2020 · ★ 0.0 (0)
April 30, 2019 marked the last night of Japan’s "Heisei" era. Yuka and Masao are a one-time comic duo who are entering their 30s. They sit in a coffee shop and talk about their lives from childhood to the present.
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2018 · ★ 8.0 (1)
In 2018, can we speak freely about female sexuality? It all begins with a bold question: “What do French women do in bed?” The interviewees describe their sexual practices, their desires, and their boundaries. Are they more fulfilled and uninhibited than the generations before them?
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2018 · ★ 0.0 (0)
Two birds are separating at the station...
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— · ★ 0.0 (0)
Mariano is the best (and only) swing keeper of the entire city of Montevideo.
The one and only who takes his job seriously.
Responsible, powerfull and important, that's what he is. But what if his power seems threatend?
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1990 · ★ 0.0 (0)
“In NATURAL FEATURES Nelson mingles hundreds of still images with 3-D objects and “real” images photographed through glass layerings into a free-associative and playfully bizarre form of animation. Perhaps no film has more successfully blended an evident passion for painting with a sensitivity to filmmaking such as lush pigments alternate with and punctuate the different photographic layerings” – Steve Anker
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2017 · ★ 0.0 (0)
The memories of the trip made by the couple of artists Cavi Borges and Patrícia Niedermeier are transformed into an essay film. The scenery consists of landscapes located in Brazil, the United States, Germany, Syria, France and Hungary, where a series of choreographies and other performances created by the two are recorded.
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2016 · ★ 5.5 (2)
There are many films piercing through Cecilia King’s first feature; there’s a film about a family (her sister, her mother, her aunt, her grandmother)… There’s also one about being an Argentinian woman of Korean descent visiting Korea. And another one about being a Korean woman who, at the same time, acts like someone from Buenos Aires. There’s family love, friendship, the small tragedies and the great ones, emancipation, heartbreak, creativity. And none of these storylines drives us to a feeling of drift; they are parts of a mosaic that is pieced together in the viewer’s head thanks to a solid, strongly emotional core: the life of the director, who, in a spontaneous and loving display of generosity, dedicates My Last Failure to (in this order) a teacher from childhood, her eternal friends and her sister.
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1971 · ★ 6.0 (1)
A family is observed watching television. The viewer becomes the object of the family's gaze, as much as the family is the object of the viewer's gaze.
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1983 · ★ 6.0 (1)
A personal meditation on the landscape of the American West that tracks the ruling conception in nature in the 19th and 20th centuries from the pioneers through the instamatic tourists, at the same time that it obsessively follows the four seasons. The elemental vicissitudes of the weather, the exact moment of the day, the colour of the light and the soil and the trees form an acute visual record of the constantly changing mood of the landscape. The film successfully attempts, with quiet, passionate, almost single-minded firmness, to confront us as nakedly as possible with our cultural inability to see nature whole, without preconceptions.
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2026 · ★ 0.0 (0)
Set in a world where everyone is an instrument and electric and acoustic instruments are not allowed to be in love.
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2014 · ★ 0.0 (0)
Jean finds herself trapped in a surreal space, in which all females wear the same costumes and make-up with zealous and desperate chants of "One husband one wife, one man one woman, and one covenant for a lifetime". She is trapped in Marryland, in which desperate girls devote all their efforts on dating guys. There is only one rule for every girl who wants to leave: get married. The plot to escape with a fellow inmate foiled, with the inmate sent to a fate worse than being in hell: the wasteland called Lonelyland. Will Jean ever escape the tyranny and find her way out of Marryland?
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2004 · ★ 0.0 (0)
The story is set in Douz, a town in south-western Tunisia. Once a key route for sub-Saharan trade, it served the vast Eastern Erg and linked the Tunisian Sahara with that of Algeria, Libya, Niger and Egypt. The film tells the story of the M’Razig, the inhabitants of Douz—once nomads, now semi-sedentary—who find meaning in their lives through a thirst for life and a quest for eternity.
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2026 · ★ 0.0 (0)
An experimental film about the morality of space travel, based on a child’s dream
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— · ★ 0.0 (0)
During a global upheaval, artificial intelligence manipulates technology to turn against us, setting humanity on a path toward self-destruction.
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2026 · ★ 0.0 (0)
The main character has a completely normal life, until one day a strange bunny mask appears on their bedside table. No matter what they do, this mask will not go away. The mask begins to deteriorate along with the main character's life.
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1961 · ★ 0.0 (0)
Produced to introduce the functions and design properties of the Eames Contract Storage units. This innovative use of live-action and animation accompanies an Eames script which includes the famous Eames quote “The details are not details, they made the architecture – the gauge of the wire, the selection of the wood, the finish of the castings – connections, the connections, the connections. It will, in the end, be these details that provide service to the customer and give the product its life.” Featured in the Festival International du Film de Montreal, 1961.
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1966 · ★ 0.0 (0)
The subject of problem solving begins with an explanation of what the Eameses called “the information machine, “a device for presenting information in fragments so that viewers are compelled to see new relationships among events, objects and people.” The narrative accompanying the images points out the relationships between solving both simple and complicated problems, and then demonstrates that complex problems are solved by the computer with the same logical procedures that people use to solve simple ones. Los Angeles International Film Exposition (Filmex) Acknowledgement of participation, 1973.
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2016 · ★ 0.0 (0)
A doll in a white dress sinks to the bottom of a river. A young girl in the same dress awakens in a strange room among forgotten creatures, before being drawn through a mirror into a kaleidoscope of alternative selves — until they fracture and dissolve, leaving the doll floating in space
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2001 · ★ 0.0 (0)
“I don't want to paint a picture of life,” says H. C. Artmann at one point in this film, which his daughter Emily Artmann and his niece Katharina Copony shot in his apartment in Vienna in the fall of 2000. A few weeks before his death, we can listen to the great poet and writer in this deeply empathetic final portrait as he reflects on art and his understanding of literary work in a small, sparsely furnished room. “At the beginning of writing there is absolute silence.”
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— · ★ 0.0 (0)
Ivo Trifunovic is a professional footballer, unlike you! He always knew he was special. Now he is among the highest-paid footballers in the world. He drives a Bugatti, has a beautiful wife and two adorable children whom he loves more than anything else. But when his childhood sweetheart Mirna enters the picture, his secure foundation begins to crumble.
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