2006 · ★ 0.0 (0)
Tales of the Countess' maid, who helps her with a dark secret
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2020 · ★ 0.0 (0)
What would you do if the State of Alarm is declared and your partner leaves you that same day? Marta and Nuria are friends but are unexpectedly forced to live together in the midst of a pandemic. A romantic comedy where friendship overcomes fiction.
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1976 · ★ 0.0 (0)
Monique (an advertising assistant) and Christine (a semi-skilled worker) talk about how difficult it is for a woman working in a struggling factory (Lip), about issues of internal democracy within the trade union and the end of work in the current situation.
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— · ★ 0.0 (0)
A self-proclaimed "guy's girl" finds herself stuck in an all-female goddess seminar.
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1999 · ★ 0.0 (0)
Orifso is in the form of a fable, though based upon histories of Europe, 1942 -1998, located in the picture space, on a road in France and on the streets of London.
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2020 · ★ 10.0 (1)
After spending a few months in the Vila Verde Village, the yãmĩyhex (women-spirit) prepare to leave. The filmmakers Sueli and Isael Maxakali register the preparations and the great feast for their farewell. During the feast days, a legion of spirits crosses the village. The yãmĩyhex go away, but they always come back missing their fathers and mothers
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2014 · ★ 0.0 (0)
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
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— · ★ 0.0 (0)
A personal portrait of crofting life on the Isle of South Uist, Scotland, told through layers of memory and action. The bardic hills are steeped in stories of survival and this film captures a sense of this. The story explores how the greatest challenge today is not from the longest test rocket missile firing range in Europe next door but from the growing number of Greylag geese who feast on the crofters’ corn.
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2011 · ★ 0.0 (0)
The film presents the theatrical show "Os Sertões", staged by the group Teatro Oficina during 2007, in the city of Canudos, founded by Antonio Conselheiro and massacred by the Brazilian army in 1897.
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1918 · ★ 0.0 (0)
"Wild Cat" Betsey Dawley, whose father, "Handsome Harry," was disowned by the proud Dawley family of Greenburgh, Kentucky, meets and thoroughly charms her snobbish cousin Virginia's fiancé, John Davidson, at a picnic. At the start of the Civil War, John becomes a Union officer, while Betsey and her father staunchly defend the South. When Confederate Colonel Morgan, the leader of the intrepid band known as "Morgan's Men," commissions a young horseman to deliver an important message to the Dawley mansion, the rider is shot and Betsey takes his place, breaking through the lines and successfully accomplishing the mission.
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2006 · ★ 0.0 (0)
Ireland, 1961. Princess Grace of Monaco makes her first official visit. Little Marion is determined to meet her.
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2018 · ★ 5.0 (1)
Two men talk with each other while they eat a sandwich. One of them doesn't give the desired attention to the other guy. That would be the synopsis of X-Tudo if the protagonist couldn't create different versions of the facts.
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1979 · ★ 0.0 (0)
The film revolves around three notions: Kha = the etheric double according to ancient Egyptians. Perpetual specter in all respects resembling the physical body of a dead person. Uebertragung = transfer. Phenomenon by which an emotional state experienced for one object is extended to another by an association. Identification. Projection. Moving from one order of things to another. Embalming = filling a corpse with balsamic, desiccating and antiseptic substances to preserve them. Fill with a sweet smell. Perfume.
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2017 · ★ 0.0 (0)
American psychologist of Russian descent Alex comes to Tuva to open his third eye and learn shamanic practices. Chochagar Kes-Kam becomes his “teacher of shamanism”. Together, the master and the student visit the famous Tuvan shamans and travel around Tuva. But their relationship is being seriously tested.
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2013 · ★ 0.0 (0)
Film THE FOCUS is constructed from rephotographed images collected from old pictorial books of volcano, nomad's culture, war , mountains, some texts and simple color screens that are inserted between images. Nathaniel Hawthorne’s short story “The Earth’s Holocaust” is there as a background of this film.
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2016 · ★ 0.0 (0)
A 16mm portrait in response to the idea of simplicity and poverty which is the guiding principle of the Poor Clares and their ‘hidden’ life. Filmed in the enclosed Monastero di Santa Chiara, San Marino. The nuns spend the morning in the ‘laboratorio’ sewing, mending, ironing, in the kitchen preparing the midday meal and in the garden, tending to the animals and cultivation.
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2018 · ★ 5.2 (4)
Filmed in the Andean Mountains in the traditional lands of the Atacameño, Aymara, and Calchaquí-Diaguita in Northern Chile and Northwest Argentina, ALTIPLANO takes place within a geological universe of ancestral salt flats, volcanic deserts, and coloured lakes. Fusing earth with sky, day with night, heartbeat with mountain, and mineral with iridescent cloud, ALTIPLANO reveals a vibrating landscape in which a bright blue sun threatens to eclipse a blood-red moon.
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2017 · ★ 0.0 (0)
In this humorous and nostalgic biopic, the magnetic and mischievous transgender elder Michel Gagnon vividly relates the roller-coaster story his colorful love life, accented with masterful puppetry. He lays bare a life full of courage, sex positivity, and fierce self-assurance in the face of stuffy sensibilities and transphobia. Director Marie-Pierre Grenier weaves the presence of the documentarian into the fullness of Michel’s life. The result is a film that asks the viewer to bear witness and honor the complexities of our trans elders, and to walk away empowered to live a similar life of richness, intrigue, and intimacy.
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