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Poster for Las Buganvillas

— · ★ 0.0 (0)

Maca and Carmen, two lifelong friends, spend their last day together in the town where they lived their childhood before moving to different countries for work reasons. Spending that last day, we take a walk through her memories walking through the streets of her town, her dreams and her disappointments.

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Poster for Cornered

2017 · ★ 0.0 (0)

An installation utilizing two adjoining screens mounted in a corner. On the opposing sides, groups of people protest for and against desegregation during the 1965 Boston riots, the looped news footage slowed to match the tempo of Samuel Barber’s “Adagio for Strings,” the only sound.

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Poster for Mon cher Simon

1982 · ★ 0.0 (0)

Simon is an Algerian man who has moved to the south of France. Simon roams from house to house in the town, considered by everyone to be the “idiot of the village”. Simon is in search of not only a job but also acceptance in the society where he finds himself. A small film in the form of a sincere and thoughtful portrait.

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1960 · ★ 0.0 (0)

Julleke would have loved to have been a student but he never made it beyond the post office of Mussegem. His friends Mil and Frans have no financial worries and their motto is 'the dafter the better'.

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Poster for Du hockey propre : petite histoire d'un film culte

2016 · ★ 0.0 (0)

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Poster for Le Nozze di Figaro

2019 · ★ 0.0 (0)

In this new "Marriage of Figaro", Jérémie Rhorer revisits this composer and US film director James Gray makes his first foray into opera. This opera is recorded for broadcast by Louise Narboni.

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1998 · ★ 0.0 (0)

A cynical take on "happily ever after"

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1973 · ★ 6.0 (1)

Second version of the video-poem "Visual Text: Finger Poem" (1968), by Valie Export, conceived after the eponymous photo poem from 1968: "I say what is shown in showing what is said" (freely adapted from Martin Heidegger).

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Poster for What Happened to Her

2016 · ★ 0.0 (0)

A biting, beautifully gruesome exploration of female corpses, as portrayed nude on screen.

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Poster for Brincando el Charco: Portrait of a Puerto Rican

1994 · ★ 0.0 (0)

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

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1983 · ★ 6.0 (2)

The transformation of an image. A woman suddenly transfigured breast and cut, like the Amazon, making new weapons: the bow and arrow.

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Poster for Aviliaq:Entwined

2014 · ★ 0.0 (0)

In the 1950s, two Inuit women attempt to protect their relationship when pressure from their new colonial culture forces them to marry men.

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2013 · ★ 10.0 (1)

A junior high student Ye-min realizes her uniform is missing.

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Poster for Schmeerguntz

1965 · ★ 7.5 (1)

A hilarious, grotesque and grave attack on the public ideal of the American housewife.

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Poster for The Taste of Drama

2026 · ★ 0.0 (0)

Dolores owns THE restaurant of the small town. But things are not what they look like. Working here means chaos, fighting, sometimes bad food, sometimes good food, and a lot of pretentiousness.

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Poster for Floverr

— · ★ 0.0 (0)

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Poster for FOR A MILLION YEARS

2025 · ★ 0.0 (0)

In 1985, the most famous musicians of Yugoslavia came together to record the humanitarian song For a Million Years as their contribution to Bob Geldof’s vision, which culminated in the legendary Live Aid concert. From the first hint of its melody to the final version of the song, its significance grew, transforming into a powerful symbol of unity and solidarity.

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Poster for Caetano e Bethânia Ao Vivo

2025 · ★ 0.0 (0)

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Poster for Ensaios de Cinema

2025 · ★ 0.0 (0)

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2008 · ★ 0.0 (0)

A new girl is giving a try. Her worried presence triggers talks: everyone is opening up. Be they aggressive or melancholy, these confidences stop when a client bursts into the changing-room and attacks the newcomer.

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