2013 · ★ 0.0 (0)
A fairy is invited for lunch by Gertrude Stein, and suddenly the world changes.
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2016 · ★ 0.0 (0)
Projected on video, Soft Film combines elements of Sara Cwynar's composite photography and her publications within the traditions of the experimental essay film and performance video. She is interested in how objects circulate via the Internet, in the lives they have now that they could not have lived before. In the film, the artist collects, arranges, and archives her eBay purchases of dated objects according to a logic based upon color, material, vintage, and use.
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2017 · ★ 0.0 (0)
The Jealous One unfolds along two plot lines that meet in a dramatic final encounter: the first, a story of an Indigenous man weaving through bureaucratic red tape to get to a mortuary service on his ancestral land; and the second, a fight between a husband consumed by jealousy and his wife’s brother, who excludes him from community ceremonies.
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1975 · ★ 0.0 (0)
Rape has three victims discussing their emotional, physical and intellectual responses, then and now, highlighted and commented upon by a series of visual interpolations.
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2017 · ★ 0.0 (0)
A reticent young dairy farm employee struggles with the news of an unexpected pregnancy. A methodical cycle of calf births and milk extraction becomes an incisive meditation on the implications of reproduction and the anxiety of impending parenthood.
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1997 · ★ 0.0 (0)
In a personal quest, filmmaker Shirikiana Aina made this documentary capturing her efforts to learn more about her father, who died when she was a child. A Michigan man descended from slaves, he was labeled a radical by the FBI. Aina traveled to Ghana, documenting an oral history of slavery in Elmina, a port where Africans were warehoused before shipping to the New World. She also filmed African-Americans who have established a colony in Ghana, choosing to raise their families there.
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1987 · ★ 0.0 (0)
A short film directed by Zeinabu Irene Davis.
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2017 · ★ 10.0 (1)
A story about two girls, Ellie and Parker, connected by fate.
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2016 · ★ 7.0 (2)
A dreamy animated documentary about the dangers of early cinema. The atmosphere of old film theatres is recalled through a mixture of handmade techniques. In the back of the story moves Mr Sand, a mysterious character: real or imagined?
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2019 · ★ 0.0 (0)
A woman has a difficult decision to make when she wakes up and finds herself in a less than ideal predicament.
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2006 · ★ 0.0 (0)
Muffins for Granny is a remarkably layered, emotionally complex story of personal and cultural survival. McLaren tells the story of her own grandmother by combining precious home movie fragments with the stories of seven elders dramatically affected by their experiences in residential school. McLaren uses animation with a painterly visual approach to move the audience between the darkness of memory and the reality that these charismatic survivors live in today.
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2013 · ★ 7.0 (2)
Musa and his friends, all men, all young, all from Xinjiang Uyghur Autonomous Region on China's northwestern border, now wander great cities in the East talking, shooting up, remembering home and practicing the one true skill they have: they steal.
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1979 · ★ 0.0 (0)
A film in three acts, each act prefaced by a short circus act. Act 1 – Cutting liver, Act II – Ironing, Act III – Plucking Eyebrows. Three potentially violent domestic activities performed by a woman. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. The images in these early films were both literal and metaphoric, depicting exact events but also creating physical and personal associations for the viewer. Ideas are evoked in images rather than words; ordinary actions are also enigmas.
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2015 · ★ 0.0 (0)
Translantics is a six part web-series produced by SCHIRN Kunsthalle Frankfurt and ZDF in cooperation with ARTE Creative in 2015. Translantics illuminates the disunity of a generation that moves between the analog past and the modern aestheticism. Three young women miss a coherent identity in the midst of virtuality, internationality and simultaneity.
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2012 · ★ 0.0 (0)
Adorno’s Grey features a single-channel video set in the Goethe-Universität in Frankfurt, where German philosopher Theodor W. Adorno famously taught. It shows two conservators scraping the walls of a lecture hall, looking for the legendary grey that Adorno had his classroom painted in order to promote concentration. The excavation is staged as a film set: the technical apparatus of the production is exposed and Steyerl’s directions for the excavators can be heard off camera. The video returns to an image of a camera being set up to take a photo of the lectern.
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2017 · ★ 0.0 (0)
An hour-long collage essay, charging the discussion with her enlightened aesthetic of poetry, the archive, and experimental montage. As the Most Dangerous Woman Alive, Goldman’s life is seen as an ongoing negotiation of revolutionary purity and personal freedom, a complexity that Child mirrors in her own formal strategies. She layers multiple fragments of Emma’s liberatory legacy—from archive, from reenactment and from observational cinema—her speculative play with the revolutionary ideas extending to the present moment of feminist revolt!
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1970 · ★ 0.0 (0)
A rare glimpse into a Dubai harem and a document of the significant changes in the lives of Arab women during the early 1970s, this is the only film made by Eve Arnold, the world-renowned photojournalist and first woman to work for the elite Magnum Photos.
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2017 · ★ 4.2 (6)
What does it mean to be transgender? How did the trans rights movement come about? What progress has there been made, and what is there still to be done? Absolutely Trans gives us a detailed history...
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2006 · ★ 0.0 (0)
In July 1988, Mizue Furui was in the Gaza Strip and West Bank with her camera as a rookie freelance journalist. Covering the Palestinian condition, she became acquainted with Ghada Ageel, a 23-year-old teacher at an elementary school, in November 1993 and started shooting her life up to when she turned 35. The 12 years Furui spent shooting still and video images has borne fruit in a documentary titled "Ghada -- Songs of Palestine," which will be released in Uplink Theater in Shibuya Ward, Tokyo, in May as a rare report on women in the traditionally male-oriented Palestinian society.
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