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2010 · ★ 0.0 (0)
The poetic story of Abby, a young girl trapped in time.
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2021 · ★ 0.0 (0)
An interfaith, interracial choir in Durham, North Carolina, is forced to take a new direction during the pandemic.
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2020 · ★ 0.0 (0)
Solitude is an Artifact of the Struggle Against Oppression (2020) is a continuation of the project These Unruly and Ungovernable Selves which I started at the beginning of the pandemic. It recontextualizes characters from my previous works into hypnotic visual essays about the transfiguring of interiority during periods of isolation and fear. "As lockdown continues, and fear of the pandemic gives way to the rage of the political uprising, it’s become crucial to read this moment from a perspective of racial inequality and capitalist fascist oppression. In the words of critical theorist Jill Casid, “May none of us rest as we live our dying. May we not forget but actually do the work of reckoning with the still uncounted, of the crimes of the endless war we are still in.”
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2001 · ★ 0.0 (0)
Abbott reflects on her unfortunate experience with childhood love.
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2003 · ★ 0.0 (0)
The fourth in Ursula Biemann's critically acclaimed series of video essays that investigates migration across borders, EUROPLEX, a collaboration with Angela Sanders, tracks the daily, sometimes illicit, border crossings between Morocco and Spain- a rare intersection of the first and third worlds.
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2020 · ★ 0.0 (0)
A happy childhood of a Soviet girl in a tiny military town in the southern Urals. Dad was away from home for a long time, and when he returned, he was thin and cheerful, and smelled of steppe grass, sun, and wind. Only a decade later, the girl learns about the tests of the atomic bomb at the test site in Totsk, in which her father took part.
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2021 · ★ 0.0 (0)
You think a bit of wire can't entertain you? Think again.
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2021 · ★ 0.0 (0)
A collaboration between sound artist Vanessa John and experimental media artist Francisca Duran. Featuring a poem by Chiloe poet Rosabetty Muñoz.
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1998 · ★ 0.0 (0)
In the later stages of her research into the history of cinema made by women, Katja Raganelli became interested in Margery Wilson, then one of the very few living women who had been able to direct fiction features during the silent period. What survives of Wilson’s art is her acting. For her work as a director, besides sundry photos and newspaper clippings, we only have Wilson’s recollections, as recorded by Raganelli.
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2006 · ★ 5.0 (1)
Federico s plans to marry his fiancèe get complicated when his ex-boss, the region s most feared drug dealer, harasses her.
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2024 · ★ 0.0 (0)
The Return of the Näcken is a gothic horror tale about a lonely water demon and her quest for human souls focusing on the existential anguish of being an enchanted creature doomed to an immortal life filled with grief, isolation, and loss.
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2017 · ★ 0.0 (0)
This film, by the Young Historians Project, documents the history of British Black Power Group; the Black Liberation Front (BLF). The BLF was active from 1971-1993, and the organisation's story is told through the narrations of nine former members of the BLF and its sister organisation, the Fasimbas.
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— · ★ 0.0 (0)
This documentary is about the submersion and the demolition of Hasankeyf––a historical district in Batman that has 12,000 years of legacy, because of Ilısu Dam, and about the lives of the people who lost their villages, homes, memories, observing them before the collection of water, during the collection of water causing the destruction, and after the filling of the reservoir.
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They dreamed of reviewing the latest from Kirk Douglas but it got out of hands.
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2021 · ★ 0.0 (0)
Like a fish in the air, it is the story of giving through song. It is the voice of a mother, the voice of a singer, the voice of Camille which, through the vibrations of sound, weaves links with the unborn child.
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2022 · ★ 0.0 (0)
A self-portrait film about the filmmaker in isolation as they try to document their entire life for a week but descends into a psychedelic nightmare in the hopes of discovering some truth even the camera can't capture.
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— · ★ 0.0 (0)
The documentary weaves together two strands: an examination of the problem posed by creationists who earn science education degrees only to advocate anti-scientific beliefs in the classroom; and a visually stunning raft trip down the Grand Canyon, led by Dr. Eugenie Scott, that debunks creationist explanations for its formation. These two strands expose the fallacies in the "debate," manufactured by anti-science forces, that creationism is a valid scientific alternative to evolution.
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