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Poster for Monte Tláloc

2023 · ★ 0.0 (0)

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Poster for Alone Together

2023 · ★ 0.0 (0)

Isabel finds relief from her intense anxiety and shyness by moving in with Paula, her best friend. However, the dynamic shifts when Paula starts a romantic relationship, and Isabel's connection with her partner triggers an unexpected emotional twist.

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Poster for Moscow Mohicans

1991 · ★ 0.0 (0)

Four Muscovites – a photographer, an amateur historian, a painter and a philosopher – do everything they can to preserve the memory of bygone generations and foster connections between different eras.

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Poster for Patronus sanctorum

2020 · ★ 0.0 (0)

"Keeping the authenticity by intactness" Even if the price is to let it fall apart? Through it's poetic experimental form, this found-footage film analyses questions of religion, as a warm shelter or a cold, distant courtship, and tradition, which becomes an excuse for laziness and lack of passion.

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Poster for She’s My Best Friend (and I Hate Her)

2023 · ★ 8.0 (1)

Old friends Milly and June wait impatiently for each other outside a coffee shop. The longer they wait, the more annoyed they get, causing past hurts and old resentments to play on their minds.

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Poster for The Wolf of Custer

2023 · ★ 0.0 (0)

A town loves telling tales about a legendary wolf. One hunter, however, proclaims it’s just an ordinary wolf. He sets out to pursue it but while on the hunt, he begins to witness and understand the power of stories.

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Poster for Time Out

— · ★ 0.0 (0)

Portrait of a girl from a poor family, who takes care of her parents while serving in the army at the crossings of Tul-Karm. When something bad happens at home and she has to go back, she grabs Saila, a girl from Tul-Karm just to go home.

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Poster for Groundwork

1975 · ★ 0.0 (0)

A poetic tribute to the establishment of the maple farm in Monterey, MA, owned and operated by JoAnn Elam's friend Bonner McAllester and her husband Joe Baker. Elam and McAllester were close friends since their time at Antioch College together, and Elam would return to the farm and make films many times through the 1980s. Using double exposure and occasional rapid editing, this film follows McAllester, Baker, and a group of friends as they live in the teepee first built on the property, dig the foundation for a more permanent structure, harvest and prepare their crops, and build a new wooden structure on top of the dug-out foundation. Elam films the workers with a focus on their bodies and hands, emphasizing the tactility of their labor, but at other times also foregrounds the ethereal quality of their natural surroundings.

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1984 · ★ 0.0 (0)

In this short, magical film experiment, Shirley Clarke interprets the musical universe of jazz giant Ornette Coleman in best Afrofuturist tradition. With breathless echo effects, superimpositions and artificial light reflections, younger versions of Coleman lose themselves in slot machines, turn gravel into glass marbles and vanish into video-animated supernatural light.

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Poster for Signes Song

1998 · ★ 0.0 (0)

Song of signs with chorus and verses. Superfluity or scattering of the signs confronted by juxtaposition or incrustation, in 16 and Super-8, positive and negative, black and white or colors. These various visual voices constitute a polyphony, the song of the world and of art with its cadences and pulsations of life, a song of signs with echo, reverberation, climax, leitmotif... of images...

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Poster for Entrecroisees

1999 · ★ 0.0 (0)

After the bri(n)s and the threads of images, come these fragments, of various shapes, mostly circular, flared or full, with various inclusions, and threads leading back to a more abstract original rhythm. The editing was done directly in the optical printer. The views that I have appropriated are once again found footage chosen according to my convictions: there is thus a certain derision in weaving and interweaving these faces of anonymous and serious men with these youthful and blissful communicants, whose naivety escapes no one. I hope, as I wished, that each image is in itself a painting, on which it is not incongruous to stop for a few quarters of a second.

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Poster for Understudy/Stand In

2023 · ★ 10.0 (1)

Stand In is apart of a four part series called “There’s Nothing For You”.

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Poster for Thermoment

1998 · ★ 0.0 (0)

For "Thermoment" Dore O. filmed the clarinetist Eckard Koltermann with a heat recording camera and thus translated the heat regions of the body's interior into images while making music.

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Poster for La Larai

2023 · ★ 10.0 (1)

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Poster for Lisbon

2023 · ★ 0.0 (0)

Anna and Misha, the parents of seventeen-year-old Ivan and his older sister Varya, recently separated. Misha, out of habit, sometimes comes to the old courtyard, secretly observes the life of his family. Ivan is watching his father.

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Poster for Sydney G. James: How We See Us

2023 · ★ 0.0 (0)

Visual artist/muralist, Sydney G. James, draws inspiration from her hometown of Detroit as she addresses the status of Black women in society, police brutality, family and community through bold brushstrokes and hues that evoke the complexities of Black reality, joy, pain, and resilience.

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Poster for From Dust to Dust: The Chronicles of Women in Naegok-ri, Kyungsang Province

2008 · ★ 0.0 (0)

A mid-length film of Cho Hye-Jung

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1954 · ★ 0.0 (0)

A short film by artist Adaline Kent documenting her travels in the Sierra Nevada mountains.

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Poster for Let it Brie

— · ★ 0.0 (0)

When a French restaurant in London announces that cheddar will be part of their new cheese board, Louise and a group of proud Frenchmen decide they have one option left to save their cuisine... to heist the cheddar delivery truck.

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Poster for Lightnings

2016 · ★ 0.0 (0)

One night, as the storm rumbles, a young man dreams of his lost love.

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