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Poster for La internacional

2015 · ★ 0.0 (0)

I film my sister arguing with my mom while I was preparing Christmas dinner, on a workers' camp, on a picket, singing. I discover in a VHS that I had been filming it since we were little. Apparently, according to some verses of "The International", socialism would be something like a paradise full of brothers.

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Poster for Homenzinho

2007 · ★ 0.0 (0)

In a subway station, while waiting for his journey to continue, a boy talks with God about the creation. An informal conversion about the real dimension of our existences and personal demands, reminding us that we are just a small part of something bigger and nothing is as important as we believe it is.

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Poster for Moving Sand/Topos

2020 · ★ 0.0 (0)

Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.

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Poster for Carmen de Carabanchel

1965 · ★ 0.0 (0)

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Poster for The Audition

2009 · ★ 0.0 (0)

An engrossing behind-the-scenes quasi-documentary as 10 hopefuls vie for a spot on the Met's roster.

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Poster for History of Manawan - Part One

1972 · ★ 0.0 (0)

“It’s not how it used to be.” The words of Cézar Néwashish resonate throughout this short documentary that explores the history of the Atikamekw community of Manawan, Quebec. Less than a century old in name, Manawan embodies the experiences of so many Indigenous communities across Canada. Where once they practised their customs freely on a vast territory, the arrival of the Europeans would eventually mean the restriction of their cultural practices and confinement to a reserve named Manawan.

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Poster for Post-Porn Modernist: My 25 Years as a Multimedia Whore

1993 · ★ 0.0 (0)

Post-Porn Modernist documents Sprinkle’s various personae: virgin, whore, sex-positive feminist, tantric sex explorer, business woman, and goddess, which she performed in over 20 countries from 1989 through 1994. The show deconstructed and explored her careers as a sex worker, porn star, erotic educator, sexual healer, pro domme, and artist.

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Poster for Pantyhose Factory, Italy

2020 · ★ 0.0 (0)

The film captures the process of pantyhose making at an unnamed Italian factory.

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Poster for A Corner Shop

2018 · ★ 0.0 (0)

Picnic Cat is a social enterprise that makes and delivers lunchbox meals. It was set up eight years ago by resource-strapped youngsters and grownups to help young people who have opted out of the basic education system. From a small shop making monthly revenues of less than 10 million Korean Won in the spring of 2014, the business grew its revenue to more than 50 million Won in three years. What was happening to the folks working in Picnic Cat in those years? A Corner Shop is the story of how the individuals working in Picnic Cat oscillated between livelihood and humanhood as their shop grew up with them.

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Poster for The Paint Wizzard

2020 · ★ 6.3 (3)

Millicent "Millie" McCrory, also known as “The Paint Wizzard” around Austin, TX, is an accomplished housepainter who works in a miniskirt, crop top and signature cat ear headband. Born and raised as "Michael" in a conservative Morman household, she never felt that she could be her true self. A few years ago, at the age of 58, she gained the courage to change her name to Millie and adopt female pronouns. While she identifies as transgender, Millie still struggles with her own ideas of gender and social norms. The film follows Millie in her daily life, as she wrestles with questions of identity and acceptance, painting a hopeful, poignant and honest portrait.

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Poster for Sanfelices Treppenhaus

2018 · ★ 0.0 (0)

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Poster for Water Light/Water Needle (Lake Mah Wah, NJ)

1966 · ★ 6.0 (1)

Schneemann's classic 1966 aerial "Kinetic Theatre" work was first staged at St. Mark's Church in the Bowery, with eight performers moving to a score of randomized encounter on layers of rigged ropes and pulleys. One of two video documents of this early and influential performance, this version is enacted outdoors in trees and across the surface of a lake, in sequences directed by Schneemann.

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Poster for I Don't Believe You're a Prince

2020 · ★ 10.0 (1)

It tells the story of Illidan's king Malfurion Karimdor Kil'jaeden and ordinary high school student Lu Hani, from accidentally meeting to becoming friends, the gap between the two people's life experience from childhood to old age. adult. There were many contradictions between them.

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Poster for Maya Double-Bottomed Bowl

2014 · ★ 5.0 (1)

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2001 · ★ 0.0 (0)

White collar S&M, blue collar theft, and severe neuroses masked by clerical efficiency: it's business as usual for temporary office worker Jocelyn White.

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Poster for Culinarius

2019 · ★ 6.0 (2)

The history of gastronomy, born in France, is the story of an intangible heritage - the most carnal undoubtedly, but also the most exported in the world. From Antiquity to the present day, this documentary offers a look back at the evolution of tableware, propriety, the birth of cafés and restaurants to the emergence of the first great chefs, or even the history of vegetables. Many questions will be raised: how did the fork slip into our hands? With which king did eating and drinking become political weapons?

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Poster for Fire In The Basement

2019 · ★ 0.0 (0)

A vibrant celebration of the enduring spirit of the 68 movement in Mexico, despite its tragic ending with the state sponsored massacre of hundreds of innocent people in Tlateloco.

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Poster for Pavlensky - The Man and the Mighty

2016 · ★ 8.0 (1)

Pjotr Pawlenski was arrested after various artistic demonstrations against the russian regime. It's a film about his scandalous protest for example pinning his genatiles on the Red Square in Moscow and his motivation and inspiration fighting to be seen and heard.

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Poster for My Life As I Live It

1993 · ★ 0.0 (0)

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

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Poster for The Jury

2012 · ★ 0.0 (0)

The camera filming the members of a public jury, facing a murder trial, is as lost as they are in the labyrinth of evidence, images and declarations, unable to film anything that is not of its own decomposition.

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