Eastern State

2019 · ★ 0.0 (0)

Stemming from a found archive of decades of footage documenting the lives of the patients and employees of one of the oldest mental health institutions in the US, Eastern State seeks the moments when the source materials start communicating something outside their intended purpose. *flicker warning

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Love Therapy

1986 · ★ 0.0 (0)

This is a story about an Easter-time vacation. The film-makers returns to the 1960s because that is the time of their childhood. With a fine sense of irony they dwell on the relations between an adolescent boy called Slaveiko and a little girl Bogdanka who has come down from Sofia, his mother and father, Aunt Nelly and the Doctor, and make us consider the responsibility of adults to children.

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That Day of the Month

2014 · ★ 5.0 (1)

When best friends Goy and Lee realize that their period dates no longer coincide, they are forced to confront secrets and lies.

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Rhythm of Two Figures

1969 · ★ 0.0 (0)

"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways. My morphology teacher was also a dancer and he is the one in black moving with the white me in the cube. The film also includes photos I took, a number with multiple exposures, and drawings I did from the photos and from the work of Eadweard Muybridge, whose studies in motion inspired me." - Penny Slinger

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Une chambre à moi

2018 · ★ 8.0 (2)

Djuna, a writer, lives with Léo in a tiny one-room apartment, which has got even smaller with the arrival of their baby. Overwhelmed by the lack of privacy and a feeling of suffocation, Djuna can no longer manage to write. One day, she decides to commandeer the toilet to have a room of her own.

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The Sacrament of Care-Free Play

2011 · ★ 0.0 (0)

The heroine is played by Amane Kazama, daughter of Visual Brains, and the film also features dolls by Dollhouse Noah and regular artists Anran, Ochazuke Nori, Hisashi Kishida, Shoichi Motohara of MONT★SUCHT, and Mame Yamada.

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untitled (august)

2016 · ★ 0.0 (0)

"Four large fires put the province of Pontevedra in jeopardy and have already burned more than 800 hectares, according to the estimates of Rural Areas. The dry climate, the intense heat registered in recent days and the wind caused the flames to spread quickly in all cases and even threatened population centers". (LA VOZ DE GALICIA, August 9, 2016). B.G.

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A. Constant

1977 · ★ 0.0 (0)

Two sisters, Camille and Madeleine, make up the story of a woman: Alice Constant, the servant of their grandfather who committed suicide at the age of 25.

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Louis Matthieu Joseph & Anna Chedid au Palais Garnier !

2015 · ★ 0.0 (0)

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Long. Black. Cloud is Coming Down

2014 · ★ 0.0 (0)

Two young residents of Moscow, recently graduated, hire a car, buy tickets and drive... Their parents built communism, their grandfathers overcame fascism, but for them there is nothing to built and to struggle for. Two young residents of Moscow, recently graduated, spend time on the internet and do not clearly understand what they are living for, don’t understand their country and don’t see a perspective in the future. Television has plagued them with Big Winter Olympic Games in Sochi and they hire a car, buy tickets and drive throughout the country to see competitions, Black sea and Russian countryside.

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Divorce

2018 · ★ 0.0 (0)

She is absolutely sure she wants a divorce! He doesn’t agree, but doesn’t dare contradict. So they go for a divorce. They’d go to the end, if they weren’t stopped by a ridiculous incident... Why do people part? Where do feeling go in a stream of offences and claims? The film is a reflection about partings and relationships, where there is no good and bad, but people don’t hear each other, even though they are close.

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Palimpsests

2017 · ★ 0.0 (0)

This film is from the project Unconformities, comprised of artworks made up from the material of surveyed land, extracted from coring construction sites in Paris, Athens and Beirut. These cores bare their "unconformities"—temporal ruptures, natural disasters, geological movements—in full view, revealing a constant cycle of construction and deconstruction that is the defining feature of civilisations past and present, with each using the stones of the last. History appears not as layers but as actions, a kind of palimpsest mixing epochs and civilizations. These poetic recompositions question the dominant forms of narrating and representing history, but also address debates around the Anthropocene.

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The Far Side of Laughter

2009 · ★ 0.0 (0)

Trapped in a dark room, a woman starts seeing fantasies from different light holes that appear to her. After realizing that these fantasies are reflections of herself in different stages of her life, the fantasies transform into nightmares.

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Building Bridges

2017 · ★ 2.8 (2)

Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.

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Uranium Hex

1987 · ★ 6.0 (2)

A memory-using location film of a stay with a uranium mining community. Using a kaleidoscopic array of experimental techniques, this film explores uranium mining in Canada and its destructive effects on both the environment and the women working in the mines. A plethora of images ranging from the women at work to spine-chilling representations of cancerous bodies are accompanied by unnerving industrial sounds and straightforward information from some of the women.

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Istanbul

2007 · ★ 0.0 (0)

With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration. At the boundaries between image by image movement and optical fusion, the rhythm of the film gives way to a suspended or floating time. Is it not certain that the idea of duration is more able to render a perception of the city that rather burns for intense emotion. It seems as if the camera cultivates a dreamy half-sleep. To this soft throbbing, blends however, variation of exposure as well. Therefore, at certain times, seeing becomes fragile and dangerous.

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Deal

1988 · ★ 0.0 (0)

The Sisyphus-like story by two co-authors is set in the present. The hero’s boulder is his everyday duties and the need to earn money and look after the family. The dynamic story imitates for instance the rapid pans and tilts of a camera by blurring the picture, the final intensity of changes implicates the stereotypical working routine. Animation on translucent layers alternates with total drawing.

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Three Bears

1984 · ★ 0.0 (0)

Varvarushka, the restless main character of the cartoon, went with her goat friend to pick flowers in the field. She ran and walked through the grass, and didn't even notice how she ended up in a dense forest. She came across a hut in the forest in which there was no one. In the hut, as usual, there were three beds, three chairs and three bowls on the table. Varvara sat on all the chairs, tried all the bowls, jumped on all the beds, and fell asleep on the smallest one. Meanwhile, the owners of the hut - three bears - returned home.

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L'Utérus artificiel, le ventre de personne

2010 · ★ 8.0 (1)

The issue of artificial insemination has biological, medical, psychological, and ethical dimensions. Filmmaker Marie Mandy approaches the topic in her own unique way, involving scientists from various disciplines. The artificial womb—is it a futuristic fairy tale or scientific reality? Filmmaker Marie Mandy uses a very personal visual style to explore the latest research findings in the field of artificial insemination. She highlights the biological, ethical, and psychological issues surrounding this (r)evolution, while also questioning the value of life and the power of science.

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The Last Century

2006 · ★ 0.0 (0)

In her film The Last Century (2006), what appears to be a static image of a group of people slowly reveals itself to be a real, filmed take, timed to the length of a burning cigarette: the film is entirely static apart from the involuntary blinking, twitching and barely-visible breathing of four motionless actors, all arranged around a central figure as if in a group portrait painted by Rembrandt or Caravaggio.

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