto is the result of this audiovisual inquiry that crosses landscapes, territories and elements from the high mountains of Pollino to the underground world of mines in the Val d’Agri area, 100 mt below the surface of the earth. They walked in the rain and sunshine, meeting people, experiencing desolate places and flourishing plateaus, water and ground, finding a sense of landscape animated by the magical, but aiming at exploring coexistences and divergences between modernity and traditions, past and present, artificial and natural, terrestrial and subterranean.
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2019 · ★ 0.0 (0)
Midas, his sister Rodin, and their friend Siyabend, three Yazidi children, live together in a camp in Turkey for refugees from Kurdistan. Every day, Midas devotes himself to the same mission: escaping from the camp to observe the border while waiting for their parents to return. One day, Midas's binoculars stop working...
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2019 · ★ 0.0 (0)
During the last summer vacation at school, the Peking Opera student Lei is experiencing the changes in his voice, his body, and his mind. As his beautiful child voice leaves him, he starts to understand the meaning of growing up.
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2019 · ★ 0.0 (0)
A recently separated couple decides to hire “doubles” through an app in order to settle the terms of their divorce.
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2019 · ★ 0.0 (0)
Gynepunk is an autonomous research project about the history of gynecology, which opens direct practical access to a self managed DIY knowledge about our bodies as well as an active and radical proposal to give a twist to patriarchal history.
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2014 · ★ 0.0 (0)
Indira finds out that her 16-year-old daughter likes women, goes into crisis by not assimilating how to face this image of her. It begins like this, to open a sentimental gap between her and her daughter.
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2019 · ★ 0.0 (0)
Memories of childhood hold indescribable feelings of freedom, stunning experiments, carefree happiness and eternal love. The past tends to be forgotten, and only the ruined walls of the pioneer camp remain, preserving the secrets of the past Soviet era.
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2018 · ★ 0.0 (0)
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1991 · ★ 0.0 (0)
A half-hour narrative fiction short that explores the Greek experience in Australia. Memories, betrayals and secrets emerge from the past when Katina's mother comes from Greece to visit the family. The bitter embrace between mother and daughter is observed by Katina's own daughter, Sophia, who must play her own role in this moving drama of estrangement.
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1987 · ★ 4.0 (2)
Laura, a very talented 11 year old violin player, is mentored by her teacher.
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2019 · ★ 0.0 (0)
Nestled in the hills of Transcaucasia, and entirely preserved in time, there are several villages founded by the Molokans – a Russian sect of Christians. They were exiled to the mountain Azerbaijani region of Kabristan by Czar Nicholas I in the 1830s. The Molokans now have all but become extinct. The remaining settlers now lack a succeeding generation to whom they could pass on their original traditions, and the film intends to make it possible for the local Molokans to reproduce their history for their descendants sprawled across the world. The film discovers the traces of hidden life left in Kabristan, while simultaneously unveiling the present-day lives of the locals.
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2016 · ★ 0.0 (0)
It tells the story of the players of Peru's first wheelchair rugby team, men and women from different parts of Lima who came together in late 2012 to play a new sport that few had ever heard of.
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