2006 · ★ 0.0 (0)
Three Miniature, Illuminated, Heliographic studies of plants, observed and imagined. Fragile leaves and very fine threads of fungus string together in Charlotte Pryce’s three plant studies. Plants and images of the plants, and their envisioned environments, are intertwined. The title is taken from an obscure genre of 17th century painting: Forest Floor Paintings, which placed plants into a 'real' environment as opposed to a vase.
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2018 · ★ 0.0 (0)
Charlatans or therapists offering alternative treatment? New Facts about Akvap's Prague Consultation and Therapy Institute in the current document by Šárka Maixnerová. (Česká televize)
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2018 · ★ 8.0 (1)
Feeling his marriage with a sex doll has grown stale, Gunther purchases a new doll to spice up his life.
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2017 · ★ 0.0 (0)
An interview with French documentarian Marcel Ophüls about his father Max Ophüls, regarding Max's arrival in Hollywood, how he received approval for Letter from an Unknown Woman (1948) from the head of the studio, his return to France, and what Marcel has learned from his father. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.
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1904 · ★ 0.0 (0)
Alice Guy film.
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2018 · ★ 7.0 (1)
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2018 · ★ 0.0 (0)
All form of artistic expression only exist clandestinely on a undemocratic Brazil. This movie bring the stories of those people who resist this reality.
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2010 · ★ 5.0 (1)
Filmed in London, sent to Paris. For Helga Fanderl. "Dear Helga, today I have recieved a postcard from Chile. Shaking folds and tearing invisible strata, I aim to wander through this city". J.M.
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2015 · ★ 0.0 (0)
Starting out with super 8 reels of Paris catwalks I shot in 1979/1980, what was supposed to be an experimental short on couture culture turned into a study of style. Deleuze’s definition of style: “creating a foreign language in one’s own language”, was the catalyst, inducing me to loosen the initial threads of fashion and to search for other textures. Stitched together, these intertwined images of Coco Chanel, Courrèges, Cole Porter, and Kaiser Karl, speak of style, films, fashion and fun. Seamlessly Losing the Thread.
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2017 · ★ 0.0 (0)
She is 40, he is 30. She is trying to adopt a child. He recently got out of prison and wants to start a new life. They accidentally meet on the day when he gets a job, and spend the whole night together, drink and eat at her expense. It requires understanding and intimacy. He wants peace.
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1976 · ★ 0.0 (0)
"Glass Shadows is a sensual formalistic diary, filmed in the early morning light of my studio. The primary images are of my Bolex-filming nude reflection set within window frames, a pane of glass, and light projected by the rising sun. The film moves forward via on-going exploration of reflected and overlapping images––sustained by light, color, and the rhythmic pulse of a leaky kitchen faucet. A fusion of form and subject is inevitable within a work that is the story of its making." - Holly Fisher
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2018 · ★ 0.0 (0)
An American teenage girl visits her family in Jamaica and uncovers a secret that changes the way she sees the people she loves.
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1983 · ★ 0.0 (0)
The rise of gold from the wreck of the cruiser Edinburgh, which was sunk during the war, was shot in 1942 by German submarines in the Kola Bay. Documentary uses the memories of Soviet officer SG Zinoviev, who was heading for London aboard the cruiser Edinburgh.
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1969 · ★ 0.0 (0)
The film tells about a young artist Nadya Rusheva and how much she could do for her 17 years. Unfortunately, shortly before the end of the shooting, the heroine died. In the picture, besides the drawings by Nadya Rusheva, her work on them, her monologues, you can see the Pushkin house museum on the Moika, 12 as it was before the restoration.
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1999 · ★ 0.0 (0)
This is Juliana Rojas and Marco Dutra's second school project. The short film features members of the school's class in the cast. They are credited as Ju Chiquitita Rojas and Marco Mamma Mia Aurélio. The short features an appearance (in drawings) by Casal Medo, characters the directors would use again in other works.
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2017 · ★ 0.0 (0)
This ironic documentary film explores the farewell to the ghosts of the USSR in Ukraine. It takes viewers on a spiritual journey with the ghost of Lenin, guiding them through their past, present, and future. The film delves into the rise and fall of idols and the curious afterlife of history’s ghosts. It is inspired by laws adopted in 2015 by the Ukrainian parliament, which condemned the Soviet totalitarian regime and banned the use of Communist symbols.
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