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2005 · ★ 0.0 (0)

Father had been living an unstable life following after construction sites to work as part-time carpenter. But now, he's old and there aren't any sites who'll hire him. The multi-leveled structure of the construction industry in Korea and Japan is managing the laborers inhumanely. While looking at those who live every day of their lives finding work and always with the uncertainty and pain of unemployment, I'm reminded of my father.

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2020 · ★ 0.0 (0)

Session I investigates the holophrastic stage of language development, where the child is able to reproduce sounds of combined words but not not fully ascertain their distinction, as a greater symbol of the ego’s integration into the symbolic order. Action is staged in the digital realm as a computerized consciousness passes through the pre-libidinal stages of development, articulating and mimicking signs like a child learning to speak. The fundamental trauma of the distinction between souls is embodied in the severance of the mother/child bond, enacted with humanity as the parents of digital simulacra. What does it mean to be born without a body? A discarded draft of a larger project in development. All algorithms coded by hand.

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Poster for Presencia lejana

1982 · ★ 0.0 (0)

A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.

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Poster for Village Cadre

2002 · ★ 0.0 (0)

Look at impoverished mountain village government officials. Shot over the course of four years, it reveals the tension and complexity that comes with the job of village cadre.

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2005 · ★ 0.0 (0)

An altarpiece and a portrait, whose composition obeys the digressions and ramblings of a handful of people, around their intimate relationship with God.

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Poster for Have You Heard from Johannesburg: Fair Play

2010 · ★ 0.0 (0)

Athletes and activists around the world, faced with governments reluctant to take meaningful action against the apartheid regime, hit white South Africa where it hurts: on the playing field. International boycotts against apartheid sports teams help bring the human rights crisis in South Africa to the forefront of global attention and sever white South Africans' cultural ties to the West.

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2016 · ★ 0.0 (0)

For millions of years rocks have formed the fundament man moves on over the earth. Rocks are everywhere, so they are said to be the memory of our planet. How can a sandstone landscape be pastel pink and another is full of colorful dramatic lines? Why is one basalt boulder rough and porous while another appears as fine and polished as glass? Where do the rich granite boulders come from in an otherwise flat plain? What is the difference between granite and basalt and - why aren't all the craters on earth of volcanic origin? In my trips to spectacular places characterized by highly concentrated deposits of rock - the basalt on the Pacific Ring of Fire, the sandstone in the American West, granite in the cold French Atlantic and the marble quarries in Rajasthan - I find answers.

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Poster for CC Dances the Go-Go

2020 · ★ 0.0 (0)

CC dances the go-go every Saturday night at Wanda’s, the local lesbian bar. Nicky is an aspiring actor and professional freelancer who believes she’s possibly made CC up.

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Poster for Black Hands: Trial of the Arsonist Slave

2010 · ★ 0.0 (0)

Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?

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Poster for Unknown Woman

1991 · ★ 0.0 (0)

A woman’s psychological journey which externalises an inner world filled with suspense and pursuit. Animated ink and wax drawings are inter-cut with pixilated sequences originating from dreams of a woman and a crow. The structured footage is then painted, and edited to a composed soundtrack. – K.P.

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Poster for PLAGUE INC.

2020 · ★ 5.0 (1)

Trying to survive 2020's quarantine days to prevent COVID-19 from a worldwide spread, a woman begins to question her own existence.

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Poster for On/Off

2017 · ★ 0.0 (0)

Many people live out their final days inside of a hospital, and in France, intensive-care personnel are becoming society's undertakers. Going behind the closed doors of an intensive care unit, this project uncovers the rhythms of daily life for health-care professionals. As it moves through their routines, their atmosphere and their conversations, it immerses viewers in the intense demands of confronting and “managing” death on a day-to-day basis. In France, we die in hospital, often in intensive care. Why ? Because this highly technical discipline concentrates the last hopes of our civilization which no longer wants to die. Caregivers, despite being trained to save lives, are on the way to becoming the undertakers of our society. This is not without consequence. By staging their words, their daily lives in the service, our project tells of the difficult confrontation with the end of life by the caregivers who manage it every day.

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Poster for Camellias in Bloom

2017 · ★ 0.0 (0)

Yeonhwa lives as an ordinary person. One day, she hears her aunt's death and goes to her funeral with her father. Her father criticizes her aunt's life and Yeonhwa finds a video from the aunt's keepsake.

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2016 · ★ 0.0 (0)

UQAM. The University of Quebec in Montreal. The « New » university. Birthplace of the quebec student movements of 2012 and 2015. The time of a truce, the time of a night, words shall awaken the sleeping scenery. A poetic meditation on the identity of UQAM, between fervor, activism, repression, indifference and disillusion.

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Poster for Catscan

1988 · ★ 0.0 (0)

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning, grief and spirits of the dead. It sustains aspects of Schneemann's previous works built with dream instruction, positing the interchange of intimacy and physicality, the erotic and the obscene, the incubation of dream enactment. Catscan centers on the death of a beloved cat as a means to ritualize more universal mourning and to bring forward ghosts of the past. As a ritual consecration, Schneemann, blindfolded, dances out of 20 yards of red fabric wound around her body. The performance, which had a duration of approximately 90 minutes and variously featured 5 to 8 performers, included a slide projection system, 15 video monitors, ladders, furniture, suitcases, and debris.

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Poster for Membrane

2000 · ★ 0.0 (0)

The view from a balcony window in Berlin: one sees elements of Summertime, such as shadows and the movement of plastic wrapping material in the wind, which alternately hides and reveals the view of an intersection teeming with life.

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Poster for Angst

2011 · ★ 0.0 (0)

Nothing of what we have created or discovered has distinguished us from the other animals as formidably as we would have wished. We have simply created a world of illusions, without which we will not ourselves survive. This film is just that.

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Poster for The Little Story of Gwen from French Brittany

2008 · ★ 6.5 (4)

In 2007, the French filmmaker and my dear friend Agnès Varda called me before coming to L.A. with a question: would I agree to let her film my L.A. story? The video you are about to watch is the story of our first encounter in Paris in 1996 and in the years since, how our shared reverence for cinema formed the bonds of an everlasting friendship, and how the Cinematheque became like home.

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Poster for Among the Adults

2017 · ★ 0.0 (0)

Rosa despises all the lies and faking among adults. But at her confirmation party, she realises that the truth can be even worse.

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Poster for Reinvenção da Rua

2003 · ★ 0.0 (0)

Helena Ignez's first film as a director is a homage to American architect and contemporary artist Vito Acconti, who made an urban intervention over a bridge in São Paulo, transforming that space for it to be used as shelter by nearby homeless people.

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