2018 · ★ 7.0 (1)
Researchers have created photoluminescent nanoparticles, quantum dots, which emit light. When observing them under the microscope, one has the impression of looking space through a telescope.
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2017 · ★ 0.0 (0)
The film tells how in the iron blockade of the blockade worked "the blood factory", the Institute of blood transfusion that provided the Leningrad front and the city in this strategic resource: blood donation. The blood bond between the city and its defenders was a very important factor in breaking the blockade and finally crushing the enemy. Due to a prolonged lack of food and a very great psychic stress the blood of the inhabitants of Leningrad has undergone phenomenal biochemical transformations which have had consequences for the following generations. The hypothesis confirmed by the latest research by geneticists and biologists is that this 900-day "forced fast" suffered by people during the blockade gave a post-war generation with a specific mentality and a spirit of sacrifice of the inhabitants. from Saint Petersburg.
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2018 · ★ 1.5 (1)
The Zharkov family-father, mother and two young sons-belong to the Dolgan community, one of the last indigenous peoples pursuing their traditional nomadic life in the extreme north of Siberia. The children used to be sent to boarding school, where they became estranged from their family and culture, but nowadays they can get homeschooling from teachers assigned to them by the Russian authorities. Seven-year-old Zakhar and his older brother Prokopy are the protagonists in this calm, observational film. Zakhar's first year of schooling is with Nelly, a young but serious teacher. She tells him about President Putin and the importance of mathematics, and he learns classical poems by heart.
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2018 · ★ 0.0 (0)
Il mio unico crimine è vedere chiaro nella notte addresses the issues of censorship in Italian cinema and psychological removal in art. The work’s title—my only crime is seeing clearly in the night—incisively highlights the conflict at the basis of creation and censorship. The film, with its re-imagining of film fragments, cut out and eliminated with bureaucratic scrupulousness, doggedly retraces the cuts inflicted on the productions of past masters and thinks them through once again as the signs of a cinema yearning to be completed. The cut, which aims to interrupt the relationship between the gaze and the possible, instead becomes a place to be repopulated with… ghosts.
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2017 · ★ 0.0 (0)
This documentary follows the remarkable local doctor who has been providing healthcare to nomadic families living in isolated regions of Mongolia.
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— · ★ 0.0 (0)
A hack writer returns to his rural Irish home of Darlingford, where he encounters his dying father, begrudging family, the former flame he suddenly abandoned and a young daughter that he has never met.
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1999 · ★ 0.0 (0)
Documentary film.
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1991 · ★ 9.0 (2)
A young woman takes a road trip to escape the morons at film school, and along the way finds her filmmaking voice.
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2018 · ★ 0.0 (0)
Humans, Animals, Earth, Wind and Water, converge with the same energy of a filmic fire, which crosses and relates them. By the appropriation of educational images of 16 mm films, which in the past were used to educate us, Animal Within evokes a poetic collision between images of the human and the animal.
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2018 · ★ 2.9 (7)
Three short films, out of the ordinary, brought together under a bewitching and enticing title. They are After School Knife Fight by the duo Poggi/Vinel, Les Îles by Gonzales, and Ultra Pulpe by Mandico. Three atmospheres, three sensitivities, going through three forms of expression (music, theatre and cinema) and which, put end-to-end, create an alternative pathway towards borrowed worlds of romance first, then obsession, and in the end, possession. Worlds of soft naivety, of nightmarish creatures and of pop fantasy, reminding us of the mysterious and velvety snatches of our dreams that stick to the spirit when one leaves them.
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2018 · ★ 0.0 (0)
‘The Great Attractor’ is a film that derives from the myth of Icarus to explore the relationship between humans, their planet, its star, and their inherent destruction. Divided in three movements, the film brings together moving images that span from the 19th to the 21st century, secretly speaking about the relationship of cinema with light and the movement of human and celestial bodies.
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2009 · ★ 0.0 (0)
Kaarina, an unemployed Finnish sawmill worker, travels to work in Argentina after getting fed up with homeland's temporary jobs and short-term relationships. A fictional short film is a personal speech about the global state of the forest industry.
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2018 · ★ 0.0 (0)
The filmmaker talks about what she sees while she's staring at the projected image of a face of the caged Emu (bird), which is one of a filmmaker's own archive shot by herself at the zoo. In one moment, there's a drop of tear falls from the eye of emu. Even if this one drop of tear has been merely a physiological phenomena to removing dust from its eye, yet the tear touches human mind. The eye of Emu and the tear are not only to make us perceive a human figure in the reflection, but it shows something farther beyond.
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2012 · ★ 0.0 (0)
The origin and the end of the world is portrayed by weaving fictitious landscapes of diorama set and the lighting effects into the actual landscapes of 2012 Tokyo. The film is like an old diary.
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2017 · ★ 9.0 (2)
As winter spreads its blanket of snow over the landscape, a mouse, a cookie and a little girl are about to have some amazing adventures. In just three turns, friendship reveals itself where we least expect it, curiosity opens the door to a world full of surprises, and the magic of Christmas almost takes us on a trip to the Moon!
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2015 · ★ 0.0 (0)
A young Romanian immigrant who recently moved to Montreal with her mother misses home, and soon realizes that her life will not be going back to the way things were.
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2018 · ★ 2.0 (2)
Acclaimed writer and filmmaker Xiaolu Guo delivers another deeply intelligent and idiosyncratic essay, located between contemporary China and post-Brexit referendum London.
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1982 · ★ 0.0 (0)
The first of many year-end holiday reels. Cooking, cleaning, pixilation. (Liz Coffey)
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2009 · ★ 0.0 (0)
Five older women, loosely grouped in two rows, gaze into the camera. At times only details of their faces can be seen, a sixth woman walks through the picture, joins the others. The image flickers briefly, disappears, and the scene begins again from the start, this time with a slightly displaced camera perspective.
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2018 · ★ 8.0 (2)
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