Women-directed Movie Browser

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Poster for A Letter from Beirut

1978 · ★ 6.8 (2)

Letter from Beirut documents the filmmaker's return to Beirut during one of the lulls, three years after the outbreak of the civil war, animated by the urge to return. She is confronted by the physical, emotional and psychological ravages of the war, terrified and sorrowful, she cannot find her place in the city. In that quest, she communicates with everyday people, friends, neighbors, people riding the bus across the city's eastern and western flanks. To pace her journeying and dramatic unraveling of the film, Saab borrows the guise of a letter read in a voice-over, written by world-renowned poet Etel Adnan. A rare document from the civil war, Letter from Beirut lays bare and spontaneously how people make sense of their everyday in the midst of chaos, violence, terror and sorrow.

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Poster for Conversations With Ziad

2017 · ★ 0.0 (0)

How do you leave your country when you have to? How do you pack your bags? What do you miss the most? Those questions were asked to Ziad Alasmar, a young Syrian refugee, in front of projections of films from his country.

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Poster for Notes from the Farm

2015 · ★ 0.0 (0)

I shot and hand-processed “live action” scenes on the farm, using organic materials (trees, flowers, plants) as “mattes” for my post-residency work in the optical printer, where I combined these mattes and scenes with handmade “botanicollage” film that I created from plants gathered at the farm.

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Poster for Waiting for Mum

2011 · ★ 8.0 (1)

A young man comes out of his apartment and forgets his key for the car at home. He shouts after his mother to make her throwing the key out of the window. He is waiting for his mum.

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Poster for Réveil Botanique

2016 · ★ 5.0 (1)

A restless sleep and chlorophyll tinted dreams. A short visual experiment within a character's introspection.

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Poster for Abstract

2012 · ★ 0.0 (0)

Abstract (2012) is a return to the contested narrative of Andrea Wolf’s death, with Steyerl traveling to Kurdistan in search of information about her friend's murder. The work links cinematic shooting and military warfare together, implicating Germany’s role in the operation. This has been screened in the past as a dual-channel work. But in this case it has been re-purposed by the artist as a split screen film. (KG) From e-flux: Abstract presents a scenario in which the violence of warfare and the violence of aesthetics twist around each other. The two-channel video visits the site where Steyerl’s friend Andrea Wolf was killed in 1998, but through a prism that refracts cinematic language against the weapons that killed her friend. As the site and circumstances of her death fold into the act of witnessing it from a distance, the ethical burden of identifying those responsible also appears to live and die with the debris that still remains at the site of the helicopter attack.

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No poster

2005 · ★ 5.0 (3)

They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work. The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.

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Poster for Winter

2007 · ★ 0.0 (0)

A silent film portraying winter across three continents.

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Poster for 1+8 Installation

2013 · ★ 0.0 (0)

1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.

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Poster for If Not,

2014 · ★ 0.0 (0)

If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. Filmed in Ephesus and Brooklyn.

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No poster

2016 · ★ 0.0 (0)

MT RUSH - is the present as a near-future science fiction, chronicling the day-to-day activities of a lesbian Mt. Rushmore Park Ranger as she navigates an onslaught of interactive fundraising emails that appear on a transparent interface, leading up to the 2016 Presidential election. The narrative arc of the movie is based on the urgent, alarmist, and oddly personalized campaign and fundraising emails from the Democrats and Republicans (i.e. Hillary Has Been Emailing You… or WE QUIT: but we don’t want to quit). Serving as both narrator and foil to the ranger, the emails perform the pervasive political rhetoric in today’s systems of governance; while acting as a meditation on the National Park Service and politics.

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Poster for DRAGONFLIES, THE BABY CRIES

— · ★ 0.0 (0)

Deep in the forest, beyond the restraints of the adult world, a group of children meet to play. The line between fantasy and reality begins to blur. A nursery rhyme becomes an incantation, and surprising things begin to happen.

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Poster for Hard Times for an American Girl: The Great Depression

2009 · ★ 6.0 (1)

Youngsters express their thoughts about the Great Depression of the 1930s and what they believe it was all about. Some learn more about that period of American life by interviewing individuals who lived through the dreaded times.

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Poster for A Boy's Life

2003 · ★ 7.0 (1)

Follows a Mississippi family's attempts to deal with an increasingly violent and erratic child.

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Poster for Von Bananenbäumen träumen

2017 · ★ 0.0 (0)

The film tells the story of a group of villagers in the marshes who want to take the fate of their village, which has been hit by school closures and financial difficulties, into their own hands. With bold plans and a limited company, they fight against the impending decline. Their business model is based on manure, African catfish and: banana trees!

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Poster for Wolfram, a Saliva do Lobo

2010 · ★ 7.0 (1)

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

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Poster for We're Talking Vulva

1990 · ★ 9.5 (2)

At long last, everything you've always wanted to know about "down there" but were afraid to ask. A tender tale wherein our heroine, Ms. V..soul sisters her way into your heart with the hottest rap this side of the uterus. She sings!!! She dances!!! She's Big!!! It's a wear and care manual, it's a delightful tour.

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No poster

1998 · ★ 0.0 (0)

This music video for the band Julie Ruin, fronted by Kathleen Hanna, formerly of Bikini Kill, critiques the cynical music marketeers of corporate America. Criticism particularly targets campaigns aimed at women, which Benning and Hanna refer to here as the "Girls Rule (kind of) Strategy."

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No poster

2011 · ★ 0.0 (0)

"A dialogue, in Guarani and Spanish, between two brothers trying to decide how to survive the war waged by Stroessner's troops in their isolated land. With a stunning soundtrack and a visual language that defies narrative, the film confronts us with the fundamental question of whether survival is to be found in migration or armed opposition." - From MoMA

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Poster for Die Geschichte vom Onkel Willy aus Golzow

1996 · ★ 7.0 (2)

Subsequent discovery of one of the students from the class, to whom in "Curricula vitae" was not yet dedicated a portrait sketch. What the smallest in the class knew how to make of himself. Why the agricultural machinist and father of two sons from his first marriage is called uncle by his third son.

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