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Poster for Rohfilm

1968 · ★ 5.9 (7)

One of the most important structural films of the period, Rohfilm demonstrates a radical anti-representational approach, destroying the figurative image and bringing attention back to the ‘raw’ photographic material, particularly its physical form. Resisting a stable reference point, the film is a multi-layered onslaught of blurred impressions, shifting surfaces and grating sounds that activates a form of sensuous viewing. In the making of the film, the Heins employed just about every technique of defamiliarization, including direct intervention on the surface of the film strip, rephotography, remediation, and different kinds of mechanical interruption and destruction. It is a striking example of a truly handmade approach. (Kim Knowles)

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Poster for Cin(T)a

2009 · ★ 8.0 (2)

Cina and Annisa love God and God loves them both. But Cina and Annisa cannot love each other because they call God by different names.

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Poster for Antonio Vega, tu voz entre otras mil

2014 · ★ 7.7 (6)

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Poster for Quiproquo

1992 · ★ 6.5 (2)

Quiproquo is a dialogue on the balance to be found between nature and social-industrial technology. As the film refers to the economy of the means involved in relation to what is expressed, it is both a reflection on the potentialities of the medium and an enquiry concerning the implications of the reality portrayed. It is a question of limits and possibilities, the beauty and tragedy of the world, with a critique of contemporary society’s dominant choices constantly in the background. Filmed in Berre l’Etang, Bouches du Rhône, in the villages of Orgon, Bouches du Rhône and La Coucourde, Drôme, on the roads to Beaumont-du-Ventoux and Carpentras, Vaucluse, and Tarascon, Bouches du Rhône.—Canyon Cinema

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2013 · ★ 3.5 (2)

In her documentary, director Sabine Michel revisits her own experiences during the fall of the Berlin Wall in 1989 and Germany's subsequent reunification, as well as those of her four friends Claudi, Vera, Claudia and Veruscha. The five women were about 18 years old at that time, and belonged to the last school class in Dresden to graduate in the German Democratic Republic. The country and society school had prepared them for suddenly ceased to exist, thus they had to completely start anew. More than twenty years later, the five women travel to Paris together. During the train ride, they talk about their former dreams and aspirations, and how different their lives turned out to be.

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— · ★ 0.0 (0)

A woman loses spiritual density.

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Poster for A Time Is a Terrible Thing to Waste

2012 · ★ 0.0 (0)

Gifted animator Leslie Supnet collaborates with Winnipeg storyteller Glen Johnson for this contemplative comic fantasy about a time-obsessed squirrel.

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Poster for Seeds of Resiliency

2012 · ★ 0.0 (0)

Susan Polis Schutz's documentary follows twelve subjects who have persevered despite having suffered severe adversity.

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Poster for Fake Fruit Factory

1986 · ★ 5.4 (13)

Intimate documentary about young women who make papier mache fruit and vegetables in a small factory in Mexico. They have a gringo boss, but the factory is owned by his Mexican wife. The focus of the film is on the color, music and movement involved, and the gossip which goes on constantly, revealing what the young women think about men.

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Poster for Life in Movement

2011 · ★ 6.0 (2)

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

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2005 · ★ 5.4 (5)

Drawing from 40 years' worth of film footage and tape recordings her father sent to family members in India, filmmaker Sandhya Suri crafts a personal history that also explores the experiences of Indian expatriates. After moving to Great Britain in 1965, Yash Pal Suri chronicled his discoveries about his new home along with his feelings of alienation. The fruits of his labor appear in this film that received a Grand Jury Prize nod at Sundance.

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Poster for Yoo-Hoo, Mrs. Goldberg

2009 · ★ 4.2 (5)

The story of the actor, writer and broadcasting pioneer, Gertrude Berg.

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Poster for Sophie

— · ★ 0.0 (0)

Visiting home after the death of her childhood pet, June is forced to confront family tensions as well as an unexpected extravagant dog funeral.

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Poster for What a Pattern Tells

2025 · ★ 0.0 (0)

Two Palestinian refugee women from different generations are connected through traditional embroidery. Between Al-Baqa’a refugee camp and Amman, stitching becomes a way to preserve memory, express identity and pass stories from one generation to the next.

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2026 · ★ 0.0 (0)

Black Lesbian journalist and organizer Ivy Young knows that mainstream society will not preserve her story after she's gone, so she rallies friends and her niece Jade to defy the past for the sake of a righteous future.

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Poster for Mist

2025 · ★ 0.0 (0)

A phenomenon captured in the park, days after the death of a friend.

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1972 · ★ 7.0 (1)

Utilizing surveys and reports on the background of cable television, this film explores its place in the world of television, and its future potential as a communication tool in workplaces, educational institutions, the home, and the community. Includes both live-action sequences of people using cable television as a means of accessing information, and animated sequences which explain the history of cable television and how the medium functions.

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Poster for Cavalo Serpente

2026 · ★ 0.0 (0)

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Poster for Sámi vs. Sámi

2026 · ★ 0.0 (0)

A unique legal battle between indigenous peoples unfolds on film: Two Sami groups face each other in court, locked in an insoluble conflict that has its roots in the state's forced displacements over a hundred years ago. How can one agree on a future when the past is lived so differently? Over a hundred years ago, the state forced Northern Sami to move into Southern Sami territory. Today, their descendants are fighting in court for land, reindeer herding, and the right to be Sami. The film shows how state actions continue to divide a people, and how the past continues to shape their future.

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2025 · ★ 0.0 (0)

Inspired by a text by legendary Japanese writer Ryūnosuke Akutagawa, and the “scintillating scotoma” that precedes a migraine, Eri Saito’s Slightest Pretense is a wordless, Super 8 near-narrative that feels like a lost oddity that could have washed up on a shoreline.

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