2021 · ★ 0.0 (0)
Erik was born as a girl but always felt like a boy. As an 18-year-old, he began the process of gender reassignment. This is where ‘Dream Prince’ starts too. Shot over a full 10 years and with no filter. Isolation, bullying and anxiety have followed Erik throughout his life, while he has struggled with recognition from his surroundings and himself. Now he is 27 years old and decides to go on a pilgrimage to the end of the world, the Camino de Finisterrae, to finally find peace with himself. With his beloved girlfriend Martyna as a guardian angel, the journey forces Erik to confront the demons of the past. Jessica Nettelbladt’s trustful portrait tackles a difficult topic with seriousness but also with warmth, humour and love. A film about identity, mental health and healing, which goes beyond Erik’s own story.
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2013 · ★ 5.0 (1)
A shy and unlovely woman named Sarita must get married and have children if she wants to inherit the family fortune.
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— · ★ 0.0 (0)
A character-driven action movie about two women of different generations navigating their fraught relationship in the workplace. The job at hand? The pursuit of an international fugitive arms dealer.
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— · ★ 0.0 (0)
Shot while undergoing chemotherapy, this film features Sarah Jacobson and her boyfriend Aaron Zisman giving each other mohawks.
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1982 · ★ 0.0 (0)
Two girls go to Berlin, one to find a German girl who lived at home in the 50s when her parents divorced, the other to look for a role in German cinema.
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2021 · ★ 10.0 (1)
Tensions arise between a pair of roommates while awaiting the result of a pregnancy test.
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1984 · ★ 5.0 (1)
A love story between an arab man and a jewish woman.
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1971 · ★ 0.0 (0)
The artist explores make-up as a traditional mode of self-expression, using it to find a representation of herself with which to face the world.
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1978 · ★ 0.0 (0)
...Dancing to the border of exhaustion. Dressed in little, the black earth sticks to their skin. Yes, to the point where it hurts. A document of early Pina Bausch, an authentic recording of one of the most outstanding choreographies of the 20th century.
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2020 · ★ 6.0 (1)
A cinematic reflection focused on the quotidian, with unexpected sound/image juxtapositions and bristling space/time vortices made cognizant through editing. The film was begun in a "blue" moment a year ago, returned to during the Covid19 pandemic and lockdown in New York City. It's pace, melancholy, and concentration on the everyday, rather than the grandiose, seem particularly suited to this moment in history. As well it returns again and again to themes of mortality and goodbye. The result is allusive and idiosyncratic, exhibiting cross-national globalism within and through the adjacencies of form and content.
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2013 · ★ 0.0 (0)
The filmmaker collects memories of his youth. His brother often told him about being stung by a poisonous jellyfish. Here he retells the story.
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1994 · ★ 0.0 (0)
In Northern China during the Anti-Japanese war, an orphan girl befriends a member of the Eighth Road guerrilla army.
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2015 · ★ 0.0 (0)
26 TAKES FOR HARUN FAROCKI is a film collage made by former students. One minute per take. This film was shot by Arthur Sumereder, Axel Töpfer, Björn Kämmerer, Christoph Kolar, David Pujadas Bosch, Franziska Pflaum, Georg Tiller, Jessyca R. Hauser, Johann Lurf, Josephine Ahnelt, Karo Riha, Mina Lunzer, Michael Poetschko, Monika Rabofsky, Mrova, Nathalie Koger, Patrick Schabus, Peter Muzak, Selma Doborac, and Thomas Lehner.
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2021 · ★ 6.0 (1)
With every moment – one more memory. But memory sometimes goes blind and what is left becomes hazy.
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2009 · ★ 6.0 (1)
A sensation or good fortune? Or a lucky occurrence? The Cuckoo has 12 husbands, all of them splendid! Can this be true, and why is she the lucky one?
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1976 · ★ 0.0 (0)
Roze Stiebra's animation film based on Latvian folktales.
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1990 · ★ 0.0 (0)
A documentary about one of the most influential Latvian composers, Tālivaldis Ķeniņš, who lives in Canada.
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2013 · ★ 0.0 (0)
Short film made for the Ulule campaign for As Long as Shotguns Remain.
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2015 · ★ 0.0 (0)
‘I cannot give you my Forest’ is a modern day rendition of the David and Goliath story, played out in an Orwellian setting. The film is an intimate poetic window into the lives of the Kondh adivasis in Odisha- who eschew the duality of Man and Nature. The Kondh have internalised the Forest – pacing the rhythms of their lives with the cycle of the seasons. The Forest is a metaphor for their identity and their sovereignty. Against the foil of the bloodshed in what the Indian government calls the ‘Red Corridor’, their philosophy gives a counterpoint to the dominant discourse.
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