2018 · ★ 8.0 (1)
For thirty years in the late-twentieth century, the people of Tahiti survived dozens of offshore nuclear tests by the French government. Since the country was colonized in 1880, the blasts left Tahitians picking through the remnants of their islands and culture in an effort to keep indigenous knowledges alive. The film offers a poetic glimpse into contemporary Tahiti, and the colonial struggles its people still face as they strive to sustain their way of life.
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2017 · ★ 0.0 (0)
The documentary about the Ukrainian Aidar battalion was filmed in a single 80-minute sequence.
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2015 · ★ 0.0 (0)
In this short film, screened and commissioned by the Centre Pompidou in Paris, Gianikian and Ricci Lucchi revisit regions at war or in crisis through archive images of the 20th century.
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2003 · ★ 6.0 (1)
Covers the key aspects of the world AIDS epidemic through powerful documentary stories about five victims and their communities, on five continents.
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— · ★ 0.0 (0)
Described by Dee Rees as a "black lesbian horror film set in the mountains."
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2018 · ★ 8.0 (3)
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2000 · ★ 0.0 (0)
Against the backdrop of millennial fervor, filmmaker Joanne Cheng journeys from Times Square to Tiananmen Square seeking a definition of China on the eve of the 21st Century. Interviewing internet surfers, business executives, avant-garde artists, punk rockers, "China Watchers" and Westerners living in China, she reveals a society in transitional mode as it moves rapidly towards modernity.
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2015 · ★ 5.0 (4)
Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.
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1979 · ★ 0.0 (0)
United States 1979, Super 8 transferred to digital, colour, silent, 3 min
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2017 · ★ 0.0 (0)
Biomes is a series of 4 paintings in motion inspired by the the surrealist landscapes of Tanguy and Kay Sage. Digital and analog video techniques are used to simulate painterly effects in an interplay between soft, harsh, mat and shiny surfaces, different shades of light and the illusion of depth or flatness. Biomes are portraits of post human environments where uncanny life forms materialize and slowly detach themselves from the horizon, to finally melt into their respective landscapes.
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2016 · ★ 0.0 (0)
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
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2012 · ★ 0.0 (0)
Video feedback, AZDEN VPC-10, LZX video synthesizer
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2012 · ★ 0.0 (0)
Video feedback, AZDEN VPC-10, LZX video synthesizer
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2017 · ★ 0.0 (0)
Hunger, mist, flight. A couple trapped in eternity. An endless journey to nature itself, driving Cadillacs and escaping the sun.
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2017 · ★ 0.0 (0)
The Splits combines documentary and narrative in a montage of motion and sound. The camera documents a group of 20 people gathered in a hall to perform. The cast includes real-life performers whose skills range from the mundane to the extraordinary: a hula hooper, a singer, a pizza dough thrower, speed skippers, tap dancers, gymnasts and dog trainers. Two men make salami, a woman gets a haircut and someone eats too many hotdogs. Hrabluik’s editing creates an exquisite corpse, connecting the performers as their bodies tap out a spellbinding rhythm.
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2015 · ★ 0.0 (0)
The face of a child mesmerized by the glare of a flame in the dark. This project was developed as part of NIMBOS, an initiative inspired by the homonymous work of the well-known Galician poet Xosé María Díaz Castro.
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