1975 · ★ 7.7 (3)
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
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2017 · ★ 0.0 (0)
An old dog is living in a vacant lot. Camera approaches the villagers to reveal the dog. While people share their memories, memory and reality are intertwined to form an atmosphere.
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1984 · ★ 0.0 (0)
Meeting with a river, sea, ocean, a drop learns the properties of reservoirs and water, which can be both a blessing and a destructive force.
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2001 · ★ 5.0 (1)
Fear of Blushing bursts forth with irrepressible hand-painted color, corroded emulsion and a menacing soundscape of looped voices, distorted instrumentals, samples & rhythm. Fleeting visions and voices erupt out of the ominous abstraction in unusual juxtapositions, suggesting a cinematic free-association marked by anxiety, pleasure and shame. Best appreciated in the immediate; the 7200 painted frames fly by at an average of 12 per second.
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1992 · ★ 0.0 (0)
"A fragmented psychic landscape where TV clips, bar talk, and rape loom close. Trying to reconstruct and resolve sexual abuse becomes a complex project of association and recall. Daydream has a thick, luminous feel." Elisabeth Subrin, Visions Magazine
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2002 · ★ 0.0 (0)
“Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.
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2002 · ★ 8.0 (2)
Filmmaker Irene Lusztig unearths a dark family secret in search of answers and reconciliation in her breakthrough feature documentary, "Reconstruction."
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1963 · ★ 7.2 (4)
Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.
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2017 · ★ 0.0 (0)
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2012 · ★ 0.0 (0)
Registration of the second theatre program by the Dutch comedian Stefan Pop.
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1984 · ★ 0.0 (0)
Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to "disarm my movies." "I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their conditioning and, as well, relay the multiple fictions the footage suggests (the ‘facts’ forever obscured in the fragments left us). The result is a narrative developed by its periphery, a story like rumor: impossible to trace, disturbing, explosive."
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1989 · ★ 0.0 (0)
In this fable inspired by Altai folklore, a child's soul becomes a battleground for spirits from heaven and hell.
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2016 · ★ 0.0 (0)
Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.
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2016 · ★ 0.0 (0)
On December 1, 2015, in front of the restaurant Le Petit Cambodje, officials from the Paris City Council collect the flowers paying tribute to the victims of the November 13 attack.
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1989 · ★ 0.0 (0)
A documentary on the socioeconomic and cultural context of the AIDS epidemic in a Latino Philadelphia neighborhood.
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1974 · ★ 0.0 (0)
Joan is a welfare mother with seven children. Originally from the Maritimes, she now lives in Montréal. She would like to work as a waitress, and feels she'd be a better mother if she could. But day care costs more than she can afford.
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1998 · ★ 0.0 (0)
One-time carny, bartender, and married 10 times, director Penelope Spheeris’ mother was an uncommon woman. In this sweet, funny, and moving video portrait, Spheeris gives us a vivid glimpse into the richness of her mother’s life and character. 35mm, color, 11 min. Director: Penelope Spheeris. 1998. Preserved by the Academy Film Archive in 2013.
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