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Poster for The Last Day Of This Summer

2019 · ★ 0.0 (0)

The film centers on a high-school student experiencing the last day of summer.

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Poster for Access Road

2008 · ★ 0.0 (0)

The last inhabitants of Azinhaga dos Besouros, in the outskirts of Lisbon, don’t have any legal right to rehousing. They live their district’s demolition, where it will be built a rapid access road in the future.

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Poster for Mehndi

2018 · ★ 0.0 (0)

On the threshold of womanhood, amidst the bright colorful flurry of an Indian bridal shower, two young girls pass a secret designed to alter their lives forever.

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Poster for Covered Girls

2002 · ★ 0.0 (0)

A look at the lives of Muslim-American teenage girls living in post-9/11 New York City.

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Poster for Are You A Boy Or A Girl?

2017 · ★ 0.0 (0)

A film album with stories of people who go beyond the division into women and men who do not feel that they are neither female nor male. “Are you a girl or a boy?” Is the most common question for the characters in the film. How to answer it? And is it worth answering?

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Poster for Blue Film No. 6: Love Is Where You Find It

1998 · ★ 0.0 (0)

“Blue Film No. 6: Love Is Where You Find It” (1998) is a found porn flick: a threesome. Hammer excises the male part, retaining the two ladies and an amusing digest of voyeuristic platitudes.

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— · ★ 0.0 (0)

Instead of the deceased brother, Miriam takes on the role of a man and becomes the head of the patriarchal family. She successfully runs a business and takes care of her sick father until she falls in love with Timur. Will she be able to change her lifestyle for the sake of love?

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Poster for Plants

1989 · ★ 4.0 (1)

Plants can't walk. Plants don't talk. Plants can't see. Plants don't have legs.

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Poster for Otar Iosseliani, le merle siffleur

2006 · ★ 0.0 (0)

Otar Iosseliani, unclassifiable filmmaker, almost elusive, is making a new film, "Jardins d’Automne". A “Cinéma, de notre temps” series episode.

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Poster for Narrow Alley

1988 · ★ 0.0 (0)

The young & poor struggle to get by in the big city.

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No poster

1933 · ★ 0.0 (0)

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Poster for El pañuelo de Clarita

1919 · ★ 0.0 (0)

Clarita, a young girl, finds a poor hungry man, who gives him some coins and comforts him with affectionate words. The scene takes place on a walk and when the little girl runs back to her house, she loses the embroidered handkerchief with her name, collected and stored with love for the unhappy beggar. The plot is complicated in episodes linked to play chance.

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Poster for Metamorphose

2018 · ★ 0.0 (0)

When one butterfly falls, a wave is born from it, the wave becomes a bubble, and various lives are born and disappear.

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Poster for Faz Que Vai

2015 · ★ 0.0 (0)

In four acts, dancers combine steps of frevo, a traditional Carnival dance of Pernambuco State (Brazil), with others typical of contemporary rhythms like funk, swingueira, electro, and vogue.

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Poster for The Closer Stockholm

2004 · ★ 0.0 (0)

Dramatization of the dull aftermath of a series of un-named and traumatic events shared by eight people. This project was inspired by an original survey on sadness distributed in the United States and Sweden.

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Poster for Едем в школу!

2019 · ★ 0.0 (0)

Is cycling easy in winter? Bunny like no one knows the answer to this question, because every morning he goes to school a short road through the forest, unlike his friend Hedgehog. The hedgehog does not like anything new and goes to school on a trolley bus, and although this trip is not so exciting, it is safe. Does a bunny like fun or a bunny fun? Unknown It is only clear that he does not care about any forest obstacles!

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No poster

2018 · ★ 0.0 (0)

Coursework students of the course "Puppet animation" under the leadership of George Boguslavsky and Igor Khilov.

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No poster

2008 · ★ 0.0 (0)

A short documentary about the changing landscape of a New York City neighborhood.

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Poster for My Favourite Memory

2019 · ★ 0.0 (0)

18 members of family and friends are asked to tell the camera the stories of the memories that mean the most to them

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Poster for We Film the People!

2013 · ★ 0.0 (0)

The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.

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