2016 · ★ 0.0 (0)
Rugby coach Max Zancuoghi selects three young inmates for the multiethnic prison team ‘Giallo Dozza’ in the penitentiary of Bologna. Through months of intense training and hard work, Max is able to transform defeats in desire for redemption. On the pitch, life of the young inmates changes and it is opposed to loneliness and slow rhythms of the prison’s cells. The new players grow with the team and reach the first victory of the C league season but a new unexpected challenge is waiting for them.
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2015 · ★ 0.0 (0)
Six fanfare flute players explore the landscape of the uniform. A journey that does not go unscathed.
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2007 · ★ 0.0 (0)
Sepideh and Darya. Mother and daughter. A successful young filmmaker and a child with clear ideas about how to make a film. Together they make a long journey to meet members of their large family: From Paris to Tehran and further beyond the Afghanistan border. By air, train, car, they never leave the tools of their trade: two video cameras, one of which is so small that it goes by unseen. On the way, they encounter landscapes, villages, voices and faces, too long separated by distance or disparate destinies. Travel time, story time: at night, Sepideh transforms their story into a bedtime lullaby for her daughter. The complex ramifications of a genealogical tree are gathered in a subtle family album.
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2012 · ★ 0.0 (0)
5,280 feet of 35mm film negative and print taped to the mile-long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors - the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip.
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2018 · ★ 0.0 (0)
Selma has to go back to the small island where she grew up - a place she never really felt connected to. Being back Selma meets former friends and acquaintances and is unwillingly confronted with her past
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2018 · ★ 0.0 (0)
I you me we is a double monitor work which portrays particular visual representations of warmth, care, kinship and growth. It features the hands of lovers and family members, interspersed with texts, words, language and questions posed by the artist.
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2015 · ★ 0.0 (0)
An in-camera visual exploration of a little girl, her garden, and all that pertains.
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2017 · ★ 0.0 (0)
Belarus, Vileika district of Minsk region. Lonely elderly people are leaving for winter to the home of seasonal residence. Each of them carries their own experience and beliefs, but they will have to stay the winter together. The days pass in sicknesses, conversations, watching TV... In mid-winter, there appears a new resident of the house, and the life inside changes.
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2020 · ★ 0.0 (0)
In “Rights Not Roses,” we hear directly from Zarmina, a survivor of early marriage. We meet a network of community activists fighting to end the scourge of child, early, and forced marriage in Pakistan, where 21% of girls are married before the age of 18. These include Rukhshanda Naz, a human rights attorney and long-time women’s rights leader who is fighting in Pakistan’s courts to extricate girls like Zarmina from early and forced marriages, and whose passionate advocacy for ending child marriage is informed by her family’s own experiences.
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2009 · ★ 0.0 (0)
A comic writer named Charlie faces his writer's block with his unparalleled imagination.
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2014 · ★ 0.0 (0)
An Ustad is leading a mass prayer. But something disrupts his concentration. How can he focus back to his prayer?
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2007 · ★ 0.0 (0)
Agnes Varda introduces a collection of her short films released to DVD.
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2006 · ★ 6.0 (1)
At first glance, Masters of None could be the home video of a family of neon-pink hooded figures, passing the time with charades, television, and Jiffy Pop on the stove. As in All Together Now, Masters has no dialogue or clear narrative arc, and while the domestic activities seem everyday, they are infused with suggestions of violence and danger.
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2016 · ★ 0.0 (0)
32:30, digital, 2016. Part travelogue, part philosophical mediation, Ark is a film about decadence and illusion. Set in the not too distant future, in a post-apocalyptic world, Ark melds lurid surrealist imagery with sardonic musings of anonymous passengers aboard a cruise ship at the end of the world.
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1986 · ★ 0.0 (0)
A lyrical look at a challenge shared by people of all orientations across time: the lesbian break-up.
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2020 · ★ 0.0 (0)
i was very sad when i filmed this, but i think you can tell how anxiously i was looking for consolation in chasing the light dances part of the "sin título" series — one roll, in camera edit, filmed in less than 24h.
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2018 · ★ 0.0 (0)
The full moon on the black night sky, a swinging pendulum, constellations, three women seen from behind, an ensemble of sparking crystals, half-transparent stripes in motion, light plays in black-and-white and in color. Images, perspectives, bodies, spaces, worlds set in relation to one another. Or, in other words: cinema. Concrete and abstract, sensual and theoretical, thought out and felt JEAN LUC NANCY the complex essence of cinema: as dispositive, as medium, as work body, as aesthetic experience, and as sensual site of encounter and tenderness – fleeting, moving, illuminating, touching.
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1905 · ★ 3.5 (2)
Alice Guy experiment with visuals and sound by Félix Mayol.
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2019 · ★ 0.0 (0)
On the very first day, Natasha struck me with curiosity and a thirst not to miss anything. She ran up to people in the middle of the street, smiled and spoke to them. Passers-by looked around like a crazy person, and Natasha replied: “How do I understand people if I pass by?” Favorite snails, work, home, friends. Natasha manages to live like everyone else. Or maybe we are all at heart, like Natasha.
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