2017 · ★ 0.0 (0)
Super 8 (Color) film by Helga Fanderl
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2017 · ★ 0.0 (1)
The Starting Line captures the rhythms of a day at the Tijuana border crossing. But it’s not just any day: as people go through their routines, they listen to the local news report on Donald Trump’s inauguration. By taking the usual viewpoint—American broadcasters talking about life on the Mexican border—and flipping it on its head, The Starting Line presents an unexpected view of America’s capitol, as it appears from just over the border.
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2002 · ★ 0.0 (0)
In 1850, Baron Vulfs, who had arrived from Germany, named the farmhouses on his Gaujiena estate after world capitals. In 2002, the people of Gaujiena opened their European center in the baron's castle garden. A film about everyday life and celebrations in the Latvian countryside.
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2001 · ★ 0.0 (0)
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
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2007 · ★ 0.0 (0)
(UN)VEILED introduces the audience to ten Muslim women from various backgrounds who now live in Dubai, United Arab Emirates.
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1985 · ★ 0.0 (0)
This film is made from the soundtrack of the multimedia installation/environment Mystère I: Sleeping Hermaphrodite that we created for the XII Biennale de Paris in 1982. The idea of creating a second work, purely cinematographic this time - here, from the same soundtrack, seemed particularly stimulating since it poses in depth the question of the complex relationships between sound and image in a non-narrative context. MK - KT, 1985
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2009 · ★ 5.0 (1)
An extremely rich land baron has his hands full in this absurd and hilarious comedy as his homely and rough daughter falls for a famous male star.
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2020 · ★ 0.0 (0)
Every year on June 14, the Siberian Children Foundation goes on a trip to Siberia to remember their loved ones who stayed there. Along with the trips, they've made documentaries and held conferences. This year marks the 20th anniversary of the foundation's activities. Due to the Covid-19 pandemic, no in-person activities were planned this year, but a documentary film entitled "Children of Siberia. We Remember," which depicts the gatherings of those deported to Siberia in 1941, reflects archival material from previously filmed movies, and reveals the most vivid moments from legendary expeditions over the course of 20 years.
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1975 · ★ 0.0 (0)
Nicky is a blind boy who also suffers from cerebral palsy. This film shows him at home with his family and at school with his friends. Nicky attends a normal school because his parents feel that he would benefit more by being in the mainstream.
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2021 · ★ 0.0 (0)
Online horniness in the age of the ballardian flesh supercomputer
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1981 · ★ 0.0 (0)
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2021 · ★ 8.0 (1)
Set and shot in a restaurant kitchen, this ethnographic short film shows the work environment in the hospitality industry, with a focus on the most disadvantageous features and the most challenging daily chores. All the elements, including the staff, who are all migrants, reflect current working conditions in this unseen London.
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2014 · ★ 0.0 (0)
Moment To Moment is a documentary film about the band The Gloaming directed by Philip King and Nuala O'Connor, produced by South Wind Blows. The film is funded by The Arts Council of Ireland.
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2009 · ★ 0.0 (0)
A short story with a vivid sharpness that allows a free-spirited female character to swim freely and accurately. From being late to work, to riding a newspaper bicycle and getting fired. The disaster continues...
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2011 · ★ 0.0 (0)
En Route or of a Thousand Moons presents a speckled and staccato view of post colonial India’s visual histories. Removed from contexts of their time and space, these images acts as apparitions of India’s past that remain hidden in the obsolescence of their material life. The film puts us face to face with a private world of picnics, birthday parties, and interior lives, worlds that been hidden and preserved in deteriorating and aged film, offering a meditation of fragmented and alternative view of India’s histories.
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